
昨日は孫にはじめての「安藤忠雄建築体験」機会ということで「こども本の森 札幌北大」に行かせておりました。「行かせて」というのは、同行はカミさんと息子の嫁さん・孫の母のふたりに任せて、私は別行動で、ご近所の明治建築「清華亭」を再度体験していたからです。
「こども本の森 札幌北大」の方では1日20人限定の「当日入場」が叶ったワケですが、孫は元気いっぱいに「ハイハイ」してくれたようで、安藤建築に触れたよろこびを爆発させていたようです(笑)。ジジバカもうれしい。読み聞かせの絵本の方では目が泳ぎ続けていたそうですが、まぁ先は長い。焦らずジックリ、読書というのはその人間の人生とほぼ同期する長期戦であります。6ヶ月の幼児には読書はできないけれど、読書には人類社会が続いてきた文化としての空気感の格調がある。それをカラダいっぱいに「浴びる」ことは非常にすばらしい。安藤さんの考え方に深く敬意を表します。
ということでクルマでの送迎役なので選に漏れざるを得なかったわたしは、写真の清華亭へ。
この建築はわたしのこのブログでも以前に「北海道の開拓期の創生期建築」として書いていたのですが、最近、修復工事が終わっていたようなので、歩いて5分ほどの距離なので、再訪。で、わたしは明治天皇が北海道開拓に込められた熱意を、このはじめての訪問に感じられると思っています。
溌剌とした明治国家の創意が込められた開拓のつち音、一刻もはやくその地を訪れたいと祈念された様子に深く敬意を抱くものです。わたしたち北海道人が根底にもつ心意。そのはじめての来訪のときに「小休所」として、北海道初の「公園」として整備された「偕楽園」のなかに建てられた。歴史事実としても明治帝はこの施設で一時を過ごされた。


開拓の状況をお知らせしようと、道産木材で建てられたとされている。
内部でもその大径木の道産木材の天井張り板などから、心意気が伝わってくる。
なんですが、わたし的には天皇が足を踏まれた敷石にまで「石山軟石」という地元産材が使われたことにある感慨を持たされた。で、わが家の玄関前にも「踏み石」として石山軟石を生産工場に買いに行って、60×30cmの材を3枚敷き込んである。
個人的には自分自身の「歴史好き」の心情と建築に関連して生きてきたことのフックを意識させてもらった。パクリについてこころ爽やかに告白。・・・
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English version⬇
[A Humble Note to Seikatei: We’ve “borrowed” your Ishiyama soft stone paving stones…]
Both those reporting on the achievements of the colonization efforts and the young Emperor Meiji, who received the report, connected through their shared experience of the Seikatei’s architecture. I can only try to follow in their footsteps, however faintly. …
Yesterday, since it was my grandson’s first chance to experience Tadao Ando’s architecture, I sent him to “Children’s Book Forest: Sapporo Hokkaido University.” I say “sent him” because I left him in the care of my wife and my son’s wife—my grandson’s mother—while I went off on my own to revisit the Meiji-era “Seikatei” building in our neighborhood.
At “Children’s Book Forest, Hokkaido University, Sapporo,” they managed to secure one of the 20 same-day admission spots available each day. My grandson was apparently crawling around full of energy, bursting with joy at getting to experience Ando’s architecture (laughs). This doting grandpa is happy too. I heard his eyes kept darting around during the picture book reading session, but well, he’s got a long road ahead of him. Take your time and don’t rush—reading is a long-term endeavor that runs almost parallel to a person’s entire life. A six-month-old infant can’t actually “read,” but reading possesses a certain dignity and atmosphere as a culture that has sustained human society. To “soak in” that with every fiber of one’s being is truly wonderful. I have the deepest respect for Mr. Ando’s philosophy.
So, since I was the designated driver and couldn’t join them, I headed to Seikatei, shown in the photo.
I’d previously written about this building on my blog as an example of “architecture from the formative period of Hokkaido’s settlement,” and since restoration work seemed to have recently been completed—and it’s only about a five-minute walk away—I decided to revisit it. I believe that on this first visit, one can sense the passion that Emperor Meiji poured into the development of Hokkaido.
I have deep respect for the vibrant creativity of the Meiji state that was poured into the pioneering efforts, and for the Emperor’s earnest desire to visit the land as soon as possible. This spirit lies at the very foundation of us Hokkaido residents. The pavilion was built within “Kairakuen,” which was developed as a “resting place” and Hokkaido’s first “park” during the Emperor’s inaugural visit. Historically, it is a fact that Emperor Meiji spent some time at this facility.
It is said to have been built with Hokkaido-grown timber to showcase the progress of the region’s development.
Inside, too, the spirit behind the project comes through in details such as the ceiling planks made from large-diameter Hokkaido timber.
However, what truly moved me was the fact that even the stepping stones where the Emperor walked were made from “Ishiyama Soft Stone,” a locally sourced material. So, I went to a factory to buy Ishiyama soft stone to use as “stepping stones” in front of my own home’s entrance, and I’ve laid three 60×30 cm slabs there.
Personally, this made me aware of the connection between my own passion for history and the fact that I’ve spent my life involved in architecture. A refreshing confession about copying. …
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Posted on 8月 16th, 2026 by 三木 奎吾
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