住宅メディアReplan誌は、今週６月16-17日の両日、東京ビッグサイトで開催の
「住宅ビジネスフェア」に出展致します。

「え？Replanって地域限定の雑誌メディアでしょ？」
という当然の疑問を持たれると思います。
地域住宅雑誌＆WEBメディアとしてこれまで活動を続けてきましたが、
ことしから来年にかけて事業活動の発展を見据えて
全国の住宅関係のみなさんに広く活動を広報するのが狙いです。
まずは活動を知っていただき、事業の拡大を図っていこうという作戦。
はじめて試みるのでどんな反応があるのかないのか、
手探りというのが偽らざるところですが、
弊社スタッフ３名が参加して幅広く情報交換させていただきます。

Replanは北海度発祥の住宅雑誌として高断熱高気密の住宅革新の
大きな流れを体現し、その渦の中から住まい手の立場に立って
よりわかりやすく「伝わりやすい」住宅取材を続けてきました。
より高性能でいい家を、という切実な願いが発行継続の骨格テーマ。
住宅性能の革新が同時に住宅のデザインをも進化させてきた。
そのリアルな家づくりの変化をユーザーに伝えるために
住宅生産の革新と足並みをそろえその広報活動を果たしてきました。
北海道が生み出してきた「高断熱外皮」とか「無落雪屋根」などの
あらたな住宅常識が、徐々に本州以南地域にも広がりを見せ始めて
日本全体の住宅革新も大いに進んできていると思います。
そういう意味では全国一体の「ボーダーレス化」が顕著になってきた。
温暖地域の住宅革新が今後どのように進んでいくのか、
わたしどものようなスタンスのメディアとしても非常に興味深い。
多くの地域から住宅建築にかかわる作り手のみなさんが参集される場で
忌憚なくお互いに情報を交換させていただきたいのです。
北海道は全国有数の「地域工務店」活躍地域とも言われます。
地域工務店がユーザーと直接向き合って全国一の受注レベルを実現させてきた。
家づくりという領域で強い地域製造業基盤を創造してきたのです。
高断熱高気密が必需とされたことで全国ハウスメーカーにはない現場技術力が
大いに磨かれた。と同時に、そういった技術力をユーザーに伝えるために
地域のメディアも地道に広報活動に取り組んできました。
よい住宅を適正なコストと、よきデザイン力で作り出す地域パワー。
それをユーザーに共有化するにはメディア情報活動も絶対に不可欠だと思います。

ぜひフェアの会場で多くの作り手のみなさんと
よき住宅の広報活動全般についてフランクに意見交換したいと思います。
こぢんまりとしたブースですが（笑）、ご来場の際にはぜひ足をお向けください。
You Welcome!

English version⬇

6.16-17 Exhibit at Tokyo Big Sight “Housing Business Fair
Highly insulated and airtight housing innovation and design evolution. Publicity activities widely through magazines and web media that connect users and makers. ・・・・.

Replan magazine will be exhibiting at the Tokyo Big Sight on June 16 and 17.
June 16-17 at Tokyo Big Sight.

You may be asking yourself, “Replan is a regional magazine media, right?”
We believe that this is a natural question.
We have been working as a regional housing magazine and web media until now, but we are going to expand our business activities from this year to next year.
However, from this year through next year, with an eye on the development of our business activities, we are planning to
Our aim is to publicize our activities widely to everyone in the housing industry throughout Japan.
Our strategy is to first get the word out about our activities and then expand our business.
Since this is our first attempt, we are not sure what kind of response we will get.
We are not sure what kind of response we will get, since this is our first attempt.
Three of our staff members will participate in this event and exchange a wide range of information.

Replan is a housing magazine that originated in Hokkaidō and embodies a major trend in housing innovation of high thermal insulation and high airtightness.
Replan embodies the great flow of housing innovation of high heat insulation and high airtightness, and from the vortex of this trend, we are trying to make it easier to understand and “communicate” from the perspective of the resident.
We have continued to cover housing in a way that is easier to understand and convey.
The sincere desire for higher performance and better homes has been the backbone of the magazine’s ongoing publication.
Innovations in housing performance have simultaneously evolved housing design.
To communicate this realistic change in home building to users
We have been fulfilling our public relations activities in line with innovations in housing production.
Hokkaido has been creating “highly insulated outer shells” and “snowless roofs,” etc.
and “snowless roofs,” which have been developed in Hokkaido, are gradually spreading to regions south of Honshu.
I believe that housing innovation in Japan as a whole is making great progress.
In this sense, the “borderlessness” of the entire country has become more pronounced.
I wonder how housing innovation in warmer regions will progress in the future.
It will be very interesting to see how housing innovation in warmer regions will progress in the future, as a media outlet with a stance such as ours.
We would like to have a forum where makers involved in housing construction from many regions can gather and frankly exchange information with each other.
We would like to exchange information frankly and openly with each other.
Hokkaido is said to be one of the most active regions in Japan for regional construction companies.
Local construction companies have achieved the highest level of orders in Japan by directly meeting with users.
This has created a strong regional manufacturing base in the area of home building.
The necessity of high thermal insulation and airtightness has greatly honed the on-site technical skills that are not available from the nation’s housebuilders.
This has greatly refined our on-site technical capabilities, which are not available from the national housebuilders. At the same time, in order to convey such technical capabilities to users
local media have also been steadily engaged in public relations activities.
The power of the local community to produce good houses at a reasonable cost and with good design skills.
I believe that media information activities are absolutely indispensable to share this power with users.

We hope that you will join us at the fair to discuss with many builders about the public relations activities of “Yoki-House” in general.
We would like to have a frank exchange of opinions with many of you at the fair about the publicity activities of YOKIHOUSEI in general.
We have a small booth (laugh), but we hope you will stop by and visit us.
You Welcome!

Posted on 6月 12th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング | No Comments »

さて北海道に残る総合芸術建築・岡崎家能舞台を見て来ました。
1925年（大正14年）創建という建築なのでほぼ100年。
創建から60年後の1985年には「小樽市歴史的建造物」に指定される。
という経緯があって、1999年には駒木先生の力で
北海道職業能力開発大学校建築科による実測調査が２年かけて行われた。
２枚目の写真はそのときに小屋裏部分に入ったところの様子。
当時すでに大工職人であった藤井徹真くんの活躍ぶりです。
駒木先生のお話では何度も行われた実測調査活動で最後まですべて参加したのは
実はかれひとりだったという情報開示も行われていました。
大工仕事を実際にしながら木造技術を極めたいと学んでいたということ。
こういう伝統的建築は当然、長期保存優先志向で材の乾燥のために
隙間だらけの作り方になる。
現代の高断熱高気密技術では密閉と乾燥のための開放は
同時に解決するように技術進化しているけれど、
伝統的技術ではこういう作り方になる。したがって小屋裏内部は
野生の鳥、ハトなどが内部に入り込んで雨天などのときに恰好の巣になる。
いきおい大量のフンが集積することになる（！）。
構造を解明するためにはそのフンを除去する必要がある。
まことに奮闘努力の賜物であります。

屋根の木造構造があらわになって右側写真のようにタテの柱材に対して
放射状に梏木〜はねき〜という材が渡されている様子も実測された。
このような地道な実測作業によって先人の営為を確認することは
技術の伝承の基盤を確立することにつながる。
そういう成果を模型として造作したのが１番目の展示写真。
また、３枚目の写真は解体組立式の能舞台の説明模型。
今回の駒木先生の講演に続けてこちらの説明もされていました。
現代の木造技術者のみなさんによる技術の解析、伝承努力の一端が知れた。
とくに床面は一般住宅とは目的が違うので床の音響効率を考え
板面を太鼓の表面皮革のように造作している。
より本格的な能舞台ではこの音響効率をさらに高めるために
床下に半分埋め込んで大きな壷が複数配置されている。
能や狂言では役者の足による太鼓効果や、笛や太鼓の伴奏具の音響などが
囲んでいる客席に対して響き渡るように空間デザインされる。
そういう建築の仕立ての技術が解明されていくのですね。

このようにして建築の側では伝承努力がされているけれど、
それを活用し能狂言のような日本文化の粋を北海道に根付かせるには
北のくらし文化の進化発展が同時に求められる。
今日社会の究極的な個人主義傾向のなかで日本社会と文化の揺りかご、
伝統的なムラ共同体の共存共栄意識は極小化傾向というしかない。
全世界的な傾向と言われる人口減少の問題とも通底する。
日本社会がムラ共同体の柔軟性に再び目覚めることが必要なのではないかと
深く思い知らされるのでありますが、さて・・・。

English version⬇

Efforts to Inherit Wooden Construction Techniques: The “Noh Stage” in Otaru – 4
In order to revitalize the Noh stage, we are analyzing its structure and making it inheritable. The technology has been accepted, but society has undergone a major structural change. What about cultural inheritance? Well, what about cultural inheritance?

I visited the Okazaki Family Noh Stage, a comprehensive art architecture remaining in Hokkaido.
It was built in 1925, so it is almost 100 years old.
In 1985, 60 years after its construction, it was designated as an “Otaru City Historical Building.
In 1999, the building was designated as a “Historical Building of Otaru City” by the
In 1999, a survey was conducted by the architectural department of the Hokkaido Vocational Ability Development College over a period of two years.
The second photo is a view of the back part of the shed at that time.
Tetsuma Fujii, who was already a carpenter craftsman at the time, was very active.
Mr. Komaki told us that he was the only one who participated in all of the surveying activities that took place until the end.
He also disclosed that he was the only one who participated in all of the surveying activities that took place.
He had learned to master wooden construction techniques while actually working as a carpenter.
Naturally, this kind of traditional architecture is built with a priority on long-term preservation.
The building is full of gaps and crevices.
With today’s highly insulated and airtight technology, sealing and opening for drying have evolved to be solved at the same time.
and open for drying at the same time.
traditional techniques are based on this method of construction. Therefore, the interior of the back of the house is
wild birds, pigeons, etc., enter the interior and make a good nest when it rains.
This leads to the accumulation of a large amount of feces (!). The structure of the hut is not yet understood.
In order to clarify the structure, it is necessary to remove the feces.
This is the result of a great deal of hard work and effort.

The wooden structure of the roof is revealed, and as shown in the photo on the right, the vertical columns are surrounded by handcuffs and splintered wood.
As shown in the photo on the right, the wooden structure of the roof was revealed, and the way the handcuffs were radially attached to the vertical columns was also measured.
Confirming the activities of our predecessors through this kind of diligent measurement work is a great way to establish a foundation for the transmission of technology.
This kind of work is the foundation for the transmission of technology.
The first photo shows a model of the results of this work.
The third photo is an explanatory model of a disassembled and reassembled Noh stage.
This explanation was given following Dr. Komaki’s lecture this time.
I was able to learn about some of the efforts made by modern wood construction engineers to analyze and hand down their techniques.
In particular, the purpose of the floor surface is different from that of an ordinary house, so the acoustic efficiency of the floor was considered.
The wooden planks are made to look like the surface leather of a drum.
In order to further improve the acoustic efficiency of a full-fledged Noh stage, a large urn is half embedded under the floor.
the floor to further enhance the acoustic efficiency of the Noh stage.
In Noh and Kyogen plays, the drumming effect of the actors’ feet and the sound of the accompanying instruments such as flutes and drums
The space is designed so that the drumming effect of the actor’s feet and the sound of the flutes and drums echoes out to the surrounding audience.
This kind of architectural tailoring technique is being elucidated.

In this way, efforts are being made on the architectural side to pass on the traditions of Noh theater.
However, in order to utilize these techniques and to establish the best of Japanese culture, such as Noh and Kyogen, in Hokkaido, it is essential that the evolution and development of the northern lifestyle culture be promoted.
The evolution and development of northern lifestyle culture is required at the same time.
In the midst of today’s society’s ultimate trend toward individualism, the cradle of Japanese society and culture, the traditional mura community, must coexist.
The coexistence and co-prosperity of the traditional mura community, the cradle of Japanese society and culture, has become a trend toward minimization.
This is also the same as the problem of declining population, which is said to be a global trend.
It is necessary for Japanese society to reawaken to the flexibility of the mura community.
I am deeply reminded of this…

Posted on 6月 10th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 日本社会・文化研究 | No Comments »

能舞台の背景を印象強く彩る「鏡板」。
日本の建築文化の「粋」とも思えるこの建築装置に対して、
小樽の経済的成功者一族は、故郷の佐渡「神代杉」をはるばる「勧請」した。
用材に対して「勧請」というのは変な用語だと思うけれど、
その労役の巨大さを思えば、あえてそう呼びたい。
２枚目の写真は能舞台が建築として完成したときに
当主の岡崎氏が能を舞った様子だとされていた。
よく見ると、１枚目の鏡板の松の絵柄が表装されていない。

この松の絵柄はなんと当時の「狩野派」当主が小樽に招かれて
２ヶ月掛けて描き上げたものなのだというのです。
〜1925年7月には建築工事に着手、1926年1月26日に舞台開きを迎え、
1927年11月には狩野派第17代の狩野秉信（かのうもちのぶ）が
延べ2か月滞在して描いた鏡板の絵が完成した。〜
２枚目の写真は1926年初頭の「舞台開き」のときの記念写真。
そして３−４枚目は1927年11月当時の絵画制作過程。
おお、であります。
揮毫というコトバは「文字を書く」行為にのみ使われると思っていたら、
こういう絵を描くことも揮毫だということを初めて知った。
ちょうど「鎌倉殿の13人」で奈良大仏殿復興に際して後白河帝が揮毫した様子が
ドラマとして放映されていましたが、権威を持った存在の書画行為という意味。
日本史の中で折に触れて「狩野派」という存在は日本絵画の宗家として
ときどき彩ってくるけれど、リアリティを持って周辺状況を知ることはあまりない。
まことに中世社会での堺の町のように、小樽ではごく最近100年程度の
直近の歴史事実としてこういう状況があったのですね。
「狩野派宗家」に揮毫を依頼することの意味合いが伝わってくる。

狩野派は織田信長が築城した安土城の装飾絵画を受注した。
「天下」意識の異常に昂進した信長の時代、
日本絵画文化の正嫡を自認した狩野派はそのように歴史を彩った。
そういう日本史の空気感が20世紀の北海道でも発露していた。
日本社会の伝統、底流を形成する文化性は
北海道という新開地だからこそ、目に見えるかたちで表出したのでしょう。
日本文化がこの北海道という大地に刻印される生々しい現場と思える。
開拓初期において「北海道開拓使」という存在は中央省庁だった。
そして開拓が一段落した機会に最新文明の象徴である鉄道が関西地区よりも前に
小樽〜札幌間に敷設され、明治帝がはじめて乗車されて札幌に光臨される。
あらたに開拓された領土に対して「日本化」させる民族の努力が
文化領域で痕跡として残された、そういった証拠のような気がしますね。

English version⬇

Noh Stage in Otaru, Hokkaido, where Japanese cultural history is concentrated.
The Kano school’s head priest wrote calligraphy on the mirror plate of the Noh stage. It can be seen as an imprint of Japanese culture on the newly developed land of the north. The Noh stage is a comprehensive Japanese art form. Noh Stage

Kagami-ita,” or mirror plate, is an impressive backdrop for the Noh stage.
The family of a financially successful Otaru family, who had purchased the “kagami-ita” cedar from their hometown in Sado, Japan, for this architectural device, which can be considered the “essence” of Japanese architectural culture.
The family of a financially successful man from Otaru had to “requisition” their hometown of “Jindai cedars” from Sado Island.
Although “kanboku” may seem an odd term for a material, it is a very important one.
However, considering the enormity of the labor involved, I dare to call it so.
The second photo shows the Noh stage when it was completed as a building.
The second photo is said to show Mr. Okazaki, the head of the family, performing Noh when the Noh stage was completed as an architectural structure.
If you look closely, you can see that the pine tree on the first picture is not covered.

The pine tree was painted by the head of the “Kano school” of the time, who was invited to Otaru and spent two months painting it.
It took two months to complete the painting.
〜Construction work began in July 1925, and the stage was opened on January 26, 1926.
In November 1927, Mochinobu Kano, the 17th head of the Kano school, stayed for two months to paint the mirror.
In November 1927, the painting of the mirror panel was completed, which Kano Mochinobu, the 17th generation of the Kano school, painted during his two-month stay in Japan. ~ The second photo was taken in early 1926.
The second photo is a commemorative photo taken at the “stage opening” in early 1926.
The third and fourth pictures show the painting process in November 1927.
Oh, yes.
I had thought that the word “gaiyō” was used only for the act of “writing.
I learned for the first time that drawing pictures like this is also called “gaiyo” (painting).
In the drama “Kamakura-dono no 13inin”, the scene where Emperor Goshirakawa painted on the occasion of the reconstruction of the Great Buddha Hall in Nara was broadcasted.
It means an act of writing or painting by a person with authority.
In Japanese history, the “Kano school” is sometimes mentioned as the head family of Japanese painting.
However, we do not know much about the surrounding circumstances with a sense of reality.
It is true that, like the town of Sakai in the medieval society, Otaru had a situation like this as a recent historical fact in the last 100 years or so.
So, there was this kind of situation in Otaru as a recent historical fact.
The significance of asking the “Soke of the Kano School” to write the script comes through.

The Kano school received orders for decorative paintings for Azuchi Castle, which was built by Oda Nobunaga.
In the era of Nobunaga, who was unusually ambitious in his “descent from heaven” mindset, the Kano school was the legitimate owner of the Japanese painting culture.
The Kano school, which was recognized as the legitimate leader of Japanese painting culture, colored history in this way.
This atmosphere of Japanese history was also emanating in Hokkaido in the 20th century.
The traditions of Japanese society and the cultural nature that forms the undercurrent of Japanese society are
The traditions of Japanese society and the culture that formed the foundation of Japanese society were made visible only in Hokkaido, a newly developed region.
It seems to be a vivid site where Japanese culture was imprinted on the land of Hokkaido.
In the early days of pioneering, the “Hokkaido Kaitakushi” was the central government ministry.
And when the pioneering work was completed, the railroad, a symbol of the latest civilization, was built between Otaru and Sapporo before the Kansai region.
The Emperor Meiji took a train for the first time and came to Sapporo.
The efforts of the people to “Japanize” the newly developed territory
The Japanese people’s efforts to “Japanize” the newly settled territory left traces in the cultural realm.

Posted on 6月 8th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 日本社会・文化研究 | No Comments »

北海道とフィンランドの交流週間が終わった。
フィンランド・カレリア地方の知事さんや建築関係者との交流経験。
わたしとしては直感的に対ロシアの緊張する情勢背景を思ったけれど、
終了したタイミングでヨーロッパ情勢がきわどくなってきている。

ウクライナの東部・南部での戦争情勢が激しさを増している。
昨日段階でプーチンがNATO・アメリカのウクライナへの武器供与について
非難し、警告を発出したという情報が流れている。
地上軍の戦闘ではロシア陸軍の士気は最初から低く、
「侵攻すれば簡単に政権転覆できる」という甘い見通しが破綻した後、
NATOからの潤沢な情報と武器供与でロシアの劣勢が明らかになった。
そのなかで６月12日はロシアの建国記念日の休暇だという。
徐々に「停戦」という動きが出てきている。
戦争動乱はこれまで「中立」だったスウェーデン・フィンランド
北欧２カ国によるNATO加盟申請も大きく絡んできている。
この動きに対しNATO既加盟国・トルコが「拒否権」発動の動きに出ている。
トルコは強権支配独裁体制の国であり、国内に民族紛争を抱えている。
その「反体制派」が北欧２カ国に拠点を置いていることに
クレームを出して２カ国の加盟に難を唱えているのだという。
フィンランドとしては国の命運を懸けたNATO加盟申請であり、
複雑な外交・地ならしを周到に展開しているとされる。
女性首相は５月10日に訪日して伝統的なトルコと日本の友好関係を
情勢転換のテコに利用したい思惑もあったとされる。
日本は日米同盟が基軸でありNATOに対して連携姿勢を明確にしている。
岸田首相は近々NATOの会議に参加する予定だという。
こういった世界情勢のなかでの今回の北海道・フィンランドウィーク。

国連の機能不全・破綻が完全に露わになって自由主義国家群は
NATOなどの集団的自衛権同盟組織に結集しつつある。
ロシアなどの独裁的集権国家の武力侵略に対して現実の力としては
それしか選択肢はない。日本もまったく同じであり日米同盟を基盤に
オーストラリアとの集団的同盟枠組みに進み出す。
対中国という関係性ではインドも呼応する姿勢を見せている。
ここでも日本の動向がかなり世界情勢の基底に関わっている。
トルコはいま、ロシア−ウクライナの停戦調停の動きに出ている。
ここ数日でこれらの外交的動きに顕著な方向性が出てくるのではないか。
これからは国連幻想から完全に無縁なパワーリアリズムの時代。

ほんの数日前に言葉を交わした相手はこのような緊迫した情勢下にいる。
かれらの無事と安全を深く祈念すると同時に、
今後とも住環境向上の友人として交流していきたいと思います。
＜写真は札幌発寒川緑地と欧州から移植された当地のルピナス＞

English version⬇

The situation in Russia-Europe and Japan is becoming extremely urgent.
Promotion of exchange with Finland. The collective self-defense framework of liberal states replacing the failed UN. The world’s geopolitical upheaval. …

The exchange week between Hokkaido and Finland has come to an end.
I had the opportunity to meet with the governor of the Karelia region of Finland, as well as with people involved in the building industry.
I intuitively thought of the tense situation in Russia, but the situation in Europe is becoming more and more dangerous at the time of the end of the week.
However, the situation in Europe has become more and more dangerous at the time of the end of the week.

The war situation in the eastern and southern parts of Ukraine is intensifying.
As of yesterday, Vladimir Putin has condemned and warned against NATO and U.S. arms transfers to Ukraine.
Putin has condemned NATO and US arms transfers to Ukraine and has issued a warning.
In the ground combat, the morale of the Russian army has been low from the start.
After the collapse of the naive prospect that an invasion would easily overthrow the government, the Russian army’s morale was low from the start.
After the collapse of the naive prospect that the Russian army could easily overthrow the government if it invaded, the abundant information and arms supplies from NATO revealed Russia’s inferiority complex.
In the midst of all this, June 12 is Russia’s National Day vacation.
Gradually, a “ceasefire” movement is emerging.
Sweden and Finland, which have been “neutral” in the war uprisings so far.
The application for NATO membership by the two Scandinavian countries is also a major factor.
In response to this move, Turkey, a former member of NATO, is moving to invoke its “veto power.
Turkey is a country with an authoritarian dictatorship and is involved in an ethnic conflict within its borders.
Turkey has an ethnic conflict within its borders, and has complained that its “dissidents” are based in two northern European countries.
The Finnish government is concerned about the fate of its country.
Finland’s application to join NATO is a matter of national destiny.
Finland is said to be carefully developing a complex diplomatic and groundwork plan.
The prime minister will visit Japan on May 10, hoping to use the traditional friendly relations between Turkey and Japan as a lever to turn the tide of the situation.
The prime minister is also said to have hoped to use the traditional friendship between Turkey and Japan as a lever for a change in the situation.
Japan’s Japan-U.S. alliance is the cornerstone of its relations with NATO, and Japan has a clear stance on cooperation with NATO.
Prime Minister Kishida is scheduled to attend a NATO meeting in the near future.
The Hokkaido-Finland week comes amidst such a global situation.

The dysfunction and bankruptcy of the UN has been completely exposed, and a group of liberal nations are now in a position to take the lead.
The UN’s dysfunction and bankruptcy has been completely exposed, and liberal nations are rallying to NATO and other alliances for collective self-defense.
The only realistic force against the armed aggression of Russia and other autocratic, centralized states is the United States.
That is the only option. Japan is no different, and based on the Japan-U.S. alliance
Japan, too, is moving toward a collective alliance framework with Australia, based on the Japan-U.S. Alliance.
In terms of relations with China, India is also taking a corresponding stance.
Here, too, Japan’s moves have a significant bearing on world affairs.
Turkey is now moving to mediate a Russian-Ukrainian ceasefire.
In the next few days, these diplomatic moves will probably take a noticeable turn.
We are now in the era of power realism, completely free from the UN illusion.

The people with whom we exchanged words just a few days ago are in such a tense situation.
I deeply pray for their safety and security, and at the same time
I hope to continue to communicate with them as a friend for the improvement of the living environment.
＜The photo shows the Sapporo Hassamu River Green and our lupines transplanted from Europe.

Posted on 6月 6th, 2022 by 三木 奎吾
Filed under: 日本社会・文化研究, 状況・政治への発言 | No Comments »

昨日の続き。プレゼンではフィンランド・カレリアの大学学生寮の
木造の14階多層階建築の紹介がされていました。
カーボンニュートラルを目指して高い達成度レベルとの報告。
金物による木造の剛性確保で多層階はすでに世界の潮流。
この流れはここ数年で相当レベルで進展することは間違いない。
すでに東京渋谷の丸井が店舗としてはじめて木造多層階に建て替える。
この８月に店舗を一時閉鎖して工事に進むとされている。
竹中工務店による施工ということですが、
どういった建築仕様が採用されていくのか、興味はある。
断熱処理も従来のコンクリート建築よりもはるかに簡便に施工可能。
環境に対してやさしく、室内環境制御でも性能は確保しやすい。
こういう有利な条件の中で、日本のゼネコンはどういう回答を出してくるのか。
しかも、店舗建築での木造採用ということで、
トータルとしてのデザイン仕上げがどう企画されるかも注目。
日本人の感受性に強く訴える環境デザインが実現されれば、
こういった建築文化への感受性素地、民族的受容力は高いのが日本人。
コンクリート建築の限界を突破する都市デザインが生み出される可能性がある。
ヨーロッパの建築文化は石造を基本にしていると思うけれど、
それに対して日本は木造が基本。
これから環境に対してカーボンニュートラルが建築の主要な興味分野になるとき
日本的な木造文化のデザイン力が、世界を変える可能性もある。
・・・というような対話での情報交換を行った次第。
ただ、コトバの壁があるので（笑）どのように伝達されたかは不明。

こちらは学生たちによる木造建築の挑戦作品。
名前は「オリガミ〜（折り紙）」だと説明されていた。　おお！
北欧では日本人はモテると言われます（笑）。
というのは、複雑な歴史の積層の中でロシアへの警戒感は
かれらの心理の根底に刷り込まれている。
そういうかれらは日露戦争で海戦でも陸戦でもロシアを撃破した日本に
喝采を上げる気分が非常に強いのだと言われる。
そういう文化風土の中でさらに、建築を学ぶ若い学生たちが
日本の精神文化に対して知識を持ち、名付けでも意識していることが嬉しい。

メンバーの一員として参加のカレリアの知事、マルクス・ヒルヴォネン氏と
挨拶会話しましたが、さすがにロシア「カレリア共和国」と隣接する地域。
こういう情勢下で、常在戦場の気迫が目力として表れていた。
建築を介在させながら、お互いの文化的連帯をなんとか作り出して
心底から自らの国と地域の安全保障を希求する様子が無言で伝わってきた。
握手にもそんな気分があり、及ばずながらわたしも多少は力も込めたつもりでした。
平和へのお互いの心が共鳴することを祈念します。

English version⬇

Cold climate wooden culture sharing Finland “Zero Carbon for Architecture” Dialogue – 2
Young Finnish Karelia architecture students’ wooden study named “ORIGAMI” in Japanese. Possibility of Japanese wooden culture as environmental architecture. …

Continued from yesterday. The presentation was about a university student dormitory in Karelia, Finland.
It featured a 14-story multi-story wooden structure.
The report said that the level of achievement is high for carbon neutrality.
Multi-story buildings are already a global trend, with the rigidity of wood construction ensured by hardware.
There is no doubt that this trend will progress at a considerable level in the next few years.
Marui in Shibuya, Tokyo, has already rebuilt its first store into a multi-story wooden structure.
It is reported that the store will close temporarily in August and proceed with the construction.
Takenaka Corporation will be doing the construction.
It will be interesting to see what kind of architectural specifications will be adopted.
Heat insulation can be applied much more conveniently than in conventional concrete construction.
It is environmentally friendly, and its performance is easy to ensure even with indoor environmental controls.
Under these favorable conditions, what kind of response will Japanese general contractors give?
Furthermore, the use of wooden construction in a store building is a good opportunity to see how the total design and finish will be planned and executed.
It will also be interesting to see how the total design and finish will be planned.
If an environmental design that strongly appeals to Japanese sensibilities is realized
The Japanese are highly receptive to this kind of architectural culture.
There is a possibility that an urban design that breaks through the limitations of concrete architecture will be created.
European architectural culture is based on masonry, whereas Japanese architecture is based on wood.
In contrast, Japanese architecture is based on wooden structures.
When carbon neutrality becomes a major field of architectural interest in the future, the design power of the Japanese wooden culture is likely to be a key factor.
The design power of Japanese wooden culture could change the world.
We exchanged information in a dialogue like this.
However, I am not sure how it was communicated to the audience because of the language barrier.

This is a work by students challenging wooden architecture.
The name was explained as “Origami – Origami.　Oh!
It is said that Japanese people are popular in Scandinavia.
This is because, in the complex layers of history, a sense of wariness toward Russia has been imprinted at the base of their
the basis of their psychology.
They are in a very strong mood to applaud Japan for defeating Russia in both naval and land battles in the Russo-Japanese War.
They are said to be in a strong mood to applaud Japan’s defeat of Russia in the Russo-Japanese War, both in naval and land battles.
In such a cultural climate, young students of architecture are also
I am glad to see that young students of architecture have knowledge of Japanese spiritual culture and are aware of it even in their names.

I had a greeting conversation with Markus Hirvonen, the governor of Karelia
I had a conversation with Mr. Markus Hirvonen, the Governor of Karelia, who is a member of our group.
Under these circumstances, the spirit of the ever-present battlefield was evident in his eyes.
We managed to create cultural solidarity with each other, intervening through architecture.
The participants were silently conveying their sincere desire for the security of their own country and region.
I felt such a mood when I shook hands with him, and I also put some strength into my handshake, although it was not enough.
I pray that our hearts for peace will resonate with each other.

Posted on 6月 4th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 状況・政治への発言 | No Comments »