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【iPhone機種交換〜パスワード地獄（泣）】


昨日、契約しているauさんが端末交換のために来社。
わたしのiPhone機種も交換されることになりました。
自分としてはどうでもいいと思っていたのですが、
会社としての管理上、コスパも踏まえて定期的にアップグレードする方が
合理性も高いという判断からであります。

で、毎度のことであり、また仕方ないということでもありますが、
機種交換には各アプリの再認証が不可欠の作業になる。
メンドいし、アプリ毎に違うパスワードにならざるを得ないので
作業はチョー複雑で、混乱のるつぼに叩き込まれる。
わかっているのに立ち向かわざるを得ない難行苦行であります（泣）。
まぁこういう機会に不要なアプリの断捨離も同時並行しようと
いつもやるのですが、またすこしづつ増えていくことになる。
「お客さま、できればアプリを・・・」と
親切そうにススメられると、「ま、しょがないか」と弱い意志で承諾する。
で、「パスワード入力をお願いします」とスマホを逆向きに渡される。
「あ、これこれ、恐怖の大魔王」
という無限ループに多くの人は叩き込まれているのでしょう。
こういう一般ピープル的現実認識もマーケッター視点では重要なので
いわば「共存共苦」を耐え忍ぶ、みたいな心理で応諾するのですが・・・、
現代世界はいつこの「パスワード」地獄から脱却できるのだろうと考え込む。

しかしそういう難行苦行も回を重ねてくると、いわば自虐的に
なかばはレクリエーションのようにも思えるので不思議。
加齢による機械操作能力の減衰を定期チェックで賦活させる効果があるかも。
ちょうど運転免許の定期的な更新にも似た現代的「通過儀礼」。
ひとつひとつ課題をクリアしていくことは
一種の「ゲーム」性も持っているのかなぁと思ってきています。
ふしぎな快感も脳味噌に残る作業性を持っている。
とりあえず絶対必要なアプリ対応をその都度行って、
あとはほぼ使わなかったものが逆にあぶり出され、ゴミ箱行きが峻別される。
頭の体操のイマドキ版、というようにも考えられるのでしょうか。
年寄りとしては反応力の敏捷性維持として前向きにとらえられるかも。

おっと、嘆き悲しむ気分で書き始めたのに
結論としては積極的な結論に陥りつつある（笑）。
これは現代テクノロジーへのシュールな肯定感なのかも知れません。
まだまだ、人類進化には対応して頑張るぞっと。

English version⬇

[iPhone Model Replacement – Password Hell (Crying)
A sad hell of submission and slavery to smartphones and modern tech. But I also experienced a sense of “liberation” in its own way. I’m still trying my best to keep up with the evolution. …….

Yesterday, my contracted au company came to my office to replace my device.
My iPhone model was also to be exchanged.
I didn’t think it was important for me.
I thought it was fine with me, but the company decided that it would be more reasonable to upgrade my iPhone regularly for management and cosmetic reasons.
I thought it was not important for me, but I decided that it would be more reasonable for the company to upgrade the iPhone models periodically for management and cosmetic reasons.

So, as is the case every time, and as is inevitable, we decided to replace the phone with a new one.
When replacing a model, re-authentication of each app is an indispensable part of the process.
It’s a pain, and each app has to have a different password.
The process is very complicated and puts you in a crucible of confusion.
It is a difficult task that I have to face even though I know what I am doing (tears).
Well, I always try to use this kind of opportunity to declutter unnecessary apps at the same time.
I always try to get rid of unnecessary apps at the same time, but the number of apps is increasing little by little.
When I am kindly recommended to use an app if possible, I am always told, “Sir, I’d like to use an app if you don’t mind…
I will accept with a weak will, saying, “Well, it can’t be helped,” when someone kindly recommends it.
Then, the phone is handed to me upside down, saying, “Please enter your password.
Ah, here it is, the Daimajo of Fear.
Many people are probably trapped in this endless loop.
This kind of general awareness of reality is also important from a marketer’s point of view.
I accept it with the mindset of enduring “co-existence and co-prosperity,” so to speak…
I wonder when the modern world will break free from this “password” hell.

However, as the number of times I have gone through such a difficult and painful experience increases, it seems to become a kind of self-deprecation.
It is strange that such a difficult and arduous task seems to be a kind of self-deprecating recreation.
Perhaps the periodic checkups have the effect of revitalizing the declining ability to operate machines due to aging.
It is a modern “rite of passage” similar to the periodic renewal of a driver’s license.
Clearing one task at a time has a kind of “game” aspect.
I am beginning to wonder if completing tasks one by one has a kind of “game” quality to it.
It has a workability that leaves a mysterious pleasant sensation in your brain.
For the time being, I will only do the absolutely necessary application support on a case-by-case basis, and then I will start to use the other applications.
The rest of the time, things that are almost never used are revealed, and the trash can be sorted out.
Can you think of it as an “imaginary” version of mental gymnastics?
As an old person, I might see it as a positive way to maintain agility in reaction.

Oops, I started to write this in a grieving mood.
I am falling into a positive conclusion (laugh).
This may be a surreal affirmation of modern technology.
I’m still going to do my best to keep up with human evolution.

Posted on 6月 17th, 2022 by 三木 奎吾
Filed under: Mac.PC＆DTP, 状況・政治への発言 | No Comments »

【本日から２日間、東京ビッグサイト「住宅ビジネスフェア」出展】




さて既報の通り、今日明日と「住宅ビジネスフェア」に出展します。
これまでは、弊社が主催してのユーザー対象の「家づくり」のイベントでしたが、
今回は全国の住宅業界に向けてのアピールが主眼です。
来年に向けてさまざまな新事業を立案中であり、そのための市場開拓の意味合い。
以下、今回イベントでの弊社紹介案内メッセージであります。

「つながるチカラ」
時代に合わせた広告戦略をリプランする。
北海道で創刊して35年以上となる住宅雑誌Replanの複数エリアでの発行をはじめ、
自社WEBメディアサイト「Replan Webマガジン」
家づくりのパートナーとなる地域工務店や建築家探しのポータル「iLoie」を運営。
また、広告の企画、デザイン、広告代理、WEBサイト制作、WEB広告運用など、
企業の広報やブランディングを総合的にバックアップ。
企画から編集・デザイン制作までワンストップの体制で会社の強みや特徴を生かし、
時代のニーズに即した効果的なプロモーションをご提案しています。
＜出展製品・サービス情報＞
住宅雑誌　Replan
Replan Web Magazine : Iloie : NPO住宅110番
WEBサイト制作・運用・WEB広告　一般広告制作

住宅企業と一般ユーザーの関係構築はリアルからフュージョンに移行していく。
すでにダイワハウスなどからはリアルのモデルハウスを削減し、
営業の「デジタル化」という流れが趨勢になってきている。
そういうなかで地域の作り手、ビルダーにとっての広報スタイルも
当然、変化を余儀なくされることは間違いない。
メディア企業のReplanとしてもこれまでの情報資産を活用してより広範な
WEBビジネス領域に拡大させてきている現実があります。
すでに世界のメディア企業の目標値、WEB事業での売上割合を
はるかに越えて拡大してきている実態。
そういった経験から「地域性」を越えて事業エリアは拡大しています。
今回のイベントではそういった現在の事業内容の広報拡散を通じて
全国、関東地域でのビルダーのみなさんとの情報交流を目指しています。
変化する市場環境の中で、地域の作り手の存在感を高めたい。

ということで、弊社スタッフ３名が会場でお待ちしています。
写真は設営中のブースの様子。会場での配置図もありましたので転載。
「来て見たら会場の奥でした（笑）」ということですが、
ディープに住宅ビジネスを考えている方々には好適な位置かも（笑）。
会場ご入場の際には、ぜひお気軽にお立ち寄り下さい。

English version⬇

Exhibiting at Tokyo Big Sight Housing Business Fair for 2 days from today
From Real to Fusion. Supporting “local makers” nationwide in the web domain by utilizing the large volume of information assets accumulated up to now. We will be exhibiting at the Tokyo Big Sight Housing Business Fair for two days from today.

As previously announced, we will be exhibiting at the “Housing Business Fair” today and tomorrow.
Until now, this has been a “home building” event organized by our company for users, but this time
This time, our main focus is to appeal to the housing industry nationwide.
We are currently planning various new projects for next year, and this event is meant to develop the market for these projects.
Below is our introductory message at the event.

The Power to Connect
Replanning our advertising strategy to meet the needs of the times.
We have been publishing Replan, a housing magazine for more than 35 years in Hokkaido, in multiple areas.
Replan Web Magazine”, our own web media site
iLoie,” a portal site for finding local construction companies and architects to partner in home building
We also plan, design, and operate advertisements.
In addition, we offer comprehensive services for corporate PR and branding, including advertising planning, design, advertising agency, website production, and website advertising management.
We provide comprehensive backup for corporate PR and branding.
We provide a one-stop system from planning to editing and design production, utilizing the strengths and characteristics of the company.
We propose effective promotions that meet the needs of the times.
Replan Web Magazine : Iloie
Replan Web Magazine : Iloie : NPO Jutaku 110
Website production, operation, web advertising, and general advertising production

The relationship building between housing companies and general users is shifting from real to fusion.
Already, Daiwa House and others are cutting back on the number of real model houses and
The trend is toward the “digitalization” of sales and marketing.
In this context, the public relations style of local builders and builders will naturally be forced to change.
Naturally, it is certain that the public relations style of local builders and builders will have to change as well.
As a media company, Replan is also expanding into a wider range of
The reality is that Replan, a media company, has been expanding into a wider range of web business areas by utilizing its existing information assets.
The reality is that Replan, a media company, has already expanded far beyond the target of media companies around the world, which is the percentage of sales from the web business.
The reality is that they have already expanded far beyond the target values of the global media companies and the percentage of sales from the web business.
Based on this experience, the business area is expanding beyond “locality”.
This event will be an opportunity for us to spread the word about our current business activities and to meet with builders throughout Japan and in the Kanto region.
We aim to exchange information with builders in the Kanto region and the rest of Japan.
We want to increase the presence of local builders in the changing market environment.

That is why three of our staff members will be waiting for you at the venue.
The photo shows the booth being set up. We have also reproduced a map of our booth layout at the venue.
When we arrived, we found ourselves at the back of the venue (laughs).
We are looking forward to seeing you at our booth.
Please feel free to stop by when you enter the venue.

Posted on 6月 16th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 住宅性能・設備 | No Comments »

【アカシア、オオウバユリ 初夏の札幌・輪廻転生】



札幌は北国的なエキゾチック樹種が見られる北の街。
わたしの散歩道、円山公園〜円山山裾エリアではこの時期
オオウバユリの様子が目を楽しませてくれる。
隣接する三角山で春先にヒグマの巣穴が発見され逃亡というニュースがあり
わたしはことしは川の方にメインの散歩ルートを変えてきていましたが、
イキモノ同士の「虫の知らせ」みたいに呼び声を感じて
久方ぶりに円山山裾エリアを歩いてみました。

周辺ではいまちょうどアカシアも盛大に花を咲かせております。
札幌全域はこの樹の花粉が吹雪のように風に舞っている。
いかにも札幌のこの時期らしい雄大な情景が展開しております。
ひとつの花粉の大きさが4-5cmくらいはあるので、
大量に舞っている様子はちょっと幻想的とも思える。
目視する花の様子は札幌らしい初夏の空気感のなかで重量感がある。
子どもの頃からの体験記憶に刷り込まれている部分があって、
輪廻転生、諸行無常の機縁と感じられたりする。
年齢を重ねる毎に、こういうごく何気ない情景に深くとらえられる。
さて目当てのオオウバユリはようやくの初芽段階でした。
かれらは一定範囲で群生する生態のようで、
毎年、すこしづつ開花する個体の場所が違っているように思う。
こういう花芽段階からすっくと立ち上がっていくまでの様子が
いかにも「いのちの輝き」を訴えかけてくる。
花なんだけど、その挙動がいかにもイキモノ的で
半分以上はかわいい動物とも思える。
アイヌの人々のソウルフードでもある。
根茎部を採取し水にさらしてアクを取って粉にして料理する。
この列島で太古からいのちを繋いできた人間社会を
このオオウバユリは無言で語っているような気がする。
その様子がいかにも神々しくて神秘的とまで思えるのですね。

この写真は最近よく動き回っている市内中心部の石碑。
開拓の最初期、日本国家の基礎である神社信仰の中核として
この円山の裾野エリアに勧請された北海道神宮への道しるべ。
なんども見ているのに、この歳になってはじめて
「従是西二十八町」という側面の刻印文字を発見した。
いかにも「ボーっ」と生きてきたことがまざまざと思い知らされる（笑）。
札幌には「西二十八丁目」という地下鉄駅があるのですが、
偶然の一致であるのか、意図的なものなのか、
あらためて気付かされたのであります。
灯台もと暗し、こんな何気ないことがらから、
「歴史」というものは積層していく部分があるのでしょうね。
一昨日、北海道の高断熱高気密住宅探究の先覚者・荒谷 登先生が逝去。
よき住宅を目指し不断に進化してきた住宅の環境性能。
こういった努力もまた、歴史にやがて刻み込まれていくのでしょう。合掌。

English version⬇

Acacia, Lily of the valley, Sapporo in early summer, Rinne-tensho
The magnificence of the trees and flowers that convey the brightness of life as living things. Hokkaido’s pioneering efforts to explore a better way of life through reincarnation. Hokkaido pioneering, an activity in search of a good life through reincarnation.

Sapporo is a northern city where exotic tree species can be found.
In my walking route, Maruyama Park to the foot of Maruyama Mountain, you can enjoy the sight of
The sight of the snow lilies in the Maruyama Park – Maruyama foothills area is a delight to the eye.
In early spring, a brown bear was reported to have escaped from its den on the neighboring Mt.
I had changed my main walking route to the river.
I felt the call of the bears, like a “bug alert.
I walked around the Maruyama area for the first time in a while.

Acacia trees are in full bloom in the area.
All over Sapporo, pollen from these trees is dancing in the wind like a snowstorm.
It is a magnificent scene typical of this time of year in Sapporo.
The size of each pollen is about 4-5 cm.
The sight of a large amount of pollen dancing in the air is a bit fantastic.
The sight of the flowers is heavy in the early summer air that is typical of Sapporo.
There is a part of me that has been imprinted in my memory of experiences since childhood.
I sometimes feel the opportunity of reincarnation and the impermanence of all things.
As I get older, I am more and more fascinated by such an ordinary scene.
The daylilies I was looking for were just at the first bud stage.
They seem to have a habit of growing in clusters within a certain area.
I think that the location of flowering individuals is a little different every year.
The way they grow up from the flower bud stage to the
The way they stand up from the flower bud stage is like a “radiance of life”.
It is a flower, but its behavior is very animate.
More than half of them look like cute animals.
It is also the soul food of the Ainu people.
The rhizome part is collected, soaked in water to remove the scum, powdered, and cooked.
The aubayuri has been a part of human society on this archipelago since time immemorial, and it has been a part of the Ainu culture since the beginning of time.
I feel as if this day lily is silently telling us about the human society that has been sustaining life on this archipelago since ancient times.
It seems so divine and even mystical.

This picture shows a stone monument in the center of the city that I have been moving around a lot lately.
At the beginning of the pioneering period, as the core of shrine worship, the foundation of the Japanese nation.
It is a signpost to the Hokkaido Jingu Shrine, which was built at the foot of Maruyama in the early days of pioneering Japan.
I have seen it many times, but only at my age.
I found the engraved characters on the side of the sign,

It is a stark reminder of how much I have been living in a “daze” (laughs).
There is a subway station in Sapporo called “Nishi 28-chome.”
I wonder if it is a coincidence, or if it was intentional.
I was reminded of this again.
It is dark under the lighthouse.
History” is a layered process, I suppose.
The day before yesterday, Dr. Noboru Aratani, a pioneer in the exploration of highly insulated and airtight housing in Hokkaido, passed away.
The environmental performance of houses has been constantly evolving in pursuit of good housing.
These efforts will be etched in history in time to come. Yours truly.

Posted on 6月 15th, 2022 by 三木 奎吾
Filed under: こちら発行人です, 日本社会・文化研究 | No Comments »

【東京都「PV義務化」での過熱化論議の波及】




ウクライナへのロシア侵攻を受けてエネルギー安保論議が盛り上がっている。
なかでも太陽光発電について論議が喧しい。
どちらかというと北海道・寒冷地としては太陽光の冬場の問題があって
どのようにエネルギー選択をすべきか、という論点が主流なのですが、
温暖地域・東京都では住宅屋根面での太陽光発電「義務化」に踏み込んだことで
盛大な論争・論議が燃えさかっている。
その燃えさかっている論議の渦中に前真之東大准教授がいて
ながく誌面で「エネルギー論」を執筆いただいて来ていることから、
もっと落ち着いた議論をと、やや心配しながら推移を見ておりました。

昨日はその東京都の推進側としてWEBセミナーがあって
若干ハラハラしながら聴講参加しておりました。
わたし自身もこうしたエネルギー施策の論議に関わってもいるので
温暖地域での今回の情報開示からは有益な知見も得られた次第です。
セミナーの最後部分で「まとめ」があったので以下に。
１　住宅を建てる個人への「義務」付けではなく約50社の住宅企業への義務づけ。
➡いわんや既存住宅への義務づけではない。
２　住宅メーカーへの義務づけも全住宅への設置を求めるものではなく
設置に適した場所の住宅への設置で対応が可能なように制度設計。
３　太陽光発電を選択すれば、住む人の経済的メリットは大きい。
４　住宅入手時に太陽光発電設置費を調達できない人は初期費用ゼロモデルを選択可能。
５　太陽光パネルのリサイクル問題は国レベルの問題だが都は率先対応している。
６　「ウィグル問題」は看過できない重大な問題。
問題の本質は太陽光パネル生産の８割が中国独占であること。
➡脱炭素社会へ向けて世界の供給構造を変える必要がある。
■アメリカは「国防生産法」を発動し国内供給を強化開始。中国産輸入規制も。
■EUも域内での供給体制強化を打ち出している。
➡日本でも国の主導で対応方針を明確化すべき。
〜というような論議の整理が行われていました。

わたしとしては政治の側、パフォーマンス優先の都知事への潜在的不信感が
反対を主張される側のみなさんの強い反発を呼んでいると感じます。
エネルギー論議の前にそういったハレーションが大きすぎるのではないか。
そういう矢面にエネルギー論が立たされている不条理みたいな。
北海道では先日も書いたようにそもそも屋根面の冬期積雪による効率低下、
それをカバーする壁面設置などの「対応法」の論議の活性化、
さらに太陽光１本足ではない方向の探究などが必要ではないかと考えています。
上記の内、５−６のポイントについては住宅設備のエネルギー安全保障の
大前提に関わる事柄でもあるので、より注意を傾けていく必要があるでしょうね。

English version⬇

Spillover of Overheated Debate on Tokyo’s “PV Obligation”.
A Northern Perspective on the Overheated Debate. Energy discussions can easily become heated because they are also security discussions. That is why we should be aware of the need for cooler debate. …

The energy security debate is gaining momentum in the wake of the Russian invasion of Ukraine.
Among these, the debate is particularly contentious about solar power generation.
If anything, as a Hokkaido and cold climate region, there are winter problems with solar power.
The mainstream debate is about how we should make energy choices.
In the warmer regions of Tokyo, however, there has been a great deal of controversy and debate over the “mandate” of solar power generation on residential roofs.
In the warmer climate region of Tokyo, there has been a great deal of controversy and debate over the issue.
In the midst of this flaming debate, Masayuki Mae, an associate professor at the University of Tokyo, has been writing a long-running article in the magazine entitled “Energy Theory”.
He has been writing “Energy Theory” in our magazine for a long time.
I have been watching the debate with some concern, hoping for a calmer discussion.

Yesterday, there was a web seminar as a promoter of the Tokyo Metropolitan Government, which I attended with some apprehension.
I attended the seminar with some apprehension.
As I myself am involved in the discussion of energy policies, I found the disclosure of this information in the warmer regions to be informative.
I was able to gain some useful knowledge from the disclosure of information in the warmer regions.
The following is a summary of the last part of the seminar.
1. It is not an “obligation” to individuals who build houses, but to about 50 housing companies.
It is not an obligation to existing houses, so to speak.
2 Obligation to housing companies also does not require installation in all houses.
The system is designed in such a way that it is possible to respond by installing the system in homes in locations suitable for installation.
3 If photovoltaic power generation is chosen, the economic benefits to residents will be significant.
4 Those who cannot finance the cost of solar power installation at the time of acquiring the home can choose the zero initial cost model.
5 The recycling of solar panels is a national-level issue, but the Tokyo Metropolitan Government is taking the initiative to address it.
6 The “Uighur issue” is a serious problem that cannot be overlooked.
The essence of the problem is that 80% of solar panel production is monopolized by China.
➡The global supply structure needs to be changed toward a decarbonized society.
The U.S. has invoked the Defense Production Act and started strengthening domestic supply. Chinese import restrictions are also in place.
The EU is also strengthening its supply structure within the region.
Japan should also take the lead in clarifying its policy on how to respond to this issue.
〜The discussion was organized in such a way as follows.

I have a latent distrust of politics and the performance-driven governor of Tokyo.
I feel that the latent distrust of the governor of Tokyo, who is a performance-driven politician, is causing a strong backlash from those who are opposed to the project.
I think that this kind of haloing is too big before the energy debate.
It is like an absurdity that the energy debate is being put on the spotlight like that.
In Hokkaido, as I wrote the other day, there are many problems to be solved, such as the decrease in efficiency of roofs due to snow accumulation in winter and the installation of walls to cover it.
In Hokkaido, as I wrote the other day, there is a decline in efficiency due to snow accumulation on roof surfaces in the winter, and the discussion of “measures” such as installing solar panels on walls to cover the decline.
Furthermore, I believe that it is necessary to explore a direction other than a single leg of solar power.
Points 5-6 above are related to the basic premise of energy security for residential facilities.
5-6 of the above points are related to the basic premise of energy security for residential facilities, so it is necessary to pay more attention to them.

Posted on 6月 14th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 住宅性能・設備, 状況・政治への発言 | No Comments »

【SNS情報「洪水」で現代人の常識が試される時代】



一昨日、兄弟間の情報交換のために作っているSNSサイトに
ふだんはスマホの操作に不慣れで「見る」専門なはずの兄からの投稿。
「なんだ・・・？」
と見てみたら、どうも兄のふだんの様子とは違った興味分野について
「参考に」みたいな感じでリンク先URLが張られている。
どうも不審だったので兄に電話したら、そんな投稿をした事実はないとのこと。
で、SNSサイトに貼られたくだんのURLについて他の兄弟に注意喚起して
「たぶん詐欺サイトへの誘導」と最悪を想定した対応を呼びかけた。

ただ兄はスマホの操作に不慣れで操作の詳細把握では不明な部分がある。
太めの指先で繊細な端末の扱いでは
「あ、間違った（汗）」ということも多いし、
それを修正するのに悩んで、また間違いを犯したりする。
ドロ沼の事態に簡単に陥ったりしてしまうのだと思う。
デジタル時代の到来は高齢者にはこうした「不自由」ももたらす。
これまでの情報交換手段とはまったく違う情報インフラに変化したので
兄弟間のコミュニケーションでも、その未経験のツールに
「付いていかなければならない」プレッシャーがある。
わたしは末っ子でしかもこういうデジタル機器は仕事環境でもあるので
自然に対応できる部分があるけれど、それでも細部になると
面倒くさいなぁ、と思う部分もある。
たぶんそういうことだろうと兄に同情する部分があって
できるだけヘルプができればいいと考えてもいる。
しかしそうすると付きっきりで教師役を引き受けることになってしまう。
「子どもたちに教えてもらったら・・・」と逃げ腰になる。
たいへん便利になったけれど不便も同時に起こってもいる。

一方でSNSでは身近な人たちの情報も過剰に知りやすい。
懇意にしている関係者の方がいま情報の炎上騒ぎのような渦中にある。
そうかと思えば、参議院選挙が近づいてきて
知人がある政党から立候補することになったのだという。
とくに政治的なことがらについて知人間では中庸でもありたい。
個人としてそういった情報発信の手段が簡便になったことは
より難しい対応力を求められることでもあるのかも知れない。
自ら関与しにくい事例も情報洪水の時代には避けられない部分がある。
これまでの情報についての対応の常識というものが
SNSなどの出現で大きく環境変化してきている。
そういった新たな環境の中での「一般常識」というものが未成熟。
社会と個人の関係性に大きな変動が発生しているけれど
そのことへの常識豊かな対応力はまだ人類は獲得していないのではないか。
結局は「試行錯誤」の末に常識が「育っていく」しかないのだろうけれど、
それまでの間で個人間で無用なトラブルが起こらないように心したい。

English version⬇

The “flood” of information on social networking services is testing the common sense of people today.
The age of overly convenient information terminals and the undeniably shortened distance between people in close proximity. The age in which individuals are faced with the difficulty of responding to information. The “flood” of social networking information is testing the common sense of people today.

The day before yesterday, I was on a social networking site that I am creating to exchange information among siblings.
I was not familiar with the operation of a smartphone, so I was supposed to be a “viewer”.
What the…?”
I looked at it and found that it was about a different field of interest from my brother’s.
I called my brother and asked him about it.
I was suspicious, so I called my brother and he told me that he had never posted anything like that.
I alerted the other siblings about the URL posted on the social networking site, and they said, “It probably leads to a scam site.
I told him to take the worst-case scenario, saying, “It’s probably a lead to a scam site.

However, the older brother is not familiar with smartphone operation and is uncertain in his grasp of the details of the operation.
With his thick fingertips and delicate handling of the device, he said
He often says, “Oh, I made a mistake (sweat).”
And then, when he has to worry about correcting it, he makes another mistake.
It is easy to fall into a quagmire.
The advent of the digital age also brings such “inconvenience” to the elderly.
Since the information infrastructure has changed to a completely different means of information exchange from what it was in the past
Even communication between siblings has to “keep up” with these new tools.
There is a pressure to “keep up” with the new tools that have not yet been experienced.
I am the youngest child, and since these digital devices are part of my work environment
I am the youngest child, and since these digital devices are part of my work environment, I can handle them naturally, but there are parts of me that still think
I think that’s probably what it’s about.
I feel sorry for my brother, and I think that’s probably the case.
I wish I could help him as much as possible.
But if I do that, I end up taking on the role of a teacher.
I am afraid that if I let the children teach me, then…” I am afraid to run away from the role of a teacher.
It has become very convenient, but at the same time inconvenient.

On the other hand, social networking sites make it easy to learn too much information about people close to us.
A person with whom I have a close relationship is now in the middle of an information flame war.
On the other hand, the House of Councillors election is approaching.
An acquaintance of mine has decided to run for a position in a certain political party.
I want to be moderate, especially in political matters among my acquaintances.
As an individual, the fact that such means of information dissemination has become easier
This may also mean that we are required to be more responsive and difficult to deal with.
In this age of information flooding, it is inevitable that there are some cases in which it is difficult for individuals to get involved.
The conventional wisdom of how to deal with information has changed dramatically with the advent of social networking sites and the like.
The environment is changing drastically with the emergence of social networking services.
In such a new environment, “common sense” is still immature.
Although there have been major changes in the relationship between society and individuals, the ability to respond with common sense to these changes has not yet been developed.
I believe that humanity has not yet acquired the ability to respond to these changes with a wealth of common sense.
In the end, we will have to “grow” our common sense through trial and error.
In the meantime, we should be mindful not to cause unnecessary trouble among individuals.

Posted on 6月 13th, 2022 by 三木 奎吾
Filed under: Mac.PC＆DTP, 状況・政治への発言 | No Comments »

【6.16-17東京ビッグサイト「住宅ビジネスフェア」に出展】



住宅メディアReplan誌は、今週６月16-17日の両日、東京ビッグサイトで開催の
「住宅ビジネスフェア」に出展致します。

「え？Replanって地域限定の雑誌メディアでしょ？」
という当然の疑問を持たれると思います。
地域住宅雑誌＆WEBメディアとしてこれまで活動を続けてきましたが、
ことしから来年にかけて事業活動の発展を見据えて
全国の住宅関係のみなさんに広く活動を広報するのが狙いです。
まずは活動を知っていただき、事業の拡大を図っていこうという作戦。
はじめて試みるのでどんな反応があるのかないのか、
手探りというのが偽らざるところですが、
弊社スタッフ３名が参加して幅広く情報交換させていただきます。

Replanは北海度発祥の住宅雑誌として高断熱高気密の住宅革新の
大きな流れを体現し、その渦の中から住まい手の立場に立って
よりわかりやすく「伝わりやすい」住宅取材を続けてきました。
より高性能でいい家を、という切実な願いが発行継続の骨格テーマ。
住宅性能の革新が同時に住宅のデザインをも進化させてきた。
そのリアルな家づくりの変化をユーザーに伝えるために
住宅生産の革新と足並みをそろえその広報活動を果たしてきました。
北海道が生み出してきた「高断熱外皮」とか「無落雪屋根」などの
あらたな住宅常識が、徐々に本州以南地域にも広がりを見せ始めて
日本全体の住宅革新も大いに進んできていると思います。
そういう意味では全国一体の「ボーダーレス化」が顕著になってきた。
温暖地域の住宅革新が今後どのように進んでいくのか、
わたしどものようなスタンスのメディアとしても非常に興味深い。
多くの地域から住宅建築にかかわる作り手のみなさんが参集される場で
忌憚なくお互いに情報を交換させていただきたいのです。
北海道は全国有数の「地域工務店」活躍地域とも言われます。
地域工務店がユーザーと直接向き合って全国一の受注レベルを実現させてきた。
家づくりという領域で強い地域製造業基盤を創造してきたのです。
高断熱高気密が必需とされたことで全国ハウスメーカーにはない現場技術力が
大いに磨かれた。と同時に、そういった技術力をユーザーに伝えるために
地域のメディアも地道に広報活動に取り組んできました。
よい住宅を適正なコストと、よきデザイン力で作り出す地域パワー。
それをユーザーに共有化するにはメディア情報活動も絶対に不可欠だと思います。

ぜひフェアの会場で多くの作り手のみなさんと
よき住宅の広報活動全般についてフランクに意見交換したいと思います。
こぢんまりとしたブースですが（笑）、ご来場の際にはぜひ足をお向けください。
You Welcome!

English version⬇

6.16-17 Exhibit at Tokyo Big Sight “Housing Business Fair
Highly insulated and airtight housing innovation and design evolution. Publicity activities widely through magazines and web media that connect users and makers. ・・・・.

Replan magazine will be exhibiting at the Tokyo Big Sight on June 16 and 17.
June 16-17 at Tokyo Big Sight.

You may be asking yourself, “Replan is a regional magazine media, right?”
We believe that this is a natural question.
We have been working as a regional housing magazine and web media until now, but we are going to expand our business activities from this year to next year.
However, from this year through next year, with an eye on the development of our business activities, we are planning to
Our aim is to publicize our activities widely to everyone in the housing industry throughout Japan.
Our strategy is to first get the word out about our activities and then expand our business.
Since this is our first attempt, we are not sure what kind of response we will get.
We are not sure what kind of response we will get, since this is our first attempt.
Three of our staff members will participate in this event and exchange a wide range of information.

Replan is a housing magazine that originated in Hokkaidō and embodies a major trend in housing innovation of high thermal insulation and high airtightness.
Replan embodies the great flow of housing innovation of high heat insulation and high airtightness, and from the vortex of this trend, we are trying to make it easier to understand and “communicate” from the perspective of the resident.
We have continued to cover housing in a way that is easier to understand and convey.
The sincere desire for higher performance and better homes has been the backbone of the magazine’s ongoing publication.
Innovations in housing performance have simultaneously evolved housing design.
To communicate this realistic change in home building to users
We have been fulfilling our public relations activities in line with innovations in housing production.
Hokkaido has been creating “highly insulated outer shells” and “snowless roofs,” etc.
and “snowless roofs,” which have been developed in Hokkaido, are gradually spreading to regions south of Honshu.
I believe that housing innovation in Japan as a whole is making great progress.
In this sense, the “borderlessness” of the entire country has become more pronounced.
I wonder how housing innovation in warmer regions will progress in the future.
It will be very interesting to see how housing innovation in warmer regions will progress in the future, as a media outlet with a stance such as ours.
We would like to have a forum where makers involved in housing construction from many regions can gather and frankly exchange information with each other.
We would like to exchange information frankly and openly with each other.
Hokkaido is said to be one of the most active regions in Japan for regional construction companies.
Local construction companies have achieved the highest level of orders in Japan by directly meeting with users.
This has created a strong regional manufacturing base in the area of home building.
The necessity of high thermal insulation and airtightness has greatly honed the on-site technical skills that are not available from the nation’s housebuilders.
This has greatly refined our on-site technical capabilities, which are not available from the national housebuilders. At the same time, in order to convey such technical capabilities to users
local media have also been steadily engaged in public relations activities.
The power of the local community to produce good houses at a reasonable cost and with good design skills.
I believe that media information activities are absolutely indispensable to share this power with users.

We hope that you will join us at the fair to discuss with many builders about the public relations activities of “Yoki-House” in general.
We would like to have a frank exchange of opinions with many of you at the fair about the publicity activities of YOKIHOUSEI in general.
We have a small booth (laugh), but we hope you will stop by and visit us.
You Welcome!

Posted on 6月 12th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング | No Comments »

【太陽光発電パネル「壁面設置」 in さっぽろ】



さて寒冷地での太陽光発電ハンディキャップについての事例チェック。
東京都の「義務化」の動向が大きな論議を呼んでもいますね。寒冷地では
屋根面はおおむね12月から３月までの積雪期間では効率ダウンが避けられない。
温暖地域と比べこういう自然気候条件での「格差」は否定しようがない。
不安点としてさらに積雪荷重による破損などの不安もあって
寒冷地のビルダーにとっては判断が難しい部分がある。
この点、気候要素を勘案しての国民への平等性確保の対応を政府に期待したい。
しかし、建て主の電気代メリットを考えると導入手法を探究する必要はある。
たとえフル稼働が９〜１０ヶ月だとしてもトータルとしては有利。
電力各社も節電対策もあって太陽光＋蓄電という設備セット組み込みの
料金プランを用意しはじめて来ている。
どうやったらそのハンディキャップを乗り越えられるのか、について
札幌のビルダーのひとつの挑戦事例として「壁面設置」作戦があります。

先日、久しぶり、３年ぶりくらいに新住協札幌支部での
「現場見学会」が実施されました。
そのなかで注目していたのが地元の藤城建設さんのモデルハウス見学。
藤城さんは高断熱高気密住宅の規格住宅化でコストメリットを引き出す一方
こうした太陽光発電利用でも積極的に取り組んできている。
すでに数年前から写真のような「壁面設置」を推進している。
このモデルハウスでは屋根面にもこの壁面以上に多く設置しているので、
こちらは「サブ」という扱いですが、
家全体トータルで10k以上の発電を実効させているということ。
発電効率は屋根面設置に対し「おおむね95%程度」のランニングという。
長期での安定設置を考えて設置方法には工夫がされている。
壁面構造下地との緊結を注意深く施工すると同時に
他の壁面と「面を合わせて」いる。
千変万化する風による影響を低減化させています。
売電による家計収入メリットも本州以南地域とほぼ遜色ないレベルとのこと。
屋根面については積雪荷重による障害の不安が問題になるでしょうが
現状ではことしの冬のような大雪でも問題はなかったということ。
今後、より詳細なチェック取材をしたいと思っています。
さらに壁面設置の場合、隣家などへの「キラキラ光」ご迷惑が心配ですが、
パネルの種類選択でごらんのように反射光が押さえられたものを採用。
種類選択で価格が高額になることはないとされていました。

壁面設置の場合、考えられる設置方向は南面と西面とのこと。
このモデル住宅では西面の方により多く設置している。
やはり室内へ光を取り入れるには南面はより窓位置として重要。
対して西面利用は北海道は本州地域と比べ高緯度なので合理的といえる。
このような状況を見てみると、あとはデザイン的な問題か。
建築時の採光法令基準条件との見合いも含めて
窓の開口位置と太陽光パネルの配置バランス、
室内の間取り計画との整合性が問われてくることになる。
近隣関係での相互信頼の確保も重要になってくるともいえる。
こういった先行事例は多くの示唆に富んでいると思います。

English version⬇

Solar panel “wall installation” in Sapporo
Tokyo’s “mandatory installation” has been the subject of much debate. Cold regions are at a disadvantage in terms of climate. However, the wisdom and ingenuity of the “advanced region on the issue” are also present. ・・・・・.

Now a case check on the solar power handicap in cold weather.
Tokyo’s “mandate” trend is also very controversial. In cold regions
Roof surfaces are generally snow-covered from December to March, and a reduction in efficiency is inevitable.
There is no way to deny the “disparity” in these natural climatic conditions compared to warmer regions.
In this regard, we hope that the government will take climate factors into consideration to ensure equality among citizens.
There are also concerns about damage due to snow loads.
This is a difficult decision for builders in cold regions.
However, it is necessary to explore the introduction method considering the electricity cost advantages for builders.
Even if full operation lasts for 9 to 10 months, it is advantageous in total.
Electric power companies are also beginning to offer rate plans that incorporate solar power + electricity storage as part of their electricity conservation measures.
The electric power companies are also beginning to offer rate plans that incorporate both solar power and electricity storage as a set of facilities.
How can we overcome this handicap?
One example of a challenge by a builder in Sapporo is the “wall installation” strategy.

The other day, for the first time in a long time, about three years, the Shinjyukyo Sapporo Branch
The local Fujishiro office was the focus of attention.
One of the highlights was a visit to a model house built by a local company, Fujiki Construction.
Mr. Fujishiro has been actively working on the use of solar power generation and has been able to bring out cost advantages through the standardization of highly insulated and airtight houses.
Mr. Fujishiro has also been actively working on the use of solar power generation.
For several years, he has been promoting “wall-mounted” solar power generation, as shown in the photo.
In this model house, we have installed more on the roof surface than on this wall.
This one is treated as a “sub.
The total power generation of the entire house is effectively more than 10k.
The power generation efficiency is said to be “about 95%” of that of a roof-mounted system.
The installation method has been devised to ensure stable installation over the long term.
Careful construction of the wall structure base and bonding
The wall surface is “flush” with the other wall surfaces.
The effects of wind, which can change in a thousand different ways, are reduced.
The household income benefit from the sale of electricity is also at a level that is almost equal to that in areas south of Honshu.
As for the roof surface, there will be a problem with the anxiety of failure due to snow load, but the current situation is that the roof surface will not be damaged by the snow.
However, there have been no problems even with heavy snowfalls such as this winter’s.
We would like to conduct a more detailed check in the future.
Furthermore, we are concerned about the “sparkling light” inconvenience to the neighbors when the panels are installed on the wall, but we are not sure if this is a problem.
However, as you can see, we selected a panel type that suppresses reflected light.
However, as you can see, the panels are designed to suppress reflected light, and the price is not too expensive.

In the case of wall installation, the possible installation directions are the south and west faces.
In this model house, they are installed more on the west side.
After all, the south side is more important as a window position to bring light into the room.
In contrast, the use of west-facing windows is more reasonable because Hokkaido is located at a higher latitude than the Honshu region.
Looking at the above situation, the rest is a matter of design.
(including the consideration of the lighting code requirements at the time of construction).
The balance between window openings and solar panel placement, and
The consistency with the interior floor plan will be a question to be answered.
It is also important to ensure mutual trust in neighborhood relations.
I believe that these precedents are rich in suggestions.

Posted on 6月 11th, 2022 by 三木 奎吾
Filed under: 「都市の快適」研究, 住宅マーケティング | No Comments »

【木造技術の継承努力 小樽の「能舞台」-4】




さて北海道に残る総合芸術建築・岡崎家能舞台を見て来ました。
1925年（大正14年）創建という建築なのでほぼ100年。
創建から60年後の1985年には「小樽市歴史的建造物」に指定される。
という経緯があって、1999年には駒木先生の力で
北海道職業能力開発大学校建築科による実測調査が２年かけて行われた。
２枚目の写真はそのときに小屋裏部分に入ったところの様子。
当時すでに大工職人であった藤井徹真くんの活躍ぶりです。
駒木先生のお話では何度も行われた実測調査活動で最後まですべて参加したのは
実はかれひとりだったという情報開示も行われていました。
大工仕事を実際にしながら木造技術を極めたいと学んでいたということ。
こういう伝統的建築は当然、長期保存優先志向で材の乾燥のために
隙間だらけの作り方になる。
現代の高断熱高気密技術では密閉と乾燥のための開放は
同時に解決するように技術進化しているけれど、
伝統的技術ではこういう作り方になる。したがって小屋裏内部は
野生の鳥、ハトなどが内部に入り込んで雨天などのときに恰好の巣になる。
いきおい大量のフンが集積することになる（！）。
構造を解明するためにはそのフンを除去する必要がある。
まことに奮闘努力の賜物であります。

屋根の木造構造があらわになって右側写真のようにタテの柱材に対して
放射状に梏木〜はねき〜という材が渡されている様子も実測された。
このような地道な実測作業によって先人の営為を確認することは
技術の伝承の基盤を確立することにつながる。
そういう成果を模型として造作したのが１番目の展示写真。
また、３枚目の写真は解体組立式の能舞台の説明模型。
今回の駒木先生の講演に続けてこちらの説明もされていました。
現代の木造技術者のみなさんによる技術の解析、伝承努力の一端が知れた。
とくに床面は一般住宅とは目的が違うので床の音響効率を考え
板面を太鼓の表面皮革のように造作している。
より本格的な能舞台ではこの音響効率をさらに高めるために
床下に半分埋め込んで大きな壷が複数配置されている。
能や狂言では役者の足による太鼓効果や、笛や太鼓の伴奏具の音響などが
囲んでいる客席に対して響き渡るように空間デザインされる。
そういう建築の仕立ての技術が解明されていくのですね。

このようにして建築の側では伝承努力がされているけれど、
それを活用し能狂言のような日本文化の粋を北海道に根付かせるには
北のくらし文化の進化発展が同時に求められる。
今日社会の究極的な個人主義傾向のなかで日本社会と文化の揺りかご、
伝統的なムラ共同体の共存共栄意識は極小化傾向というしかない。
全世界的な傾向と言われる人口減少の問題とも通底する。
日本社会がムラ共同体の柔軟性に再び目覚めることが必要なのではないかと
深く思い知らされるのでありますが、さて・・・。

English version⬇

Efforts to Inherit Wooden Construction Techniques: The “Noh Stage” in Otaru – 4
In order to revitalize the Noh stage, we are analyzing its structure and making it inheritable. The technology has been accepted, but society has undergone a major structural change. What about cultural inheritance? Well, what about cultural inheritance?

I visited the Okazaki Family Noh Stage, a comprehensive art architecture remaining in Hokkaido.
It was built in 1925, so it is almost 100 years old.
In 1985, 60 years after its construction, it was designated as an “Otaru City Historical Building.
In 1999, the building was designated as a “Historical Building of Otaru City” by the
In 1999, a survey was conducted by the architectural department of the Hokkaido Vocational Ability Development College over a period of two years.
The second photo is a view of the back part of the shed at that time.
Tetsuma Fujii, who was already a carpenter craftsman at the time, was very active.
Mr. Komaki told us that he was the only one who participated in all of the surveying activities that took place until the end.
He also disclosed that he was the only one who participated in all of the surveying activities that took place.
He had learned to master wooden construction techniques while actually working as a carpenter.
Naturally, this kind of traditional architecture is built with a priority on long-term preservation.
The building is full of gaps and crevices.
With today’s highly insulated and airtight technology, sealing and opening for drying have evolved to be solved at the same time.
and open for drying at the same time.
traditional techniques are based on this method of construction. Therefore, the interior of the back of the house is
wild birds, pigeons, etc., enter the interior and make a good nest when it rains.
This leads to the accumulation of a large amount of feces (!). The structure of the hut is not yet understood.
In order to clarify the structure, it is necessary to remove the feces.
This is the result of a great deal of hard work and effort.

The wooden structure of the roof is revealed, and as shown in the photo on the right, the vertical columns are surrounded by handcuffs and splintered wood.
As shown in the photo on the right, the wooden structure of the roof was revealed, and the way the handcuffs were radially attached to the vertical columns was also measured.
Confirming the activities of our predecessors through this kind of diligent measurement work is a great way to establish a foundation for the transmission of technology.
This kind of work is the foundation for the transmission of technology.
The first photo shows a model of the results of this work.
The third photo is an explanatory model of a disassembled and reassembled Noh stage.
This explanation was given following Dr. Komaki’s lecture this time.
I was able to learn about some of the efforts made by modern wood construction engineers to analyze and hand down their techniques.
In particular, the purpose of the floor surface is different from that of an ordinary house, so the acoustic efficiency of the floor was considered.
The wooden planks are made to look like the surface leather of a drum.
In order to further improve the acoustic efficiency of a full-fledged Noh stage, a large urn is half embedded under the floor.
the floor to further enhance the acoustic efficiency of the Noh stage.
In Noh and Kyogen plays, the drumming effect of the actors’ feet and the sound of the accompanying instruments such as flutes and drums
The space is designed so that the drumming effect of the actor’s feet and the sound of the flutes and drums echoes out to the surrounding audience.
This kind of architectural tailoring technique is being elucidated.

In this way, efforts are being made on the architectural side to pass on the traditions of Noh theater.
However, in order to utilize these techniques and to establish the best of Japanese culture, such as Noh and Kyogen, in Hokkaido, it is essential that the evolution and development of the northern lifestyle culture be promoted.
The evolution and development of northern lifestyle culture is required at the same time.
In the midst of today’s society’s ultimate trend toward individualism, the cradle of Japanese society and culture, the traditional mura community, must coexist.
The coexistence and co-prosperity of the traditional mura community, the cradle of Japanese society and culture, has become a trend toward minimization.
This is also the same as the problem of declining population, which is said to be a global trend.
It is necessary for Japanese society to reawaken to the flexibility of the mura community.
I am deeply reminded of this…

Posted on 6月 10th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 日本社会・文化研究 | No Comments »

【能文化と現代社会の継承 小樽の「能舞台」-3】




佐渡出身の小樽の実業家一族・岡崎家の２代当主、謙氏造営の能舞台。
２枚目の写真はかれが10才まで過ごしていた郷里・佐渡の能舞台。
1843年創建と伝わる「大膳神社能舞台」です。
江戸時代末期ということになるけれど、
田舎の神社境内にこういう装置がしつらえられて地域の祭礼などで
能が興行され続けてきただろうことが偲ばれる。
たぶん北前船交易のネットワークに属する佐渡地域で
北海道小樽の開拓期のビジネスの活況に身を投じて
物流を司る仕事で「一旗あげた」父親。地元祭礼の時期には
北前船で帰省して、その膝に乗せられながら華やかで荘重な能や
楽しい狂言の舞台を感受性豊かな少年期に謙氏は体験したに違いない。
日本文化の粋が佐渡という里でも体験されたことで
強烈なその文化の存在感がかれの内面に育ったに違いない。
自然豊かな環境の中で、年に数度あるかないかの「非日常性」劇的空間性は
少年にある「生き甲斐」をもたらしたのだろう。
今日のわたしたちが接するテレビや映画とは比較を越えるものを感じる。
「今度の祭りで・・・」という人々の会話から少年たちは
その日本文化の特別感に触れ続け、そしてそれが能舞台での上演で
体験的クライマックスを迎えることになる。
刷り込まれる伝承的文化へのリスペクトは想像を超える。

青年期にはその体験が内面的に昇華されて能を習うことになる。
やがて父の逝去にともなって小樽での事業活動に没頭し、
そして社会的な役割を果たすなかから自分の内側から盛り上がるものがあって
能舞台の創造を念願するようになる。この生き様は理解できる。
用材にこだわり、信頼する佐渡の大工職人と協力して
小樽の地に能舞台を創建する活動をいわば「ライフワーク」とした。
総合芸術の仕上げとして狩野派の日本絵画まで一流にこだわった。
現代個人主義の時代を生きるわれわれの生き様とも通底するものがある。
岡崎謙氏が創造して残した能舞台から残照してくるものは大きい。
しかし後世のわたしたち社会ではこうした価値感が変容してしまった。
まずは年に数回の「ハレ」の時空間を存続させる地域ムラ社会が消滅した。
地域の祭りはその求心力が低下し続けている。
テレビや映画、そしてYoutube動画など、表現領域は無限大に拡大し
その受容体験はほぼまったく「日常化」する時代になった。
田舎の能舞台、という素朴な伝統文化性は大きく毀損している。

今日の社会の中で、こういう建築に残された日本文化を
どのように受け継いでいくのか、という課題テーマは大きくなっている。
駒木先生は小樽という地域のコアな文化としてこの能舞台建築を
存続させる活動に取り組まれているものと思う。
建築技術としてすら存続が困難になっていることも事実。
今日の文化社会は非常にきわどい局面を迎えていると強く思われます。

English version⬇

Inheritance of Noh Culture and Modern Society: Otaru’s “Noh Stage” – 3
Noh, the cultural norm up to the prewar period, was certainly transplanted to Hokkaido, but it is difficult to carry it on in the modern age. Can Youtube carry on Noh? Noh, however, is difficult to inherit in the modern age.

The Noh stage built by Ken Okazaki, the second head of the Okazaki family, an Otaru business family from Sado Island.
The second photo shows the Noh stage in his hometown of Sado, where he lived until the age of 10.
It is the “Ozen Shrine Noh Stage,” which is said to have been built in 1843.
It was built at the end of the Edo period.
This kind of stage was set up in the precincts of a shrine in the countryside, and Noh plays have been performed
It is reminiscent of how Noh plays were performed at local festivals and other occasions.
The Sado region probably belonged to the Kitamae Ship trading network.
In the Sado region, which probably belongs to the Kitamaebune trading network, he threw himself into the booming business of the pioneering period in Otaru, Hokkaido.
father who “made it big” in the logistics business. During the local festival season
on the Kitamae-bune, and he would take his father on his lap to see the gorgeous and solemn Noh plays and the
He must have experienced the glamorous and solemn Noh plays and joyful Kyogen performances as a sensitive young boy.
The fact that the best of Japanese culture was experienced in the village of Sado
The strong presence of this culture must have grown inside him.
In an environment rich in nature, the “unusualness” and dramatic space, which may or may not occur more than a few times a year, brought a “purpose in life” to the boy.
The dramatic space of the “extraordinary” in a rich natural environment, which occurs only a few times a year, must have given the boy a certain “joie de vivre”.
I feel that there is something beyond comparison with the TV programs and movies that we are exposed to today.
The boys continued to experience the specialness of Japanese culture through the conversation of people who said, “At the next festival…
The boys continued to experience the specialness of Japanese culture through conversations about the upcoming festival, which culminated in the experience of the Noh stage performance.
The experiential climax of the performance on the Noh stage.
The respect for the traditional culture that is imprinted on them is beyond imagination.

In his youth, this experience was sublimated internally and he began to learn Noh.
After his father’s death, he immersed himself in business activities in Otaru, and as he took on a social role, he began to learn Noh.
And as he fulfilled his role in society, he felt something rising up from within himself.
He began to desire the creation of a Noh stage. This way of life is understandable.
He was particular about the materials he used and cooperated with carpenters in Sado Island, whom he trusted.
He made it his “life’s work,” so to speak, to build a Noh stage in Otaru.
As the finishing touch to his comprehensive art, he was particular about first-rate Japanese paintings of the Kano school.
His life’s work has something in common with the way we live in today’s age of individualism.
The Noh stage created and left behind by Mr. Ken Okazaki is a great source of inspiration.
However, in our society of later generations, this sense of value has been transformed.
First of all, the local mura (village) society that sustained the “hare” (a time and space for festivals) that took place only a few times a year has disappeared.
Local festivals continue to lose their centripetal force.
The realm of expression has expanded to infinity through TV, movies, and Youtube videos.
The experience of receiving these expressions has become almost completely “everyday.
The simple traditional culture of the Noh stage in the countryside has been severely damaged.

In today’s society, how can we pass on the Japanese culture
How do we pass on the Japanese culture left behind in these architectural structures?
Dr. Komaki is involved in activities to keep the Noh stage architecture alive as the core culture of the Otaru area.
I believe that Dr. Komaki is involved in activities to keep the Noh stage architecture alive as the core culture of the Otaru region.
It is a fact that it is becoming difficult to sustain even as an architectural technology.
I strongly believe that today’s cultural society is at a critical juncture.

Posted on 6月 9th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 日本社会・文化研究 | No Comments »

【日本文化史が凝縮する北海道 小樽の「能舞台」-2】





能舞台の背景を印象強く彩る「鏡板」。
日本の建築文化の「粋」とも思えるこの建築装置に対して、
小樽の経済的成功者一族は、故郷の佐渡「神代杉」をはるばる「勧請」した。
用材に対して「勧請」というのは変な用語だと思うけれど、
その労役の巨大さを思えば、あえてそう呼びたい。
２枚目の写真は能舞台が建築として完成したときに
当主の岡崎氏が能を舞った様子だとされていた。
よく見ると、１枚目の鏡板の松の絵柄が表装されていない。

この松の絵柄はなんと当時の「狩野派」当主が小樽に招かれて
２ヶ月掛けて描き上げたものなのだというのです。
〜1925年7月には建築工事に着手、1926年1月26日に舞台開きを迎え、
1927年11月には狩野派第17代の狩野秉信（かのうもちのぶ）が
延べ2か月滞在して描いた鏡板の絵が完成した。〜
２枚目の写真は1926年初頭の「舞台開き」のときの記念写真。
そして３−４枚目は1927年11月当時の絵画制作過程。
おお、であります。
揮毫というコトバは「文字を書く」行為にのみ使われると思っていたら、
こういう絵を描くことも揮毫だということを初めて知った。
ちょうど「鎌倉殿の13人」で奈良大仏殿復興に際して後白河帝が揮毫した様子が
ドラマとして放映されていましたが、権威を持った存在の書画行為という意味。
日本史の中で折に触れて「狩野派」という存在は日本絵画の宗家として
ときどき彩ってくるけれど、リアリティを持って周辺状況を知ることはあまりない。
まことに中世社会での堺の町のように、小樽ではごく最近100年程度の
直近の歴史事実としてこういう状況があったのですね。
「狩野派宗家」に揮毫を依頼することの意味合いが伝わってくる。

狩野派は織田信長が築城した安土城の装飾絵画を受注した。
「天下」意識の異常に昂進した信長の時代、
日本絵画文化の正嫡を自認した狩野派はそのように歴史を彩った。
そういう日本史の空気感が20世紀の北海道でも発露していた。
日本社会の伝統、底流を形成する文化性は
北海道という新開地だからこそ、目に見えるかたちで表出したのでしょう。
日本文化がこの北海道という大地に刻印される生々しい現場と思える。
開拓初期において「北海道開拓使」という存在は中央省庁だった。
そして開拓が一段落した機会に最新文明の象徴である鉄道が関西地区よりも前に
小樽〜札幌間に敷設され、明治帝がはじめて乗車されて札幌に光臨される。
あらたに開拓された領土に対して「日本化」させる民族の努力が
文化領域で痕跡として残された、そういった証拠のような気がしますね。

English version⬇

Noh Stage in Otaru, Hokkaido, where Japanese cultural history is concentrated.
The Kano school’s head priest wrote calligraphy on the mirror plate of the Noh stage. It can be seen as an imprint of Japanese culture on the newly developed land of the north. The Noh stage is a comprehensive Japanese art form. Noh Stage

Kagami-ita,” or mirror plate, is an impressive backdrop for the Noh stage.
The family of a financially successful Otaru family, who had purchased the “kagami-ita” cedar from their hometown in Sado, Japan, for this architectural device, which can be considered the “essence” of Japanese architectural culture.
The family of a financially successful man from Otaru had to “requisition” their hometown of “Jindai cedars” from Sado Island.
Although “kanboku” may seem an odd term for a material, it is a very important one.
However, considering the enormity of the labor involved, I dare to call it so.
The second photo shows the Noh stage when it was completed as a building.
The second photo is said to show Mr. Okazaki, the head of the family, performing Noh when the Noh stage was completed as an architectural structure.
If you look closely, you can see that the pine tree on the first picture is not covered.

The pine tree was painted by the head of the “Kano school” of the time, who was invited to Otaru and spent two months painting it.
It took two months to complete the painting.
〜Construction work began in July 1925, and the stage was opened on January 26, 1926.
In November 1927, Mochinobu Kano, the 17th head of the Kano school, stayed for two months to paint the mirror.
In November 1927, the painting of the mirror panel was completed, which Kano Mochinobu, the 17th generation of the Kano school, painted during his two-month stay in Japan. ~ The second photo was taken in early 1926.
The second photo is a commemorative photo taken at the “stage opening” in early 1926.
The third and fourth pictures show the painting process in November 1927.
Oh, yes.
I had thought that the word “gaiyō” was used only for the act of “writing.
I learned for the first time that drawing pictures like this is also called “gaiyo” (painting).
In the drama “Kamakura-dono no 13inin”, the scene where Emperor Goshirakawa painted on the occasion of the reconstruction of the Great Buddha Hall in Nara was broadcasted.
It means an act of writing or painting by a person with authority.
In Japanese history, the “Kano school” is sometimes mentioned as the head family of Japanese painting.
However, we do not know much about the surrounding circumstances with a sense of reality.
It is true that, like the town of Sakai in the medieval society, Otaru had a situation like this as a recent historical fact in the last 100 years or so.
So, there was this kind of situation in Otaru as a recent historical fact.
The significance of asking the “Soke of the Kano School” to write the script comes through.

The Kano school received orders for decorative paintings for Azuchi Castle, which was built by Oda Nobunaga.
In the era of Nobunaga, who was unusually ambitious in his “descent from heaven” mindset, the Kano school was the legitimate owner of the Japanese painting culture.
The Kano school, which was recognized as the legitimate leader of Japanese painting culture, colored history in this way.
This atmosphere of Japanese history was also emanating in Hokkaido in the 20th century.
The traditions of Japanese society and the cultural nature that forms the undercurrent of Japanese society are
The traditions of Japanese society and the culture that formed the foundation of Japanese society were made visible only in Hokkaido, a newly developed region.
It seems to be a vivid site where Japanese culture was imprinted on the land of Hokkaido.
In the early days of pioneering, the “Hokkaido Kaitakushi” was the central government ministry.
And when the pioneering work was completed, the railroad, a symbol of the latest civilization, was built between Otaru and Sapporo before the Kansai region.
The Emperor Meiji took a train for the first time and came to Sapporo.
The efforts of the people to “Japanize” the newly developed territory
The Japanese people’s efforts to “Japanize” the newly settled territory left traces in the cultural realm.

Posted on 6月 8th, 2022 by 三木 奎吾
Filed under: 住宅マーケティング, 日本社会・文化研究 | No Comments »

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