朝の気温は札幌では10度ちょっと程度まで低くなってきました。
一昨日は11度でわたしはジャンパーを着込んで散歩。
でも人によっては午前６時頃、Tシャツ一枚の人もいる。
様子を見ていると特段寒いと感じている風でもない。
日本人にも欧米人的な体質の人が増えてきたのでしょうか？
きっと肉食中心の食生活なのかなぁ。
わたしはなるべくバランス良く、と心がけているせいか、
また感染症流行以来、絶対に風邪をひきたくない、と決めているからか、
加齢もあって寒さ対策には意識高めで行動しております。
まぁ、食生活では肉と魚、タンパク源摂取ではバランスは考えている。
この時期、そろそろ北海道の味覚の定番、サケと食卓で出会うことも増えている。

・・・というところですが、今年は春先に
ヒグマが札幌市内で見られたりして危険回避で散歩コースが大きく変わったので
通常見ている風景に変化も起こってきています。
で、最近はわが家から400-500m距離の「発寒川」河川流域の
公園緑地に沿って散歩行動するパターンが増えてきています。
人間は日常観察についてやはり自然のうつろい感受が基本欲求。
そんな毎日で、その川を渡る橋脚上で人だかりができている。
「おや、なんだろう・・・」と
野次馬根性が働いてその輪の中に入って観察していると
上の写真のような光景であります。
一番上の写真には注意喚起の矢印を付けてみましたので
お気付きいただけると思うのですが、サケの遡上風景であります。
その下の写真には矢印を付けていませんが、
ぜひ「目の体操」とお考えいただき、じっくりと観察してください（笑）。
そうすると健気なサケたちの必死の姿を発見できることと思います。
河川ではサケがのぼる川とそうでない川があるとされていますが、
どういった条件の違いなのかはよく知りません。
わが家周辺の自然にサケが◎認定をしてくれているようでウレシイ（笑）。
サケの様子を見ている人たちはおおむねサケを応援している。
まぁ内心では「ウマそうだから獲りたいな」と考えもするでしょうが、
いまのところ、そういう行為は目撃されていない。
観察していると川底はたくさんの小石のようで、個体によっては
その川底を掘っていると見える個体も散見される。
「え、ここで産卵まで見られるのだろうか」とドキドキが止まらない。
もしメスがそういう行為をするのであれば、周囲のオスは・・・と
より観察に熱が入ってきます。
同じイキモノとして感情移入する部分があって、応援に熱が入ってくる。

まことに秋色が日々深まってきている。
高温蒸暑の地域のみなさんにも写真から涼を感じていただければ幸いです。

English version⬇

Autumn colors of the rivers around our house are changing.
The salmon are giving the nature around our house a ◎ certification (laugh). I am simply happy that they seem to be providing us with such a story to boast about our community. I’m simply happy that they are providing us with such a local pride story.

The morning temperature has dropped to a little over 10 degrees Celsius in Sapporo.
The day before yesterday it was 11 degrees Celsius, and I put on a jumper for my walk.
However, some people were wearing only a T-shirt at around 6:00 a.m..
It was 11 degrees the day before yesterday, and I was wearing a jumper when I went for a walk.
Is it possible that more and more Japanese people have a Western-like constitution?
I wonder if it is because of their meat-centered diets.
Perhaps it is because I try to keep my diet as balanced as possible.
Or maybe it is because I have been determined not to catch a cold since the outbreak of infectious diseases.
I am also very conscious of my aging body, and I am taking measures against the cold.
Well, I try to balance my diet with meat and fish as protein sources.
At this time of year, we are beginning to encounter more and more salmon, a staple of Hokkaido’s taste buds, at our tables.

This year, however, we saw a brown bear in the early spring.
This year, however, brown bears were seen in the city of Sapporo in early spring, and the walking course has changed dramatically to avoid danger.
So the scenery that we usually see has been changing.
Recently, we have been walking along the Hassamu River, which is 400-500m away from our house, in a park and green area.
I have been taking more and more walks along the green areas of the “Hassamu River” river basin, which is 400-500 meters from our house.
Human beings’ basic desire in daily observation is to appreciate the changes of nature.
Every day, a crowd of people gathers on the piers crossing the river.
I wondered, “Oh, what’s going on?
I entered the circle of onlookers and observed the crowd.
The scene was as shown in the photo above.
I have attached an arrow to the top photo as a reminder.
The top photo is a view of the salmon run, as you may notice.
The bottom photo is not marked with an arrow.
Please consider it as “eye exercise” and observe carefully (laugh).
If you do so, you will discover the desperation of these healthy salmon.
It is said that some rivers attract salmon while others do not.
I am not sure what the difference is.
I am happy that the salmon seem to have given the nature around our house the ◎ certification (laugh).
People who are watching the salmon are generally supportive of the salmon.
Well, I am sure that in their heart of hearts, they think, “That looks so tasty, I want to catch it.
But so far, we have not witnessed such an action.
The bottom of the river seems to be full of pebbles, and some individuals seem to be digging at the bottom of the river.
Some individuals seem to be digging at the bottom of the river.
I was so excited that I wondered if I would be able to see them spawning here.
If the female is doing such an act, the surrounding males are…
I am more enthusiastic in my observation.
As the same animal, I am emotionally involved, and I become enthusiastic in cheering for them.

Autumn colors are really deepening day by day.
I hope everyone in the hot and humid region can feel the coolness from the photos.

Posted on 9月 27th, 2022 by 三木 奎吾
Filed under: こちら発行人です, 日本社会・文化研究 | No Comments »

北海道ではこういった生業に即した民家建築というのは
主に日本海側・西部海岸沿いの漁家建築が多数残っている。
どちらもその産業による建築への要請が色濃くあって、
いかにも「用の建築」という要素が強く感じられる。
現代の住宅というものが失いつつある、職業との一体性が強い。
古民家というものが現代人に強い郷愁をもって受け止められるのには、
こうした「生業感」というものが大きいのではないかと思っています。
用から来る建築の成り立ちとか、規範性のようなものが明白で
そこに「人間の営み」感が強く感じられ、
はるかに伝わってくる先人の息づかいへの共感力が大きい。
こういう感じ方は「民藝」に通じる部分だと思うのだけれど、
概念規定が必ずしも明確ではない民藝運動としては
古民家建築についてあいまいな状態のままになっていると思う。
創始者の柳宗悦の構想力以上に、大スポンサーとしての倉敷・大原家の方が
ただしく古民家の空間性を評価していると思う。
実際にそうした住宅建築を体感してきての実感であります。
日常使いの「民具」についても柳宗悦などが「これがそうだ」と
決めつけただけで、氏が亡くなった後はその概念範囲が不明になってしまった。
そう感じている多くの人々によってその後、民藝のより本然形として
「古民家」への強い支持が示され、いわば民藝は止揚されたのかも。
結局、人間活動の究極的な「用」としては古民家そのものが
より巨大な「文化」領域になってきているのではないか。
さらに個人的な意見として、北海道が生み出した住宅の革新は、
現代生活文化にとって超越的な「民藝運動」ではないかと思っています。
人々の暮らしの根底的な「用を満たす」という似た出自だが、
実質的な「革新性」では、はるかに超える文化性を創造している。
いまだに北海道の住宅進化を認識していない現在の民藝運動に残念感を抱く。


この旭川に遺された養蚕民家は開拓に必死に立ち向かった
1905年段階の移住者の魂魄をそのまま生々しく息づかいとして伝えている。
一般的和風建築が高い階高への志向性を感じさせない中で、
養蚕という具体的な空間目的に対して率直に高く大きな空間を
素朴に追求している様子が明白。
２階の壁の上部は屋根まで開放された大空間が広がり、
室内建具は吹き抜けに対して２階分が上下に積み上げられていて
一般的古民家に対して稀有な巨大空間性を見せてくれている。
まるで開拓期アメリカ西部でのバルーンフレームのような
大空間志向、寒冷な気候に対して内部気候の安定性を強く求めた
ひとびとの生きた痕跡を強烈に発信してくれている。
建築存在そのものが強い情報発信力を持っている。
吹き抜けが一般的になった現代住宅でも、間仕切り建具がタテに積層するのは
ほとんど見ることのない、きわめて独特の室内空間。
養蚕の目的にきわめて素直な全館吹き抜けという独特の和風建築。
その後の北海道住宅建築が本州以南地域の既存常識を打破していく
開拓初期の奔放な革新性を発揮していると思います。

English version⬇

Mingei” architecture that is faithful to its original purpose: A silkworm-raising house in Higashi Asahikawa.
The minka is the ultimate form in the realization of the essence of folk art, the “use” of human life. The housing innovations of modern Hokkaido are realizing transcendent “use”. ……

In Hokkaido, this type of minka architecture is mainly found along the western coastline of the Sea of Japan, where many fishermen’s houses are still standing.
In Hokkaido, there are many minka buildings that were built to meet the needs of the industry, mainly along the Sea of Japan and the western coast.
Both of these structures are strongly influenced by the needs of the industry, and
The architecture of the minka is strongly “architecture for use”.
They have a strong sense of unity with their occupations, something that modern houses are losing.
The reason why modern people feel a strong nostalgia for old private homes is that they have a strong sense of “livelihood.
I believe that this “sense of occupation” is a major factor in the strong nostalgic appeal of old private homes to modern people.
The architectural origins and norms that come from the use of the house are obvious, and the sense of “human activity” is strong in them.
and the sense of “human activity” is strongly felt.
and the empathy for the breath of our predecessors that is transmitted far and wide is great.
I think this kind of feeling is a part of “folk art,” but the concept is not always clear.
However, as a folk art movement that does not necessarily have a clear conceptual framework, it is difficult to define the concept of “mingei”.
I think that the concept of old private house architecture is still ambiguous.
The Kurashiki Ohara family as a major sponsor is more important than the conceptual power of Muneyoshi Yanagi, the founder of the Mingei movement.
I believe that the Kurashiki Ohara family, as the major sponsor, has a greater appreciation for the spatiality of the minka than Muneyoshi Yanagi, the founder of the minka movement.
This is my feeling after having actually experienced such residential architecture.
As for “folk tools” for daily use, Muneyoshi Yanagi and others
After his death, the scope of the concept became unclear.
After his death, the scope of the concept became unclear.
Mingei may have been sublimated, so to speak, by the strong support for “kominke” (old private houses) as a more natural form of mingei.
In the end, as the ultimate “use” of human activity, the minka itself
In the end, the old private house itself may have become an even larger “cultural” field as the ultimate “use” of human activity.
Furthermore, in my personal opinion, the housing innovations created in Hokkaido
transcendental “folk art movement” for the culture of modern life.
Although similar in origin to fulfill the fundamental “needs” of people’s lives, the “innovativeness” of Hokkaido’s housing is a transcendent “Mingei” movement for contemporary life culture.
In terms of substantive “innovation,” it is creating a cultural quality that goes far beyond.
I feel a sense of disappointment in the current Mingei movement that still does not recognize the evolution of housing in Hokkaido.

This sericultural house left behind in Asahikawa conveys the spirit of the settlers in 1905 who desperately faced the frontier.
The spirit of the immigrants in 1905 is vividly conveyed in this house.
While the general Japanese-style architecture does not seem to be oriented toward high stories, this house is a very large and frankly high house for the specific purpose of sericultural purposes.
It is obvious that the building is frankly pursuing a high and large space for the specific spatial purpose of sericulture.
The upper part of the second floor wall is open to the roof.
The upper part of the wall on the second floor opens up to the roof, creating a large space.
The fittings in the room are stacked up and down for the second floor against the stairwell.
The interior fittings are stacked two stories above and below the stairwell, creating a huge spatiality rarely seen in ordinary old houses.
It is like a balloon frame in the pioneer American West.
The large-space orientation and the cold climate of the region
The building itself has a strong power to transmit information.
The very existence of architecture itself has a strong ability to transmit information.
Even in modern housing, where vaulted ceilings have become commonplace, the vertical stacking of partition fittings is a very unique feature that is rarely seen in modern housing.
This is a very unique interior space that is rarely seen.
This is a unique Japanese-style building with a full-length stairwell, which is very much in keeping with the purpose of sericulture.
Hokkaido’s subsequent residential architecture broke away from the conventional wisdom of the region south of Honshu.
The building demonstrates the unrestrained innovation of the early pioneering period.

Posted on 9月 25th, 2022 by 三木 奎吾
Filed under: 住宅性能・設備, 古民家シリーズ | No Comments »

この東旭川の養蚕民家は、福島県伊達市近郊からの1905年の移住者の建築。
この北海道旭川で故郷での養蚕民家建築を移植したもの。
当然、故郷での同様建築への興味が湧くところですが、
これも匿名氏からの情報を頂きました。福島県に民家園があって、
そこにほぼ同様の建築機能をもった養蚕民家があるのだというのです。
インターネットで調べたところ画像があり、見やすく修正を試みた写真です。
正面側と切妻側の様子を比較対照した画像対比。
1-2番目が福島でそれ以外が旭川です。
福島県では正面側では手前南面側に外部縁側が１−２階とも確認されますが、
旭川ではこれがガラス入りの外部建具で仕切られている。
福島県の方でも写真に雪がちょっと写ったりしているけれど、
もちろん北海道北部の旭川盆地ではハンパない寒冷と積雪条件。
地域に似合うようにスタイルが進化していっていると受け止められる。


一方、切妻側では上の写真の福島では下屋が付設されていますが、
下の旭川では構造が積雪に耐えられずに破却されたというように伝えられている。
外見的にはたいへんそっくりであり、どうも北海道での建築者の松浦さんと
この福島の「小野家」さんとは地縁的繋がりがあるように想像できる。
余談ですが福島の小野ということで小野小町伝承とも関連があるのかも（笑）。

昨日データ復元依頼先から連絡があり、復元不可能とのこと。
深く落ち込んでおります。
しかし諦めることなく、SSDディスク購入の大型店舗に連絡して
その会社のカード利用履歴などから間違いなく「購入履歴」が認証されたので
その大型店からメーカーに対応依頼をしてもらいました。
直接何度も電話していたのですが、数十回電話しても常に「話し中」で
一向にラチが開かないということからの窮余の一策。
これがようやく風穴を開けて、意思疎通が可能になっています。
準備を整えて本日、本体と説明文書などを添えて送付予定。
サードパーティのデータ復元事業者では不可能とされましたが、
製造責任メーカー側の対応がどうか、一縷の期待をもって祈念している次第。
しかし、購入して３ヶ月程度しか経過していなくて出張移動といっても
落下などの衝撃も加わっていない状況で認識されなくなるというのは
ユーザーの常識から考えてちょっと納得いかない。
一般的にデジタルデータにはバックアップ必要という注意は理解できるけれど
ユーザー側として、すべてのデータについて常時バックアップなどありえない。
実際に失われてみるとこれはいかに不安定な社会インフラであることか、
ユーザーの自己責任論があまりにも過剰ではと不信になる。
ということですが、ブログ連載については匿名氏からの情報バックアップが
大いに力づけになってくれてもおりますので、
人情に感謝も込めて頑張っていきたいと思っています。
捨てる神あれば拾う神あり、か（笑）。

English version⬇

Style Change from Fukushima to Asahikawa: Sericultural Houses in East Asahikawa – 6
The houses that remain in Fukushima, my hometown, are compared and contrasted with Asahikawa’s sericultural houses. The change in style is visible and stimulates the imagination. The visitor can feel the God who discards and the God who picks up. The house in the village of Fukushima

This Higashi Asahikawa sericultural minka was built in 1905 by an immigrant from the suburbs of Date City, Fukushima Prefecture.
This Asahikawa, Hokkaido, is a transplant of the sericultural minka architecture of his hometown.
Naturally, I would be interested in similar architecture in my hometown.
This information was also provided by an anonymous source. There is a minka garden in Fukushima prefecture.
I found a picture of a silkworm-raising house with a similar architectural function there.
I found a picture of it on the Internet and modified it to make it easier to see.
The first and fourth images are the front side and the gable side.
The first two are Fukushima and the rest are Asahikawa.
In Fukushima, the front side has an exterior porch on both the first and second floors on the south side of the front elevation.
In Asahikawa, this is separated by external fittings with glass.
In Fukushima Prefecture, there is a bit of snow in the photo.
Of course, the Asahikawa Basin in the northern part of Hokkaido is subjected to extremely cold and snowy conditions.
It is accepted that the style is evolving to suit the region.

On the other hand, on the gable side, a shed was attached in Fukushima, pictured above, but
On the other hand, on the gable side, the Fukushima building in the photo above has an attached shed, while the Asahikawa building in the photo below was torn down because its structure could not withstand the snow accumulation.
The two houses are very similar in appearance, and it is likely that Mr. Matsuura, the builder in Hokkaido, and the “Ono Family” in Fukushima are the same person.
It seems that there is a geographical connection between Mr. Matsuura, an architect in Hokkaido, and the “Ono Family” in Fukushima.
As a side note, Ono in Fukushima may be related to Ono Komachi folklore as well (laugh).

Yesterday, I received a call from the company that requested data recovery and was told that the data could not be recovered.
I am deeply depressed.
However, I did not give up and contacted the large store where I purchased the SSD disk.
The company’s credit card usage history and other information definitely verified the “purchase history”, so I contacted the large store where I purchased the SSD disk.
I asked that large store to send a request to the manufacturer for a response.
I called them directly several times, but they were always “busy” even after dozens of calls.
This was a desperate measure because we were never able to reach the manufacturer.
This has finally opened a windfall and communication is now possible.
The unit is ready and will be sent today with the unit and explanatory documents, etc.
We were told this was not possible with a third-party data recovery provider.
I am praying with a ray of hope that the manufacturer responsible for manufacturing the product will be able to do something about it.
However, it has been only about 3 months since I purchased it, and even though it is a business trip, it has not been moved yet.
However, it is a little unacceptable from the common sense of users that the device is not recognized after only three months of purchase and without any impact such as being dropped or moved on a business trip.
It is a little unconvincing from a user’s point of view.
I understand the general caution that digital data needs to be backed up, but I am not convinced that this is the case.
However, it is impossible for a user to always back up all data.
When you actually lose your data, you realize how insecure the social infrastructure is, and you realize that you are not responsible for the loss.
I distrust that the user’s self-responsibility theory is too much.
I am very grateful to Mr. Anonymous for his information backup for the blog series.
I am grateful for the support of anonymous users and will continue to do my best.
I would like to do my best with gratitude for the humanity.
Where there is a God, there is a God, right?

Posted on 9月 23rd, 2022 by 三木 奎吾
Filed under: 住宅取材＆ウラ話, 古民家シリーズ | No Comments »

きのうは日本縦断から東北横断と進んだ台風、ついに太平洋上に抜けた。
そうすると気象庁も「温帯低気圧に変わりました」という発表。
北海道人としては、毎度のことながらこの予定調和的なアナウンスに
独特の感慨を持っております。
なんというか「遅れてきた日本人」的な一種の疎外感を味わわされる。
こんな書き方をすると申し訳ないのですが「肩透かし」気分。
台風情報の宴の終わりには「あ、北海道は今回も除外です」みたいな
複雑微妙な心理を持たされるのであります。
そして温帯低気圧に変わった途端に札幌では最高気温16度とかの一気の秋冷。
ほとんど肌寒い気候に包まれております。
関東圏以南地域とは「湿度」環境もまったく違う
低湿度のカラッとした気候が北海道の夏、いや全季節の特徴。
最近の蒸暑地域での「全館除湿」みたいな室内気候制御論には
どうもこれも疎外感を味わわされる。なんですが、ともあれ、
この台風で被害にあわれたみなさんへ、１日も早い復旧を祈念いたします。

さて、ようやくにして本日、データレスキュー屋さんに
住宅画像集中管理の外付けSSDドライブの入院チェックに持ち込めます。
どういうことになるのか、不安と信頼感の両方の複雑心理。
なんとか無事を願う一方で、もしダメな場合にはさらに別の手段も検討中。
３年前までのバックアップデータは確認しているので
最悪の場合にもそれ以前のデータは保存されている。
ちょうど感染症での社会停止状況のなかでのデータが問題なワケ。
・・・つくづく、自分自身という存在を顧みる機会かと
今回のデータ紛失事件で思い知らされています。
というのは、わたしは多くの人生時間を映像・写真とともに過ごしてきた。
たくさんの住宅「現場体験」を積み重ねてきてそれをピンナップしてきた。
Replanという住宅雑誌の取材として、また個人的な古民家などのデータとして。
そしてそれより以前に、自分自身は元祖ビジュアル世代なのではと思う。
わたしの年代はテレビ放送の最初期に遭遇した世代であり、
小学校低学年時代から学校での授業での情報以上に
大量の画像・動画情報に湯水のようにさらされて育った第１世代だということ。
はじめての衛星放送でケネディ暗殺シーンが脳裏に飛び込んできた。
毎日のようにわかりやすい視覚情報から大量の情報を得てきた。
実際に身の回りで触れる視認世界とは比較にならない洪水的視覚情報は
自分自身にとって決定的だったと思えるのです。
そういう体験がベースを形成して仕事領域として住宅、それも視覚の世界に
それがもっとも自然だという感じで入っていったのだと思うのです。
空間情報についてそれを文字ベースで考えるということを
微塵も思わなかった。当然、写真情報がアプリオリな選択だった。
今回の紛失体験から、このことを深く自覚させられている次第です。

English version⬇

The first generation of humans to embrace visual expression.
Humans came into contact with visual information from television almost simultaneously with written information. This is the generation that also gazed at information on the Kennedy assassination through visual images. They were the first generation to receive visual information.

Yesterday, the typhoon, which had moved across Japan and then across the Tohoku region, finally passed over the Pacific Ocean.
Then the Japan Meteorological Agency announced that it had turned into an extratropical cyclone.
As a person living in Hokkaido, I have a peculiar feeling about this scheduled announcement every time.
I have a peculiar feeling about this announcement.
I feel a kind of alienation like a “Japanese who came late”.
I am sorry to write it this way, but I feel like I am “looking over my shoulder.
At the end of the typhoon information banquet, I feel like “Oh, Hokkaido is excluded this time, too.
I have a complex and subtle psychological feeling.
And as soon as the extratropical cyclone changed to an extratropical depression, Sapporo experienced a sudden autumn chill with a maximum temperature of 16 degrees Celsius or so.
It is almost chilly here in Sapporo.
The “humidity” environment is completely different from that of the Kanto area and southward.
Low humidity and a dry climate are the characteristics of Hokkaido’s summer, and indeed of all seasons.
I feel alienated from the recent indoor climate control theory of “whole-house dehumidification” in hot and humid areas.
I feel alienated from this too. Anyway, I would like to express my sincere condolences to all of you who were affected by this typhoon.
To those who suffered damage from this typhoon, we wish for your earliest possible recovery.

Today, we finally got a data rescue service.
We are finally able to bring the external SSD drive for centralized housing image management in for an inpatient check.
What will happen is a complex psychology of both anxiety and trust.
While I hope it will somehow be safe, if not, I am considering further alternative measures.
We have confirmed backup data up to 3 years ago.
In the worst case scenario, the data before that time will still be saved.
The problem is that the data is just in the midst of a social shutdown due to an infectious disease.
I think this is an opportunity for us to reflect on our own existence.
The loss of the data reminds me that I have to reflect on who I am.
I have spent much of my life with images and photographs.
I have accumulated a lot of “on-site experiences” of houses and have been pinning them up.
I have also been involved in the research of a housing magazine called “Replan”, and I have also been involved in the data of my personal old private houses and so on.
Before that, I think that I myself am a member of the original visual generation.
I am of the generation that encountered the first TV broadcasts.
From my early elementary school days, I was exposed to more than just information in school classes.
I am the first generation to be exposed to a large amount of visual and moving image information, more than what we were exposed to in the classroom.
The Kennedy assassination scene jumped into my mind on my first satellite broadcast.
We received a great deal of information from easy-to-understand visual information on a daily basis.
The flood of visual information, which is incomparable to the visual world we actually experience around us, has been decisive for me.
I think it was decisive for me.
Such experiences formed the basis for my work in housing and the visual world.
I think it was this experience that formed the basis for my entry into the visual world as a field of work, as if it were the most natural.
I never thought of spatial information as text-based.
I never thought of spatial information as text-based. Naturally, photographic information was the a priori choice.
This experience of loss has made me deeply aware of this fact.

Posted on 9月 21st, 2022 by 三木 奎吾
Filed under: Mac.PC＆DTP, 住宅マーケティング | No Comments »

以前はけっこうゴルフとか楽しんでおりましたが、
感染症の蔓延以来、どうも抑制的な生活が常態化してくると
あまり積極的には行く気にもなれなくなっております。
そもそもそれ以前から、仕事関係での付き合いの機会が多く、
たとえば経済団体関係とか、業界団体関係でもきわめて抑制バイアスが働き
銀行のコンペなども３年近くまともに開催されない。
友人関係では仕事リタイヤ組が多くて、誘われる日程はほぼ平日限定。
というようなことで、ゴルフへの積極的興味が薄らいできてしまった。
ゴルフとかだと、上に書いたような他者との関係性が大きくて
自分の健康維持という本来の目的とは異なる流れになる。
代わって他者にご迷惑をかけずにできる散歩が健康維持法に。
これまでは１日１万歩をメドにしていましたが年とってくると
「それは歩きすぎだよ」とのカミさんのアドバイス。
ということでやや抑制的な歩数距離に抑え気味にしております。

北海道人なので冬場にはどうしても散歩の距離が短くなる。
まぁそれなりに歩いてはいるのですが、どうしても吹雪の時とか、
距離が短くなるのはやむを得ないのですね。
そうすると夏場、ちょっと長めに距離を稼ぎたくなる。
昨日は敬老の日前日、ということで（笑）
ついついあちこちとクルマを極力使わず、歩き主力で移動行動。
おおむねカミさんの命令に素直に従っていますが、
ややこの数日は絶好調で楽しんでおります。
おかげさまで体調はすこぶる元気で、まだまだ歩数を伸ばせるのですが、
ゴルフのように精神的ダメージがない分（笑）、快適そのもの。
平日はどうしても減衰せざるを得ないので、
この貴重な休日、たっぷりと足の向くまま、気の向くまま
あちこちと足を伸ばしたいと思っております。

・・・写真データ外付けSSD問題、データレスキュー専門事業者の方と
打合せが進んで、来週半ばには結論が得られそうであります。
過去にも、別のスタッフのトラブルで対応もしていただいたので
なんとかと期待しております。
今回の経験を機会に、従来やや否定的だったクラウド利用について
本格的に検討すべきかなと思っております。
HDDだけに限らず、SSDでも危険性は避けられないと痛感。
はやくまともな住宅取材系の写真と話題に復帰したいところですが、
じっとガマンの子であります。じ〜〜〜〜。

English version⬇

Farewell to my health, mainly golf and walking.
Since the spread of infectious diseases, is there a growing tendency toward rejection of the relationship-dependent type of relationship with others? Is the ease of not having to bother anyone becoming a top priority? …

I used to enjoy golf and other activities.
But since the spread of infectious diseases, I have been living a restrained life.
I am no longer willing to go golfing.
I have had many opportunities to socialize with people in the business world before that.
For example, I have been involved in business associations and industry associations, but my inhibitions have been extremely strong and I have not been able to go to any of the bank competitions for almost three years.
For example, I have not been able to participate in bank competitions for almost three years.
Many of my friends are retired from work, and the dates they invite me to their events are almost exclusively weekdays.
This is why I have become less and less interested in golf.
With golf and other activities, the relationship with other people, as I mentioned above, is so large that the original purpose of maintaining one’s own health is different.
I have to take the place of others to maintain my health.
Instead, I have turned to walking, which I can do without bothering others, as a way to maintain my health.
I used to set a goal of 10,000 steps a day, but as I got older, people would say to me, “That’s too much walking.
My wife’s advice was, “That’s too much walking.
So I have been trying to keep the number of steps I take to a more moderate level.

As a Hokkaido native, I tend to shorten the distance of my walks in winter.
Well, I do walk a fair amount, but when there is a snowstorm or something like that, it is inevitable that the distance becomes shorter.
I walk a certain amount, but when there is a snowstorm, it is inevitable that the distance is shortened.
Then, in the summer, I want to make the distance a little longer.
Yesterday was the day before Respect-for-Senior-Citizens Day.
I was walking around, not using the car as much as possible.
I’ve been following my wife’s orders pretty much to the letter, but I’ve been feeling a bit sluggish the past few days.
I’ve been enjoying the past few days in great shape.
Thanks to her, I am in excellent physical condition, and I am still able to increase the number of steps I take.
I can still increase the number of steps I take, but it is comfortable because I don’t have the mental damage of golf (laugh).
I have to reduce the number of steps I take on weekdays, so I am taking advantage of this precious day off to get plenty of exercise.
I want to take this precious day off to stretch my legs as much as I want and as much as I feel like it.
I would like to stretch my legs here and there.

…The problem of the external SSD for the photo data, I have a meeting with a data rescue specialist.
We are meeting with a professional data rescue company to discuss the issue of external SSDs for photo data, and we expect to reach a decision by the middle of next week.
They have helped us in the past with another staff member’s problem.
We are hoping that we will be able to manage the situation.
I think we should take this experience as an opportunity to seriously consider the use of cloud computing, which we have been somewhat negative about in the past.
I think we should seriously consider using cloud computing, which we have been somewhat negative about in the past.
I am keenly aware that the danger is inevitable not only with HDDs but also with SSDs.
I’d like to get back to decent housing coverage photos and topics as soon as possible, but I’m a patient child.
I am a child of patience. Please visit 〜〜〜〜.

Posted on 9月 19th, 2022 by 三木 奎吾
Filed under: こちら発行人です | No Comments »