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【権力誇示目的の建築デザイン 大庄屋「片岡家」-3】



江戸幕府の時代、支配階級・武家大名という存在が社会の基本秩序を構成していた。この奈良県宇陀市近郊に残る片岡家住宅は大名支配の経済の中核的存在。庄屋としてコメ生産の全過程を管理して収穫物を大名家に納税する責任者。そのなかでも片岡家は枢要な存在だったようで本宅に連結して大名自身が逗留するために座敷空間が建てられている。上の写真は、本宅との境界を土壁で仕切っている様子。手前側のニワ空間は農作業のために使われていたようだけれど、この壁から先は大名・本多家のための空間。
住宅建築のデザインというものにはその施主の社会的目的性が顕著に表れる。ここでは武家としての社会存在性を強調する装置化が目指されている。庄屋宅の側に開けられた円窓は、来訪者の素性をいち早く確認するための「偵察」目的だと思える。一種の様式的美化はあるにせよ、用途としては間違いなくそういうもの。基本は軍事に直結する用が形象化されたものだろう。重厚に土塗りされているのは、攻めてくる外敵からの防御性を考えたものか。玄関では当然のように「敷居が高い」。

こちらが主室で、殿様が端座する居室。正面床の間の横の壁は万が一の時の武者の出入り口機能も持っていた。主室で休んでいる大名を奥の「武者だまり」で守護し、万が一の場合には主室に飛び出して大名を守る目的。常在戦場の考え方で、常に外敵襲撃に備える工夫を欠かしていない。
装飾的インテリアとして床の間や掲額、また隣室との境の欄間の木工デザインなどがある。床の間が代表的な装置ということになるけれど、これを背景にして端座することで主人の権威性を装飾することがデザイン上の目的だった。よく殿様の褒め言葉で「床の間での座りがいい」みたいな表現を使う。武家の倫理習慣で家臣たちはこのような座りの良い殿様を中心にして「御恩と奉公」と関係が神聖様式化されていた。
床の間はいごこちがいい、という価値感ではなくいわば「見え」に特化した住宅デザインなのだろう。インテリア全体が「かしこまって敬うべきである」という武家秩序価値感の強制のために奉仕している。

こちらは「次の間」に置かれていた片岡家の庄屋としてのシルシ類。江戸の同心たちが武力的公務を果たすときに「御用」の提灯を見せるのは時代劇のお決まりだけれど、この片岡家のような鄙では公務としての徴米などのシルシとして機能したのだろう。
わたしの家系伝承ではこうした庄屋の立場で過ごしていた時期がある。こういう存在は農民と支配者の武家との中間的存在であり、その領主の支配方針、過酷な徴税・増税によって襲撃対象とされることが多かった。領主の非道な政策への怨嗟の標的にされることがしばしば。わが家系ではそうした理不尽の結果、打ち毀しの憂き目にあって、結果として商家へと転身していった経緯がわかっている。この片岡さんの家は比較的に平和だった「譜代」大名家に付属していたので運良く家系が永らえ、このように住宅も残ったのだろうか。

English version⬇

Architectural design for the purpose of showing off power: The Kataoka Family, the feudal lord’s house – 3
Spatial design for the purpose of “visualizing” military rule. The samurai family lived very hard to be seen. …

During the Edo shogunate, the ruling class, the samurai feudal lords, constituted the basic order of society. The Kataoka family residence, which remains here in the suburbs of Uda City, Nara Prefecture, is at the core of the economy of the daimyo ruling class. As headman, he was responsible for managing the entire rice production process and paying taxes on the harvest to the feudal lords. The Kataoka family seems to have been a key player in this process, and a room was built in connection with the main house for the Daimyo himself to stay in. The photo above shows the boundary between the house and the main residence separated by a mud wall. The space in the foreground was used for farming, while the space from this wall onward is reserved for the Daimyo Honda family.
The social purpose of the owner is clearly expressed in the design of a residential building. Here, the house was designed as a device to emphasize the social presence of the samurai family. The round window on the side of the headman’s house seems to be for the purpose of “reconnaissance” to quickly identify the identity of visitors. Although there is a kind of stylistic beautification, this is definitely the purpose of use. Basically, it is a figurative representation of a use directly related to military affairs. The heavily coated earthen walls may have been designed to provide protection against invading foreign enemies. At the entrance, the “threshold is high” as a matter of course.

This is the main room, the living room where the lord would sit on the edge of the room. The wall next to the front alcove also served as an entrance for the warriors in case of emergency. The purpose was to protect the lords resting in the main room by guarding them in the “warrior’s lair” in the back, and to protect them by jumping out into the main room in case of an emergency. With the concept of “Always on the battlefield,” the house was always prepared for attacks by foreign enemies.
Decorative interiors include tokonoma (alcove) and hotofuchi (plaque), as well as the woodwork design of the ranma that borders the adjacent room. The tokonoma is a typical example of such a device, and its purpose in design was to decorate the authority of the master by having him sit on the edge of the room with it as a backdrop. The expression “good sitting in the alcove” is often used as a compliment to the lord. In the samurai family’s ethical custom, the relationship of “gratitude and devotion” was sacredly stylized around such a lord with a good seat.
The tokonoma is not a value of comfort, but rather a house design that specializes in “visibility. The entire interior serves to enforce the samurai order’s sense of value that one should be polite and respectful.

This is the shirushi of the Kataoka family as village headman placed in the “next room. It is a common practice in period dramas to show “Goyo” lanterns when the Edo government officials were performing their official military duties, but in a remote area such as the Kataoka family’s, these lanterns probably functioned as official documents for official duties such as collecting rice.
In my family tradition, there was a time when I spent time in the position of village headman. They were often the target of raids due to the ruling policies of their lords, harsh tax collection, and higher taxes. They were often the target of vindictive attacks against the lord’s outrageous policies. In our family history, we know how the family was struck down as a result of such irrationality, and how the family turned into a merchant family as a result. I wonder if Kataoka-san’s family was lucky to have been attached to a relatively peaceful “Fudai” feudal lord’s family, and thus the family line was able to endure and the house remained as it was.

【ウワサの運転免許「高齢者講習」第1回、無事突破(ホッ)】


高齢化社会の「先進地域」ニッポン。世界に先駆け高齢者人口割合が増加しているなかで、さまざまな「変容」を余儀なくされている。なにげに本日のyahooトップページでは〜成田悠輔「高齢者は集団自決した方がいい」NYタイムズが発言報じて世界的大炎上「この上ないほど過激」〜という見出しの記事が目に飛び込んできていた。確かにちょっと過激ではと思いますが比喩表現だろうし、社会の中にさまざまな意見があるのは了解はできる。氏のご意見を読んでみるとポイントは「高齢者が社会の枢要な位置をほぼ独占している」現状への異議申し立てと思います。それは事実でもあるでしょう。高齢化社会での「活力」維持作戦として、より若い世代の活躍の場をというのは当然の意見。自分も客観的事実として高齢者になってきて冷静にその事実を受け止め、社会の中で自分の果たすべき役割を考えて行きたいと思っています。
少なくとも身体機能や認知機能について疑わしい事故例が見られる以上、交通ルールとして対応を考えて行くこと自体は自然な成り行き。かなり事前(たしか3ヶ月以上前と記憶)に「高齢者講習」の申込みハガキが送られてきて、そういうのはサッサと片付けたい方なので、すぐに申込みして昨日、受講して参りました。
きのう札幌は降雪の影響で道路は各所でほとんどが1車線のノロノロ状態。通常20分程度の道のりが倍以上かかって所定時間ギリギリの到着。

結果としては通常の免許更新手続きと違って、実際の運転実技時間もあってなかなか有意義なのではと思われました。通常の免許更新手続き費用が2,500円で高齢者講習費用が6,450円というのはやや疑問ではある(笑)。「高齢社会のおカネの流れの促進策」という声もありますが、言い得ているのかも知れないと思いました。が、実際に受けてみると「視野角度調査」「認知機能調査」「夜間認知機能調査」など自己認識に役立つチェックポイントの機械開発など、知恵と工夫の成果が見られました。従来の運転免許更新時講習と比較してかなり進化した内容。
また、運転実技の時間は隣に指導の方が同乗されてチェックしていただける。これは50年前の免許取得時以来の経験なので新鮮に感じました。運転技能では常識共有化ってなかなか難しい。ルール厳守は前提だけれど、長年自分だけの判断で知らず知らずに身についているクセの類は客観化する機会がない。一定の緊張感を持って確認できるのは意味があると思いました。
実技では雪に覆われた橋脚下をくぐる場所があってその場所を自分の判断で徐行運転しましたが、指導員からお褒めいただいた(エヘン)。その甲斐あってか「たいへ優良な運転マナーです」という評価でした。すっかりいい気分にさせていただけたので、6,450円もまぁ仕方ないかと思った次第。まことに現金で単純な性格だと自己認識(笑)。

English version⬇

The first driver’s license “training course for the elderly” has been successfully completed.
The fact that people are concerned about the decline of cognitive functions due to the aging of the population is unavoidable. I would like to take a positive view of the situation by solemnly checking myself. I am very happy to have passed the first session of the “elderly driver’s license” training course.

Japan is an “advanced region” with an aging society. As the percentage of the elderly population is increasing ahead of the rest of the world, Japan is being forced to undergo various “transformations. I was casually struck by an article on the top page of yahoo today headlined “Yusuke Narita: ‘The elderly should commit mass suicide,’ NY Times reports. It is true that this is a bit extreme, but it may be a figurative expression, and I understand that there are various opinions in society. I think the point of his opinion is an objection to the current situation in which “the elderly almost monopolize the pivotal position in society”. That may be true. It is a natural opinion that the younger generation should be given more opportunities to play an active role as a strategy to maintain “vitality” in an aging society. I, too, have become an elderly person as an objective fact, and I would like to calmly accept this fact and think about the role I should play in society.
As long as there have been cases of accidents that are at least questionable in terms of physical and cognitive functions, it is only natural that we should consider how to respond to them as traffic rules. I received a postcard long in advance (more than three months ago, as I recall) with an application for a “training course for the elderly,” and since I am the kind of person who likes to get that stuff out of the way quickly, I applied immediately and took the course yesterday.
Due to the snowfall in Sapporo yesterday, the roads were mostly one-lane slow in many places. The usual 20-minute journey took more than twice as long as usual, and I arrived just in time for the scheduled time.
As a result, unlike the usual license renewal procedure, we had time for practical driving skills, which we thought was quite worthwhile. The cost of the regular license renewal procedure was 2,500 yen and the cost of the senior citizen training course was 6,450 yen, which is somewhat questionable (laugh). Some say it is “a measure to promote the flow of money in an aging society,” and I thought they may be right in saying so. However, when I actually took the course, I saw the results of wisdom and ingenuity in the development of machines for checkpoints useful for self-recognition, such as the “visual field angle survey,” “cognitive function survey,” and “nighttime cognitive function survey. The content of the course has evolved considerably compared to the conventional driver’s license renewal course.
In addition, during the practical driving skills time, an instructor rides next to the student and checks him or her. This is an experience I have not had since I obtained my driver’s license 50 years ago, so it was a new experience for me. It is quite difficult to share common sense when it comes to driving skills. Although strict adherence to the rules is a prerequisite, there is no opportunity to objectify the kinds of habits that have been unintentionally acquired over the years through one’s own judgment. I thought it was meaningful to be able to check them with a certain sense of tension.
In the practical training, there was a snow-covered pier-like place where I drove slowly at my own discretion, and the instructor praised me for it (ahem). The instructor gave me a compliment (ahem). Since I was made to feel so good, I thought that the 6,450 yen was just as well. I am a very cash-conscious and simple person (laugh).

【武家ヤンキーの建築痕跡 大庄屋「片岡家」-2】




江戸期の大和国の地政学的な位置付けは、京都・大阪を監視するような機能。大阪の陣を経て徳川幕府の覇権は完全に確立し、潜在的な危険因子であった前政権の血統は根絶された。しかし、本来の日本国家の中心地域としての畿内地域をコントロールするのに、大和国はきわめて重要だっただろう。前政権の秀吉政権でもNO.2の実弟の秀長が「大和大納言」として政権の最大の「抑え」としてこの国を支配していた。
そういった領国に「どうする家康」でもいかんなく(笑)武家ヤンキーッぷりを爆発させている本多忠勝の家系を徳川氏としては配置していた。徳川政権としても、また本多家としてもそういった役割認識は強くあったに違いない。これは当然で、畿内の人心に対して、いざとなったら「あの本多忠勝系」の勢力が殴り込んでくる、という潜在的恐怖を植え付けるのは政権安定策になるだろう。
その領土のなかで古来からの要地とされるこの宇陀周辺の支配地。その大庄屋の家は、事に望んでは「城郭的」な意味合いを表現したいと考えるのも自然だろう。わたしがたまたま通りかかってインスピレーションを感じたのには、たぶんそういった「建築意図」を感じさせられたことがあったのではないか。自然地形としての高台状地形を活かしてその高台に石垣を野積みさせて防御力を高めている外観から、そういう意図の痕跡を見させられたのだと思う。
上の写真は建物をぐるっと防備している石垣。万が一の時に攻める軍勢は攻め上るのに対して守る側は「上から」攻撃することが可能だということがわかる。本多家の当主がこの家に滞在するときの「本陣」的なシルシとして旗印のような「本」の字が軒先に刻印されているし、さらに室内には万が一に備えての弓矢が機能的に保管されている。外敵に対して高台から攻撃を加える機能性がまざまざと確認できる。


臨時的な、仮の「城郭」的建築とはいえ、武家ヤンキー領主としての魂魄が自然に表現されていることが多くの人間に直感的なインパクトを与えているのだろう。写真は作者不詳ながら、名のある絵描きさんが「ぜひ絵にしたい」と望んで幾日かこの家に逗留して残した作品なのだという。建築意図というものがまっすぐに表現されて空間に一種の「緊張感」のようなものをたぎらせるのだろうか。そういう空気感が芸術者にはリアルに感じられるのだろう。「用」に端的に準拠することがそのまま建築としてのデザインに通じるということが腑に落ちる。
現代のわれわれは住宅建築にこういう側面を期待することはほぼないだろうけれど、居住快適性にはるかに優先して見るものに対してのメッセージ性を最優先した江戸期社会。住宅建築に求めた機能性のある部分が伝わってくる。

English version⬇

Architectural Traces of Samurai Yankee “Kataoka Family” – 2
The “superciliousness” of the samurai rulers is another important function besides livability. In other words, it is an expression of violence in the manner of “Yoroba or I’ll cut you down. It goes beyond the functionality of a house. The house is not functional as a residence.

The geopolitical position of Yamato Province during the Edo period functioned like a watchdog over Kyoto and Osaka. After the Osaka battle, the Tokugawa Shogunate’s hegemony was fully established and the lineage of the previous regime, which was a potential risk factor, was eradicated. However, the Yamato Province would have been extremely important in controlling the Kinai region as the central region of the original Japanese state. In the previous Hideyoshi administration, Hidenaga, the brother of No.2 Hideyoshi, ruled the country as the “Yamato Dainagon,” the greatest “suppressor” of the administration.
The Tokugawa clan had placed the family lineage of Honda Tadakatsu, who was also a samurai yankee in “What to do about Ieyasu” (laugh), in such a fiefdom. The Tokugawa administration and the Honda family must have had a strong recognition of such a role. It is only natural that the Tokugawa regime and the Honda family must have had a strong awareness of their role in the Tokugawa administration.
The area around Uda, which has been a strategic point in the territory since ancient times, has been under the control of the headman’s family. It is natural that the headman’s house would want to express a “castle-like” meaning. I was inspired by the building because I happened to feel such an “architectural intention”. I think I saw traces of such an intention in the appearance of the building, which takes advantage of the natural elevation of the terrain and has stone walls piled up on the hillside to enhance its defensive capabilities.
The photo above shows the stone wall that defends the building. It shows that in the event of an emergency, the attacking army would be able to attack from above, while the defenders would be able to attack from “above. The head of the Honda family has a flag-like “hon” stamped on the eaves of the house as a “main camp” for his stay in the house, and there is also a bow and arrow stored functionally in the room in case of an emergency. The functionality of the house to attack foreign enemies from high ground can be clearly seen.

Even though it is a temporary, temporary “castle” structure, the natural expression of the spirit of a samurai Yankee lord has an intuitive impact on many people. Although the artist of the photograph is unknown, it is said to be the work of a well-known painter who stayed at the house for several days, hoping to paint it. The architectural intention of the house is expressed in a straightforward manner, and the space is filled with a kind of “tension”. This kind of atmosphere must be felt realistically by the artist. It becomes clear to me that straightforward conformity to “use” is directly connected to architectural design.
Today, we would not expect this aspect of residential architecture, but in the Edo period society, the highest priority was placed on the message to the viewer, far more than on the comfort of living. This work conveys a certain functionality that was sought in residential architecture.

【大和国(奈良県)大庄屋 「片岡家住宅」探訪-1】




本日からはふたたび古民家建築探訪であります。日本列島37,000年史シリーズの最終章は日本国家始原期として大和国に神武東征した頃の探究。その象徴的な場所として奈良県宇陀市の桜実神社の八ツ房杉を紹介したけれど、そこから旧都・飛鳥に移動する道を走っていたら、道を見下ろすようにやや高台から石垣に防御された立派な屋敷が見上げられた。宇陀市中心部から通称、伊勢本街道と呼ばれる370号線を南下、典型的日本の景色ともいえる美しい里山の風景の中、一際目を引く豪奢で重厚な萱葺きの屋根の家が左側に見えてくる。周囲一体を見下ろす場所にあるいかにも立派な造りの家。
その印象的なたたずまいに魅せられ、まるで導かれるように近づいて家人の方に由緒などを伺おうと声をおかけしたら、親切にご案内いただいた。そんな出会いがこの「片岡家住宅」との出会いでした。
ことしのNHK大河は「どうする家康」ということで徳川四天王とされる本多忠勝(俳優:山田裕貴)がなかなか武家ヤンキー的に描かれています。窮地に陥って逃げ出そうと図った家康に槍を投げつけて諫めるなどかなり暴力的。かれは武田信玄にも敵将ながらあっぱれなヤツと見込まれていたという逸話もある。「家康に過ぎたるもの二つあり、唐の頭(兜の飾り物)に本多平八(忠勝)」というコトバ。で、その末裔一族がこの大和郡山で畿内地域の徳川支配の重要な一角として、領地を得ていた。その郡山藩の大庄屋家がこの片岡氏。で、この家の入口から一番奥、そしてもっとも「高台」に位置する場所に領主・本多家の殿様のために座敷が配置されていた。作りからすると一種城郭的とも思える配置・間取り。国指定重要文化財。
ご案内いただいたのはこの片岡家当主の「彦左衛門氏」。代々の当主はこの名前を伝承してきているということで、いかにも江戸期の武家とも通ずる家系意識。片岡家は、歴代当主が近世のほぼ全期間を通じ田原村の庄屋を務めたという。
片岡家には周辺の田原村に関する村方文書が豊富に残っており、その数は近世文書を中心に1万3千点を超える。片岡家住宅に関する史料もよく残っていて普請関係では、寛文9年(1669年)『殿様御殿御普請帳』と寛文11年(1671年)『座敷普請帳』があります。前者は主屋の客室部、後者は居室部の普請に関わる文書であり、上棟の際に用いられた木槌にも寛文10年(1670年)の墨書銘が見られるという。こういった経緯を勘案すれば、少なくとも350年以上の歴史が刻印された住宅ということになる。北海道ではまったく開拓されずほぼ太古の景色が広がっていた時代に、大和国ではこのようなたたずまいの家が存在し続けていたことになる。
歴史時間の隔たりの大きさに打たれる思いがして、こういう家の文化が現代まで続いていることが本州以南地域の住宅文化のコアなのだと深く気付かされる。断熱や気密といういごこち要素よりも、社会的な身分意識であったり、階級意識のような社会文化が優先しているのだと思い至る。 続きはまたあした。

English version⬇

Kataoka Family Residence, a house in Yamato Province (Nara Prefecture)
This old house was built more than 350 years ago, and traces of the samurai culture can still be seen in the layout plan. The priority is not comfort but “expression of social status. The house was built more than 350 years ago.

From today, we will once again be exploring the architecture of old private houses. The last chapter in our series on the 37,000-year history of the Japanese archipelago is about the Shinmu expedition to Yamato Province in the early days of the Japanese nation. As I was driving along the road from Uda to Asuka, the former capital of Japan, I saw a magnificent house protected by a stone wall from a slightly elevated position overlooking the road. Heading south on Route 370, commonly known as Isehon Kaido, from the center of Uda City, a house with a luxurious and massive thatched roof stands out on the left in a beautiful satoyama landscape that can be described as a typical Japanese scene. It is a magnificent house overlooking the surrounding area.
I was fascinated by its impressive appearance and approached the house as if I was being guided, and asked the owner to tell me about the history of the house. This was my first encounter with the Kataoka Family Residence.
This year’s NHK historical drama, “What to do, Ieyasu,” portrays Honda Tadakatsu (actor: Yamada Hiroki), who is considered one of the Four Heavenly Kings of Tokugawa, in a rather samurai-like, yankee-like manner. He is quite violent, throwing a spear at Ieyasu when Ieyasu tries to escape in a tight situation. There is an anecdote that even Takeda Shingen, an enemy general, thought he was a brilliant man. Ieyasu had two great qualities: the head of his helmet and Honda Heihachi (Tadakatsu),” is the phrase used by Ieyasu. The descendants of the Tadakatsu family had a fiefdom in Yamatokoriyama, which was an important part of the Tokugawa control of the Kinai region. The Kataoka family was the headman of the Koriyama clan. The lord of the Koriyama clan, the Kataoka family, had a room for the lord of the Honda family at the far end of the house from the entrance and at the most “elevated” position in the house. The layout of the house seems to be a kind of castle-like. It is a nationally designated important cultural property.
We were guided by Mr. Hikozaemon, the head of the Kataoka family. The family name has been handed down from generation to generation, and the family’s lineage is very similar to that of the samurai families of the Edo period. The Kataoka family served as the village headman of Tahara village for almost the entire modern period.
The Kataoka family has an abundance of village documents related to the surrounding Tahara village, numbering more than 13,000 items, mostly early modern documents. Historical documents related to the Kataoka family residence have also survived well, and in the area of fuchin-related documents, there is the “Tono-sama Goten Gosho Fuchincho” (1669) and the “Zashiki Fuchincho” (1671). The former is a document related to the fuchin of the guest room section of the main building, and the latter is a document related to the fuchin of the living room section, and an ink inscription of Kanbun 10 (1670) can be seen on the wooden hammer used at the time of the ridgepole raising. Taking this history into consideration, the house has at least 350 years of history stamped on it. While the landscape of Hokkaido was completely unexploited and almost unchanged from prehistoric times, houses with this appearance continued to exist in Yamato Province.
I was struck by the vast gap in historical time, and was deeply impressed by the fact that this type of house culture has continued to the present day and is at the core of the housing culture of the Honshu region and southward. I realized that social culture, such as a sense of social status and class, takes precedence over the comfort factors of thermal insulation and airtightness. To be continued in the coming days.

【週末の食材探訪「北海道・近海魚さがし」】




先週ひさしぶりに寿司を握ったので、すっかり魚類に首ったけ状態(笑)。ということで昨日は久しぶりに遠出して札幌から積丹の先まで足を伸ばしてみた。お目当ては東しゃこたん漁協の小売り販売店と余市のとあるお魚屋さん。東しゃこたん漁協では主に貝類探査。きのうは「まつぶ」やホタテの冷凍パックを購入してきました。殻から剥いてあるので、解凍して包丁捌きをすればおいしく楽しめる。つぶは独特のコリコリとした歯ごたえのある食感で北海道らしい地元の味わい。積丹では代表的な味覚だと思います。
で、写真上は余市の魚屋さんで購入したヒラメを捌いていただいている様子。
いわゆる「三枚におろす」包丁捌きであります。慣れたお魚屋さんのおろし方は勉強になる。旬のヒラメの美しい魚体がその美をさらに顕現してくれるプロセスから目が離せない。そう、男ってやはり美につよい憧れがあるのでしょう。ヒラメの薄いカラダがさらにうっすらと三枚におろされてその白い姿が露わになってくると、思わず歓声を上げてしまうのです。ドキドキ感がたまらない(笑)。
日本列島に人が住むようになって、四方を海に囲まれたこの国土では周辺海域の魚類と共存してきた。森が豊かな山岳列島なのでそこから植物性の栄養分が周辺海域に雨水として流れ込んで、魚類はその豊かな海域に魅せられて「うま味」を涵養し続けてきたのでしょう。世界有数の海洋国家としてこの豊かな魚類資源で3万年以上の永きにわたって日本人は命を繋いできた。陸上動物以上に多様な種類のおいしさに惑溺させられてきたのだと思います。
こういう魚の捌かれている様子を見ていると素直に感動させられる。いのちをいただくことにある種、敬虔な思いが募ってくるようでもあります。



また札幌市内の庶民的な市場でも、いろいろな魚類を参観させていただいた。中央市場の魚屋さんが経営するわが家にほど近いマーケット。いま時期、北海道周辺で捕獲される魚類ですが、それぞれがまことに印象的な姿カタチで迫ってくる。以下、北海道近海の庶民的な魚たちのユニークな姿を。
キンキの魚体の外観の色合いの美しさには惚れ惚れとさせられる。一方その目元はマンガみたいな気絶っぷり。ニシンも好きな方は刺身で生食するのだそうです。細かく骨切りすることで刺身で食べられる。わたしも食べた経験はあるけれど、自分で小骨を丹念に捌く自信はない。「柳の舞」は道北・稚内で水揚げと正札に記載。ヤナギノマイはメバル科メバル属の一種で、主に北海道で大量に獲れる魚。メバル類の中では鮮度落ちが早く手頃な価格の総菜魚として売られている。価格は”メバル”としてはとても安いのだけれど、煮付けや焼き物などで食べると結構おいしくてコストパフォーマンスに優れた魚。

といったところで、ヒラメとまつぶ、ホタテなどがわが家の冷蔵庫に収納されて、今週も徐々に食卓を彩ってくれる。シェフとしてはあれこれたのしく包丁捌きを考えて調理してみたい。

English version⬇

My Family’s Weekend Shopping Trip “Looking for Fish
The spring-like weather lured us from Sapporo to the tip of the Shakotan Peninsula for a drive in search of fish. We encountered fish while looking at the sea that foretold of a gentle spring. The fish…

Last week I made sushi for the first time in a while, so I am completely hooked on fish (laughs). So yesterday I went out for the first time in a while and went from Sapporo to the tip of Shakotan. I went to a retail store of the Higashi Shakotan Fisheries Cooperative Association and a certain fish shop in Yoichi. At the Higashi Shakotan Fisheries Cooperative, we mainly explored for shellfish. Yesterday I bought a frozen pack of “matsubu” or scallops. Since they are peeled from the shell, you can enjoy them deliciously by thawing and knife processing. Matsubu has a unique crunchy texture and a local flavor typical of Hokkaido. I think it is a typical taste in Shakotan.
In the photo above, a flatfish purchased at a fish shop in Yoichi is being processed.
It is what is called “sampai ni orareru” (cut into three pieces) with a knife. It is instructive to learn how a fishmonger who is familiar with the process of grating fish. I can’t take my eyes off the process, which further reveals the beauty of the beautiful seasonal flatfish. Yes, men must have a strong yearning for beauty. When the thin body of the flounder is further stripped down to three pieces, exposing its white body, you can’t help but let out a squeal of delight. I can’t get enough of the thrill (laughs).
Since people have come to live on the Japanese archipelago, this land surrounded by the sea on all sides has coexisted with fish from the surrounding waters. As a mountainous archipelago with rich forests, plant nutrients from these forests flow into the surrounding seas as rainwater, and fish have been attracted by the richness of these waters and have continued to cultivate their “umami” taste. As one of the world’s leading maritime nations, Japanese people have been sustaining their lives for more than 30,000 years on this rich fish resource. I believe that we have been bewitched by the variety of tastes more than land animals.
I am honestly moved when I see these fish being processed. It is as if a kind of reverence for life is being stirred up in me.

We also had the opportunity to visit a variety of fish products at a common market in Sapporo. A market close to our house, run by a fishmonger in the central market. The fish caught around Hokkaido at this time of the year are all very impressive in their own way. Below are some of the unique forms of common fish caught in the waters around Hokkaido.
The beauty of the coloration of the kinki fish’s body is a sight to behold. Its eyes, on the other hand, are cartoonishly fainting. Herring is also eaten raw as sashimi if you like. By cutting the bones into small pieces, it can be eaten as sashimi. I have had the experience of eating it myself, but I do not have the confidence to carefully cut the small bones by myself. The “Yanaginomai” is listed on the tag as being landed in Wakkanai, northern Hokkaido. Yanaginomai is a member of the family Mevalidae, and is caught in large numbers mainly in Hokkaido. It is sold as a reasonably priced side dish fish because it does not lose its freshness as quickly as other mebaru species. Although the price is very low for a “mebaru” fish, it is quite tasty when boiled or grilled, making it an excellent cost-effective fish.

So, the flatfish, matsubu and scallops have been stored in our refrigerator and will gradually grace our dining table this week. As a chef, I would like to enjoy cooking them with a knife.

【江戸っ子以来の文化「共通化」 下町長屋探訪-7】



イラスト類は下町風俗資料館展示パネルから。四季変化が温暖な地域での、それも全国から集合してきた移住民たちの共有生活文化が昇華された様子が伝わってくる。
このような江戸っ子・関東地域の四季認識に対して、北海道はたとえばきょう最終日の「さっぽろ雪まつり」という最新の日本人全体が受け入れる歳時記を加えたのだと思っています。東北や日本海側地域の湿度感とは違って、それこそ比較的に湿度感が低い、乾燥した雪質のような開放感がそこにはあるように思う。たぶん東京の江戸っ子気質の関東的な湿度の少なさと共通する部分があるのではないか。
わたしは北海道で生まれ育った。大学で東京暮らしを経験しそのまま東京で就職して、札幌に転勤してその後自立した。人生時間では東京(神奈川と東京都内で居住)での暮らしが足かけ10年くらいの期間になっている。仕事上では東京との関係はさまざまに継続してきているので、主観的な意識としてはこの時間的継続感を持っている。北海道の「いちばん近い他地域」は青森ではなく東京だという認識がある。青森に行くのには札幌からだと、飛行機でも東京移動よりも時間制約が大きく「遠くなる」。
これは東京が交通体系の中心・首都であり、こちら北海道が鄙であることの必然というのが一般的理解。けれどどうも人間の気質においても、その成立過程で「近しい」共通項目が多いと気付かされる。


コトバでもわたしは北海道弁を東京でごくふつうに使ったりする。まぁ全国どこでもですが(笑)。あんまりそれを恥じるという認識を持っていない。この北海道弁は全国からの移民が混合して形成された言語であって、そういう意味で地域性というよりも「共通性」のようなものが基盤であり、そこに寒冷地的な共感文化が微妙にブレンドされたものと思っている。江戸っ子の話し言葉も、その成立過程を考えればやはり同様に全国からの移住民同士が、地域気候風土実感伝達要素を加味して成立させた。そして明治以降の日本社会ではそういう「共通言語化」が優勢な文化基盤になっていったのが事実。なので特段「恥ずかしがる」根拠がないと思うのです。まぁ恥ずかしがらせたいという志向は、文化的に保守的な層、主流派でいたい人が、優越意識を主張したいという理由から、鄙に対して上から目線したいだけなのだと思える。
断熱・気密化という住宅性能面の全国共通化ということは進展していくでしょうが、そういうことも良き基盤共通化だと思います。住宅というある意味では生活文化が凝縮した領域を考えて行くとき、江戸っ子や道産子が生成されたような生活文化への見方というものに現代人はもっと目を向けるべきではと思います。

English version⬇

The “Commonization” of Culture Since the Edo Period: Exploring the Shitamachi Row Houses-7
A chronicle of downtown culture. The first period was a time of “commonality” and acceptance of strangers. The Edo culture was vigorously developed by the common Nipponization of the people. The Edo culture was full of “common-ness” and acceptance of strangers.

The illustrations are from the exhibition panels at the Shitamachi Folk Museum. The illustrations show how the four seasons were sublimated into a shared lifestyle and culture in a region with a mild climate, where immigrants had gathered from all over the country.
To this perception of the four seasons in the Edo and Kanto regions, Hokkaido, for example, has added the latest seasonal calendar accepted by the Japanese people as a whole, the Sapporo Snow Festival, the last day of which is today. Unlike the sense of humidity in the Tohoku and Sea of Japan regions, I think there is a sense of openness there, like a dry, snowy climate with a comparatively low sense of humidity. Perhaps it has something in common with the Kanto-like low humidity of Tokyo’s Edokko temperament.
I was born and raised in Hokkaido. I experienced life in Tokyo at university, found a job in Tokyo, was transferred to Sapporo, and later became independent. In terms of life time, I have lived in Tokyo (living in Kanagawa and Tokyo) for a total of about 10 years. I have a sense of temporal continuity in my subjective consciousness, as I have had various ongoing relationships with Tokyo in my professional life. There is a perception that the “nearest other region” in Hokkaido is not Aomori but Tokyo. Aomori is “farther away” from Sapporo than Tokyo, even by air, due to the time constraints.
The general understanding is that this is inevitable because Tokyo is the center of the transportation system and the capital, and Hokkaido is remote. However, I have noticed that there are many similarities in the human temperament and in the process of its formation.

I use the Hokkaido dialect in Tokyo quite commonly, even in Kotoba. Well, anywhere in Japan (laughs). I am not ashamed of it. The Hokkaido dialect was formed by a mixture of immigrants from all over Japan, and in that sense, it is based on a kind of “commonality” rather than regionality, which I think is a subtle blend of the cold-weather culture of empathy. The spoken language of the Edo period was also formed by immigrants from all over the country, who added the element of transmission of a sense of local climate and customs to it. And it is a fact that such “common language” became the predominant cultural foundation in Japanese society after the Meiji period. So I don’t think there is any particular reason to be “shy” about it. Well, it seems to me that the orientation of wanting to embarrass is just a culturally conservative group, people who want to be in the mainstream, wanting to look up to the remote people for the reason of wanting to assert their sense of superiority.
I think that the national standardization of housing performance, such as insulation and airtightness, will continue to progress, but I think that this is also good basic standardization. When considering housing, an area where life culture is condensed in a sense, I think that people today should pay more attention to the way of looking at life culture that was created by the Edokko and Dosanko.

【道産子に先行のニッポン新人類「江戸っ子」 下町長屋探訪-6】




都市計画とか町割りとかという概念は、日本でははじめての本格的な都城建設であった平城京の頃からの歴史過程に表現されてきたものだろう。わたしが暮らす北海道では日本の都市建設の最後の事例として札幌の街並みが造営されている。わたしはこのことについて身体感覚も持っている。
最初期の時代は中国国家との外交関係構築の意味でも王都の建設が外交であり国家体制の構築そのものだった。そして都に人びとの集住が起こっていろいろな「文化」が生成してきたものだろう。大和地域に王権が成立して、ヤマトタケル神話などの「統一過程」を経て中央国家が成立し、その思想基盤として鎮護国家という概念も成立して日本国家が発展してきた。
近世に至って関東地域にも江戸という大都会が生成した。この大都市計画は世界の都城建設でも大成功の部類なのではないだろうか。平城京・平安京などの都城、堺などの商業都市などとは違った面白い庶民文化・江戸っ子文化までをも生んだのだと思う。上の図は上野のお山、寛永寺とその周辺の「下町」の様子。その実相ではかなり民衆主導型の生活文化を育んでいたように思える。その基盤に「下町文化」がある。
江戸下町について台東区立下町風俗資料館展示では以下のような要旨解説。
「下町は庶民生活の中心地として、江戸に幕府ができて以来今日に至るまで栄えてきた。江戸は江戸城を中心に武家地60%、社寺地20%、町人地20%という武家中心の都市であったが、街道や海路によって全国から物資が集中する消費都市でもあった。そのため諸国から商人や職人たちが集まり江戸町人となった。
江戸の町人は街道や表通りに沿って店を構えるようになった。こうした全国から集まってきた人たちで江戸の街は繁盛するようになっていった。かれらの大多数は「路地裏」の長屋に住まい「住めば都」で、よそもの、よそごとを素直に受け入れて生活の中に消化することも忘れなかった。二代目・三代目はやがて「江戸っ子」の名で呼ばれるようになる。(たぶん初期にはめずらしき人種名のような響きを持っていたに違いない。こういう呼称の初源かも知れない)この江戸っ子が江戸中期以降下町の主人公として続いていく。・・・」
下町長屋の「木戸」アーケードには多様な「看板」が貼り付けられている。「祈祷〜高天原之進」みたいな怪しげな店から「宋学舎寓居」という学者さんの店、尺八指南とかお灸を据えてくれる店舗など。そうかと思えば色っぽいお姉さんが湯屋に向かう様子も(笑)、まさににぎやかで種々雑多な人間模様。
北海道でも全国からの移民によって独特な社会と人間風土が出現したけれど、日本民族としての先行例として、この江戸下町文化は生成したのだろう。

English version⬇

The New Japanese “Edokko”, the Newcomers of Japan, Preceded by Michi-Sanshi: Exploration of the Shitamachi Row Houses – 6
Living in a tenement house, they accept and digest what they see as strange and different. A leading example of the “Michisanko” spirit. Nippon newcomers. The newcomers of Nippon.

The concepts of city planning and town planning have been expressed in the historical process since the Heijo-kyo Capital, which was the first full-scale construction of a capital city in Japan. In Hokkaido, where I live, the streetscape of Sapporo was built as the last example of urban construction in Japan. I have a physical sense of this.
In the early period, the construction of the royal capital was diplomacy in the sense of building diplomatic relations with the Chinese state, and the construction of the state system itself. People began to gather and live in the capital, and various “cultures” were born. The central state was established through a “unification process” based on the myth of Yamatotakeru, and the concept of a “shin-governed state” was established as the ideological foundation for the development of the Japanese state.
In the early modern period, the great metropolis of Edo was established in the Kanto region. This metropolitan plan is probably one of the most successful in the world in terms of the construction of capital cities. It gave birth to an interesting culture of the common people and even the culture of the Edo children, which was different from that of Heijo-kyo, Heian-kyo, and other capital cities, or Sakai and other commercial cities. The above figure shows Kan’eiji Temple in Ueno and the surrounding “Shitamachi” (downtown) area. In reality, it seems to have nurtured a people-oriented lifestyle and culture. The foundation of this culture is “Shitamachi culture.
The Taito City Shitamachi Museum of Folklore and Culture provides the following summary explanation of downtown Edo.
As the center of the common people’s life, Shitamachi has flourished since the establishment of the shogunate in Edo until today. Edo was a samurai-centered city with Edo Castle as its center, 60% of the land belonging to samurai families, 20% to temples and shrines, and 20% to townspeople, but it was also a consumer city with a concentration of goods from all over the country via highways and sea routes. As a result, merchants and craftsmen gathered from all over the country and became Edo merchants.
Edo merchants set up store along the highways and main streets. These people from all over the country made the city of Edo prosperous. The majority of them lived in “back-alley” tenements, and they did not forget to accept and digest the stranger and the stranger in their daily lives. The second and third generations eventually came to be known as “Edokko. (The second and third generations eventually came to be called “Edokko” (probably because it must have sounded like a rare racial name in the early days). ) These “Edokko” continued to be the main characters of the downtown area from the mid-Edo period onward. The “kido” or “door” of a tenement house in downtown Tokyo.
Various “signboards” are attached to the “kido” arcades of downtown tenements. From a dubious store such as “Prayer – Takamagahara no Noshin,” to a scholarly store called “Sungakusha Foryo,” to a store offering shakuhachi instruction and moxibustion, etc., there are a variety of signs. On the other hand, there is a sexy lady going to a bathhouse (laugh), and the scene is truly bustling with a variety of human activities.
In Hokkaido, too, a unique society and human culture emerged as a result of immigrants from all over the country, and this downtown Edo culture may have been a precedent for the Japanese people.

【江戸庶民生活のリアリティ 下町長屋探訪-5】




居住環境と人びとの暮らしぶりの探究を長い仕事人生でわたしは行ってきたと思います。通常業務では編集長職も昨年中に後進スタッフに移譲している。しかしやはり終のテーマとしては、ずっと頭のなかにあり続けていくのでしょう。現代の暮らし、家のいごこちの科学的探究と、暮らし方の進化の探索はこれからもメインテーマであることは間違いない。
一方で加齢と共に徐々に、来し方のことの想像力に志向が向かってきています。現代と未来の人間の暮らし方の根幹には、昔人が積み重ねてきた「生活文化」がそこにあり、その強い影響が家づくりのベースを構成していることに気付き深く興味が湧いてくる。古民家探訪にはそういった原意識があると思います。
先般から見て来た江戸由来の東京の「下町長屋」の暮らしぶり。台東区立下町風俗資料館の展示に添って江戸期の様子も確認してみたい。わたし自身がタイムスリップして江戸期に生まれ、そして現代と同じように居住環境についてのメディアを家業とするとしたら、やはりこの「下町長屋」という都市住居の基本について旺盛な興味を持ったに違いないと思っているのです。
そういった興味から、江戸期の様子の絵画パネル表現に強く惹かれていた。以下に展示パネル説明文引用。
「江戸の町人の大半が住んでいたのは裏長屋で、通りに面した木戸をくぐると路地があり、そこに軒を連ねて裏長屋が並んでいた。〜路地は長屋住民の共有通路。狭い住環境のため、路地は多目的に利用され、物売りの市、子どもの遊び場、夏には演題を出して夕涼み、そして井戸端会議の広場にもなった。」

「長屋は平屋建てで9尺2間と言われるように3坪から5坪程度の居住面積の長屋であった。勝手の入口を入ると4畳半か6畳間があり、勝手のへっついの上には煙出しの引き窓、座り流しには水瓶が置かれていた。」
いや、現代の暮らしぶりのマザーがリアルに存在している。当たり前だけれど人間の暮らしに不可欠な要素がコンパクトにまとめられて、機能としては過不足なく成立されている様子がよくわかる。そして狭さについては独特の「下町人情」がそれを補完して、いわば集合知としての人間環境を作っていたといえる。
いま現代の住環境創造のなかで達成すべきものは住宅性能に関することが大きいけれど、地域としてはほぼ高断熱化が進んだ北海道では、むしろこうした「社会環境」の知恵での総合的な未来型人間環境の価値感が高まっているように思っている。北海道では少なくとも意識に於いてはそういった段階にあるのだろう。もっといごこちのいい社会環境を考えたら、下町人情という領域は巨大な宝庫。
こういった江戸期由来の庶民の暮らし方のエッセンスから学ぶべきことは多いと思う。

English version⬇

The Reality of Edo Folk Life: Exploring the Shitamachi Row Houses-5
The way to futuristically enrich the local environment may be a soft sense of value like “downtown humanity. A downtown community with an expanded area. …

I believe that I have been exploring residential environments and people’s lifestyles for a long time in my work. In the past year, I have transferred the position of editor-in-chief to a junior staff member in the normal course of business. However, it will continue to be in my mind as a theme for the rest of my life. The scientific exploration of modern living, the comfort of home, and the search for the evolution of living styles will undoubtedly remain the main theme.
On the other hand, as we age, we are gradually becoming more oriented toward the imagination of what is to come. I am deeply intrigued to realize that the “lifestyle culture” accumulated by people in the past is there at the core of the modern and future human way of living, and its strong influence constitutes the base of house building. I believe that such an original consciousness exists in exploring old private houses.
The way of life of “downtown row houses” in Tokyo of Edo origin that we have been seeing for some time now. I would like to confirm the Edo period conditions along with the exhibition at the Taito City Museum of Shitamachi Customs and Folklore. If I were to travel back in time and be born in the Edo period, and if I were to make my family business of media about living environments, as I do today, I am sure that I would have a keen interest in this basic urban dwelling called the “Shitamachi Nagaya”.
Because of this interest, I was strongly attracted to the painted panel representation of the Edo period. The following is a quote from the exhibition panel description.
Most of the townspeople in Edo lived in back row houses. When you passed through the wooden door facing the street, there was an alley, and the back row houses were lined up in rows of eaves. 〜˜The alley is a shared passageway for the tenement residents. Because of the narrow living environment, the alleys were used for many purposes, including peddler’s markets, children’s playgrounds, cool evenings in the summer with a performance, and squares for well-meetings.”

The row houses were one-story structures with a living area of about 3 tsubo to 5 tsubo, or 9 shaku 2 ken, as they were called. Entering the entrance to the winch, there was a four-and-a-half or six-mat room, with a sliding smoke outlet window above the winch and a water bottle in the sink.”
No, the mother of the modern way of life exists in real life. It is obvious that the elements essential for human life have been compactly put together, and the functions have been established without excesses or deficiencies. The smallness of the house was complemented by the unique “downtown humanity,” so to speak, creating a human environment of collective knowledge.
Although the main focus of today’s housing environment creation is on housing performance, I believe that in Hokkaido, where the region has become almost completely insulated, there is a growing sense of the value of a comprehensive future human environment based on the wisdom of such a “social environment. In Hokkaido, at least in terms of awareness, this is probably the case. If we think of a more comfortable social environment, the area of downtown humanity is a huge treasure house.
There is much to be learned from the essence of the common people’s way of life that originated in the Edo period.

【冬至ならぬ「雪至」のさっぽろ】


ここしばらくの間、仕事上の懸案対応事項が多くて忙しいのと、降雪が多かったことで毎朝除雪作業でほぼ体力を消耗する一方。で、散歩に出られる機会が極端に少なかった。除雪による筋肉疲労もカラダ各所から悲鳴が上がってきて、ときどきはマッサージのお世話になる季節でもある。
わが家は札幌の西部・山の手に立地していますが、周辺にはこの写真のように「発寒川」があって周辺からは四季折々の変化を楽しむことができる。写真は仕事も除雪も一服状況だったので、久しぶりに散歩してきた2/6早朝の写真光景であります。午前6時頃の気温はマイナス10度ほどでした。気温もだいたい平年並みというところ。一方きのう2/7現在の降雪量(札幌市西区)は345cm・平年値は342cm、積雪深は80cm、平年値は75cmとこれもほぼ平年並みで推移しています。平年では積雪深はほぼこのレベルを1ヶ月弱維持して融雪に向かう。そういう意味では冬至ではなく雪の季節の至り「雪至」とでも表現すべき札幌の季節感。なので「雪まつり」もこの時期に開催されるということなのですね。ことしはようやく感染症による中止が明けて、リアルな雪像群が造形されて、欧米からの観光客の姿が目に付いています。週末には温泉などで欧米人と交流もできています。やはりこういった国際交流の機会を作ってきてくれた先人の知恵には感謝です。
いちばん上の写真は発寒川を囲む緑地から西南側、手稲連山の方向を見晴らす様子。わが家周辺の旧国道5号線道路脇から、視界が急に開ける場所からの眺め。札幌人が北海道人に変わる瞬間でしょうか(笑)。冬以外の季節にはこの周辺緑地を上下して散策するコースがひとつの散歩定番なのですが、冬道なのでついつい足が遠くなってしまう。でも自然の方は忘れずに雄大な季節の営みを知らせてくれる。目とこころの保養。


さて一方、2枚目3枚目のGoogleマップと写真は発寒川をわたる歩道橋からコンクリート製の「段々滝」の様子ですが、雪の最盛期らしくすっかり水面が雪におおわれて、ごく一部が目玉のように見えているだけ。方角的にはマップは手許側が北で上が南になる。人間の感覚って不思議なもので、こういう光景を見るとかえって「あ、もうすぐ冬が終わってくれる」というように反応する。もちろんこれからもたぶん数回はドカ雪があって痛めつけられるのですが(笑)、確実に季節の切り替えスイッチは始動したと感じるのです。
ことしはいろいろなプロジェクトが着々と進行中。来るべき春のスタートに向けて雪と対話しつつ淡々と過ごしていきたいと思います。

English version⬇

Sapporo, where the winter solstice is not the winter solstice, but the “snow solstice”.
Tourists from all over the world are coming to Sapporo for the Snow Festival. Winter is over and spring is far away. The surface of the water with only eyeballs is active under the snow mountain. Winter is here…

For a while now, I have been busy with many pending matters at work, and the heavy snowfall has meant that I have had very few opportunities to go out for walks, while the snow removal work every morning has been almost physically exhausting. My muscles are also getting tired from the snow removal, and my body is screaming for a massage every now and then.
My house is located in the mountain side of western Sapporo, and as you can see in this photo, the Hassamu River is in the vicinity, allowing me to enjoy the changes of the seasons from the surrounding area. The photo was taken early in the morning of February 6, when I went for a walk for the first time in a while, since there was a lull in work and snow removal. The temperature at 6:00 a.m. was about minus 10 degrees Celsius. The temperature was about the same as normal. On the other hand, the amount of snowfall (in Nishi Ward, Sapporo) as of 2/7/2010 was 345 cm, 342 cm above normal, and the snow depth was 80 cm, 75 cm above normal, which is also about the same as normal. In a normal year, the snow depth maintains almost this level for less than a month before melting. In this sense, Sapporo’s seasonality should be described not as the winter solstice but as the “snow solstice. So the “Snow Festival” is also held at this time of year. This year, after the festival was finally cancelled due to infectious diseases, realistic snow sculptures have been created, and tourists from Europe and the United States have been seen. On weekends, we are able to interact with Westerners at hot springs and other places. I am grateful for the wisdom of our ancestors who created such opportunities for international exchange.
The top photo is a view from the green space surrounding Hassamu River to the southwest, looking toward Mt. This is the view from the side of the old Route 5 road around our house, where the field of view suddenly opens up. This is the moment when a Sapporo person turns into a Hokkaido person (laughs). One of my regular walks in the seasons other than winter is up and down this surrounding green space, but since it is a winter road, I tend to go too far. But nature never forgets to inform us of the majestic workings of the seasons. A feast for the eyes and mind.

On the other hand, the second and third Google maps and photos show the concrete “terraced waterfall” from the pedestrian bridge across the Hassamu River, but the surface of the water is completely covered with snow as if it is the peak season for snow, and only a small portion is visible like an eyeball. In terms of direction, the map is north on the side at hand and south at the top. Human senses are strange things, and when I see such a scene, I react as if to say, “Oh, winter will soon be over. Of course, there will probably be a few more snowstorms in the future (laughs), but I feel that the switch to change seasons has definitely been activated.
Various projects are steadily underway this year. I would like to spend my time in an unhurried manner while interacting with the snow to prepare for the coming start of spring.

【久しぶりの「にぎり寿司」 買い物と手づくり満喫】




先週末・日曜日は家族が集って祝い事の「にぎり寿司」パーティ。家族の希望で久しぶりに父のにぎりを食べたいというわたし・喜色満面のリクエストだったのです。あらまぁウレシイ。
ということで札幌市中央市場の場内市場まで各種の魚介類を土曜日の早朝に仕入れ。それを捌いてのにぎり三昧の休日を楽しみました。四方を海に囲まれしかも冷涼な海域の北海道の海産物が集荷されてくる札幌中央市場の場内市場。そこはまさに新鮮魚貝の満艦飾。わたしは食品製造業の家庭環境で育ったので、中央市場はその空気感に没入できる大好きな場所。ときどき本州からの来訪者の方々をご案内することもありますが、みなさんその新鮮で鮮烈な魚介類に目を丸くして驚かれる。やはり実物の迫力は圧倒的なのです。おいしくて姿カタチがかわいらしい。なにか内的な自分の動物本能を強く揺さぶられ、気分がワクワクするのですね。
先週土曜日にはカミさんの大好物の筋子、それも紅鮭のものというパックを購入できた。その1-2割を使って一番上の写真のように12カン握ってみました。っていうか、握る先からカミさんが頬張っていくので、トータルでは20カンくらいは握ったでしょうか(笑)。残りは冷凍保存させてゆっくり楽しみたい。
さらに久しぶりに「イカ」を購入させていただいた。最近は北海道周辺の海では漁獲が激減しているという情報ですが、大ぶりで肉厚そうなヤツを購入。たくさん「裏包丁」を入れて食べやすく配慮して握った。口中になつかしいイカの風味が広がる。それを十分に味わえてなおボリューム感たっぷり。しかも喉につかえないなめらかさでやがて腹の中に収まっていく本来の北国の食感を楽しめた。
エビも捌き方を工夫してカラの彩りも若干残して楽しく調理してみた。包丁の捌き方で「おお、こんなに美しいのか」と喜べるのは醍醐味であります。下のにぎり写真中央には生ホッキの捌いたヤツも。ホッキは冷凍のヤツも解凍して握りましたが(この下の写真に)、やはり生ホッキはやわらかくてまるで口の中で融けていくような極上の食感を楽しめる。


マグロも大間という津軽海峡の漁場が有名ですが、最近は北海道各地でたくさん水揚げされるようです。中央市場では築地ほどではないけれどたくさんの冷凍されたマグロたちがゴロゴロと転がって、やがて盛大に捌かれている光景に出会う。
感染症以前には、会社スタッフに1回に総数300カン以上握って「社長食堂」を提供していましたが、今回はこの写真の他に100カンくらい握ったのでトータル200カンほど。家族それぞれ、お持ち帰りもたっぷり。久しぶりに握ったので自分ではシャリは少なめにしたつもりでしたが、「おお、でかい」という印象(笑)。体の感覚や調子を再度確認もできたので、徐々に握り寿司の機会を探っていきたいと思っています。

English version⬇

Nigiri-zushi” after a long absence Enjoy shopping and making by hand
A reunion with delightful fish and shellfish such as sockeye salmon roe, inshore squid, and fresh hokki. The best part of being a Hokkaido native is being able to buy, process, and enjoy them. …

Last Sunday, my family gathered for a celebratory “Nigiri-zushi” party. My family wanted to eat my father’s Nigiri for the first time in a long time, and I was so happy to hear their request. Oh, my gosh, I am so happy.
So we went to the Sapporo Central Market early Saturday morning to stock up on various kinds of seafood. We processed them and enjoyed a holiday full of nigiri. The Sapporo Central Market is surrounded by the sea on all sides and is a place where seafood from the cooler waters of Hokkaido is gathered. The market is a veritable cornucopia of fresh fish and shellfish. I grew up in a food manufacturing family, so the central market is my favorite place to immerse myself in the atmosphere. Sometimes I take visitors from Honshu to the market and they are amazed at the freshness and freshness of the seafood. The power of the real thing is overwhelming. It is delicious and has a cute shape. It is a very exciting experience for me, as it stirs up my inner animal instincts.
Last Saturday, I was able to buy a pack of salmon roe, which is one of my wife’s favorite foods. I used 10-20% of the salmon roe to make a 12-can bag, as you can see in the picture at the top. I think I made about 20 pieces of salmon roe in total, since my wife started chewing on the salmon roe from the end of the pack. I want to freeze the rest and enjoy it slowly.
We also bought squid for the first time in a while. I heard that the catch has been drastically decreasing in the seas around Hokkaido recently, but I bought a large, thick-looking one. I made a lot of “back knives” to make it easier to eat. The squid flavor spread in my mouth. The squid is so rich and hearty that you can fully enjoy it. Moreover, the squid was so smooth that it did not stick in the throat, and the texture of the original northern style was enjoyed as it eventually settled in the stomach.
The shrimp was prepared in a creative way, leaving some of the coloring on the shrimp. It is a real pleasure to be able to say, “Oh, it’s so beautiful,” when you see how the shrimp is handled with a knife. In the center of the nigiri photo below is a raw hokki. I also defrosted frozen hokki (see photo below), but the fresh hokki is so soft that it seems to melt in your mouth, giving it an exquisite texture.

Tuna is also famous in the Tsugaru Straits fishing area called Oma, but these days it seems that a lot of tuna is landed in various parts of Hokkaido. At the central market, you will see a lot of frozen tuna, though not as many as at Tsukiji, lying around and eventually being processed in a big heap.
Before the infection, I used to serve the “President’s Dining Room” to the company staff with a total of over 300 pieces of tuna at one time, but this time, in addition to the tuna in this picture, I also grabbed about 100 pieces, for a total of about 200 pieces. Each family member had plenty to take home. Since it had been a while since I had nigiri, I thought I had made less rice myself, but my impression was “Oh, it’s huge” (laugh). I was able to reconfirm how my body felt and how well I was doing, so I would like to gradually explore opportunities to make nigirizushi.