{"id":48882,"date":"2026-06-25T05:36:52","date_gmt":"2026-06-24T20:36:52","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=48882"},"modified":"2026-06-25T05:38:18","modified_gmt":"2026-06-24T20:38:18","slug":"%e3%80%90%e7%8b%9b%e7%8a%ac%e3%81%ae%e3%82%ab%e3%82%bf%e3%83%81%e3%81%ae%e5%a4%89%e9%81%b7%ef%bc%8f%e8%94%b5%e7%8e%8b%e5%88%88%e7%94%b0%e5%b6%ba%e7%a5%9e%e7%a4%be%e3%81%ab%e3%81%a6%e6%95%99%e3%82%8f","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=48882","title":{"rendered":"\u3010\u72db\u72ac\u306e\u30ab\u30bf\u30c1\u306e\u5909\u9077\uff0f\u8535\u738b\u5208\u7530\u5dba\u795e\u793e\u306b\u3066\u6559\u308f\u308b\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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\n\u3000\u307e\u3041\u308f\u305f\u3057\u3068\u3057\u3066\u306f\u3042\u304f\u307e\u3067\u300c\u500b\u4eba\u60c5\u5831\u300d\u3092\u79d8\u3057\u3066\u3001\u793e\u6bbf\u306e\u8cfd\u92ad\u7bb1\u306b\u6295\u5165\u3057\u3066\u304a\u308a\u307e\u3057\u305f\u304c\uff08\u7b11\uff09\u3002<\/p>\n

\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

[The Evolution of Komainu Designs \/ Learned at Zao Kariyamine Shrine]
\nA wonderfully \u201cinformative\u201d information board on the shrine grounds. The religious insights here\u2014where divine will and human will intersect\u2014resonate so deeply that I find myself leaning forward, eager to learn more. …<\/p>\n

\u3000Now, as I\u2019ve gotten older, visiting shrines has become a daily routine for me, but due to my innate lack of knowledge, I\u2019ve consistently neglected to look into the \u201ckomainu\u201d statues I gaze at every day. I had just vaguely thought to myself that they were probably one of humanity\u2019s greatest sculptural achievements since the Sphinx.
\n\u3000That carefree attitude of mine was dealt a blow by the following quote from an information board at Zao Kariyamine Shrine, which I visited the other day.
\n\u3000~
\n\u3000Komainu are statues of divine beasts placed along shrine approach paths and in front of main halls to guard the divine objects enshrined there. A pair consists of a \u201clion\u201d with an open mouth and a magnificent mane, and a \u201ckomainu\u201d with a closed mouth and horns on the top of its head (the horns of the komainu are often omitted). Originally used as guardian figures for the imperial palace, they eventually came to be used at shrines and placed along approach paths. Komainu became widespread throughout Japan from the Edo period onward.
\n\u3000Komainu come in various forms depending on the era and region in which they were created, as well as the circumstances of the patron (commissioner) and the stonemason (artist). Zao Kariyamine Shrine houses three pairs of komainu, each with distinct characteristics. This reflects the long history of devotion to this shrine and serves as a valuable example for understanding the evolution of komainu culture in this region. The following outlines the classificatory characteristics of the komainu at this shrine.<\/p>\n

\u3000\u25cfEarly Komainu
\n\u3000Created during the Edo period, when komainu were not yet common. Its simple form lacks three-dimensionality, making it look almost like a frog. It is believed to have been crafted by stonemasons or donors who were unfamiliar with authentic komainu and relied solely on limited hearsay.
\n\u3000\u25cfIzumo \u201cReady to Attack\u201d Style Komainu
\n\u3000These komainu have their hindquarters raised high, appearing as if they are about to pounce at any moment; the sculpting of each part is three-dimensional and precise. Made from Kuramachi stone sourced from the Izumo region, they were produced in large quantities from the Edo to the Taisho periods and distributed nationwide primarily via Kitamae ships.
\n\u3000\u25cf Gokoku-style Komainu
\n\u3000These majestic komainu have thick limbs and stand with their chests puffed out in a bold, dignified posture. They became extremely popular during the Showa 10s (the Pacific War era) and were dedicated to shrines throughout the country. Although the ones at Zao Kariyama Shrine were made after the war, it is presumed that this was the style requested by the donor. ~~<\/p>\n

\u3000…That was the story, but I was completely blown away by the simplicity of the \u201cHajime Komainu.\u201d Above all, despite its extremely simple form, it maximizes its functionality as a \u201ccoin collector.\u201d You can visually confirm the specific denominations of the coins, allowing you to estimate, \u201cOh, I guess this much should be enough\u201d (laughs). It gives you a perfect sense of the going rate. I think the balance between users\u2019 disposable income and the shrine\u2019s financial management is simply brilliant.
\n\u3000Well, for my part, I made sure to keep my \u201cpersonal information\u201d private and dropped my offering into the shrine\u2019s donation box (lol).<\/p>\n

\u25cf Announcement
\nMy book, *Writers and Living Spaces*, has been published as an e-book by Gentosha.
\nAvailable on Amazon.<\/p>\n","protected":false},"excerpt":{"rendered":"

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