{"id":45705,"date":"2025-01-24T05:57:11","date_gmt":"2025-01-23T20:57:11","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=45705"},"modified":"2025-01-24T05:57:11","modified_gmt":"2025-01-23T20:57:11","slug":"%e3%80%90%e5%ae%a4%e5%86%85%e3%81%ab%e9%87%8d%e5%8e%9a%e3%81%aa%e5%bb%ba%e5%85%b7%e5%8f%8e%e7%b4%8d%e3%80%9c-i-works%e5%8f%82%e8%a6%b33%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=45705","title":{"rendered":"\u3010\u5ba4\u5185\u306b\u91cd\u539a\u306a\u5efa\u5177\u53ce\u7d0d\u301c i-works\u53c2\u89b33\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Stately fittings stored indoors – i-works visit 3].
\nDelicate lighting environment control devices such as storm doors, lattice doors and shoji screens were important in the \u2018cultivation\u2019 of Japanese sensibilities. We are reminded of these questions. …<\/p>\n

We received many comments and feedback on yesterday’s \u2018rain gear storage\u2019. We were surprised to receive comments from Mr Irei himself, the designer of the i-works series. In the meantime, we reproduce their comments below. \u301cThe i-works series is a customised version of passive ventilation, which was born in Hokkaido. We suggested that we should change the way the roof is hung and other things in Hokkaido, but President Tsujino wanted to try it this way… The challenger is President Tsujino!\u3000\u301cThe above is all the comments that have been reprinted.
\n\u3000I am very sorry about this, and I think it could be said that I should have originally interviewed the designer. However, it has been a long time since I have visited a new house being built in Hokkaido. Moreover, this is my impression of a well-known and talked-about series, which I visited with great interest and excitement, so I hope you will forgive me for that. I hope you will forgive me.
\n\u3000As I mentioned yesterday, one of the themes of this house is that it is a question to the utter oblivion of modern northern people in regard to \u2018lighting, security and other complex living environment control devices\u2019 such as shutters. It was also a reminder of the role played by these devices in changing the atmosphere of interior spaces in Japanese housing culture.
\n\u3000The photo above shows the living room opening on the south side of the building in contrast to yesterday’s \u2018external fittings storage\u2019 on the north side of the building, on the exterior wall of the second floor. The wooden triple-glazed sash on the window face was designed as a sliding door. Naturally, it is designed to be closed in as a sliding door on the left side of the front elevation. In this case, a fixed wooden sash of the same size is also fixed on one side of the window, which naturally draws in double sunlight, but this side of the window could not be seen from the room.
\n\u3000Instead, a heavy \u2018fittings storage\u2019 was placed inside the room, including the shoji screens as shown in the second photo. More details of the fittings will be discussed in more detail tomorrow, but as can be seen from this photo, there are a number of fittings on the interior side of the room that are visually over 30 cm deep and would serve a \u2018light control\u2019 function. In addition, there were wooden louver-like \u2018side-hinged\u2019 external fittings just outside the wooden sash.
\n\u3000In our house built 34 years ago, for example, we only used blinds to adjust the lighting, but as a result of such \u2018simplification\u2019, I realised that the sensitivity to the dense \u2018lighting\u2019 of Japanese architecture may indeed have become dulled in the way the people of Hokkaido live.
\n\u3000There is no doubt that these lighting control devices have played a major role in cultivating the delicate sensitivity of the Japanese people. In fact, even craftsmen of these fittings and their storage devices are becoming scarce in Hokkaido. A very suggestive and interesting point.<\/p>\n

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