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\"\"<\/a>
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English version\u2b07<\/p>\n

The \u201chouse\u201d as a folk custom and the traditional construction method \u201chouse\u201d
\nWhat is the explicit \u201clink\u201d between Kunio Yanagida’s \u201chouse\u201d consciousness as a folk custom and traditional method houses? And can Japanese \u201cfolk customs\u201d be created from Hokkaido? …<\/p>\n

\u3000Yesterday, I attended the \u201cClimate-Adaptive Housing Symposium\u201d chaired by Mr. Hirotaka Suzuki, Director of the Hokkaido Research Institute. When the national government and the Ministry of Land, Infrastructure, Transport, and Tourism promote housing policies based on the existence of a certain \u201carchitectural culture\u201d of traditional construction method houses, there is a reality that those who build houses with such values feel threatened by measures that place the highest priority on thermal insulation, and they raise their voices.
\n\u3000I had the experience of participating in a national dialogue meeting with such traditional construction method advocates, and at that time, Mr. Hirotaka Suzuki of Hokkaido was in front of me as the \u201carrowhead\u201d of the discussion. Although I could do nothing about it, I participated in the meeting out of a kind of supportive mentality. I had the experience of listening to the voices of those involved in traditional construction methods. I have not been aware of such national policies in real time for a while, but I happened to have an opportunity to attend the symposium.
\n\u3000The name \u201cclimate-adaptive housing\u201d is new to me, but it seems to be a Ministry of Land, Infrastructure, Transport, and Tourism (MLIT) concept for traditional construction method housing. I have been away from the housing system for a while because of the change in my own position regarding the government’s move to mandate energy conservation standards. It has been a while since I recognized such \u201creal-time\u201d atmosphere.
\n\u3000I am more interested in the direction of Yanagida Kunio’s analysis, and I felt that the creators of \u201ctraditional construction method\u201d as an architectural concept were not always clear about the \u201ctraditional construction method. I felt that the makers of these buildings were not always clear about the \u201ctraditional construction method\u201d as an architectural conceptual classification.
\n\u3000As a Hokkaido native, I believe that the absolute \u201cclimate\u201d of snowy and cold weather prompted the evolution of housing performance as the Japanese people searched for new areas of existence. In such a situation, however, I wondered what would happen to the Japanese sense of home, the \u201cfolklore\u201d represented by the recognition of \u201cancestors,\u201d and the correlation between this sense and architectural space.
\n\u3000The photo shows a \u201chouse-shaped sarcophagus\u201d adjacent to Kunio Yanagida’s \u201cbirth house\u201d in Fukusaki Town, Hyogo Prefecture. I had been imprinted with this kind of concept of housing culture dating back to stone tools and the Jomon period, but there was no such development in yesterday’s discussion, and instead, points such as \u201caesthetics of wooden structures\u201d and \u201ccommunication in the veranda space\u201d were raised as symbols. I thought that the points of \u201caesthetics of wooden structure\u201d and \u201ccommunication in the porch space\u201d were mentioned as symbolic points.
\n\u3000In retrospect, I was reminded of my own interest in exploring the correlation between the concentration of population in cities, the evolution of housing performance, and Kunio Yanagida’s \u201chouse and folk customs\u201d as a NEXT area.
\n\u3000This is the thematic area of how Japanese people living in the cold region of Hokkaido inherit a sense of home like the one in the photo. In this sense, I believe I have gained an opportunity for a great realization.
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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