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English version\u2b07<\/p>\n

[Wooden house in the 1907’s, traces of a desperate metal “noncombustible” exterior wall.
\nThe “Kojiki” is the result of the work to record and preserve the written records of the early days of the Japanese language. Is this an architectural challenge by the descendants who sought to preserve a record of their ancestors’ labor? …<\/p>\n

This house was the home of the family of Nobunaga Motoya, who thoroughly researched the “Chronicles of Japan” during the Edo period. It has been relocated and preserved in the castle park in Matsusaka City, Mie Prefecture. The house used to be built in the city, but at the end of the Meiji period (1868-1912), a huge fire broke out in Matsusaka, and the descendants of the ancestor, Nobunaga Motoya, who devoted his life to researching “Kojiki,” the core history of the Japanese people, felt threatened that all the precious materials were preserved in this house. They thought that it should be preserved for the sake of the people, and as a result, it was moved from the city to the castle area for preservation.
\n\u3000This is the history of this building.
\n\u3000I myself have a special feeling for the “Kojiki,” the first written record of a people. It is said that the Jomon-derived archipelago people, who did not have a written language, had their own unique record of oral traditions. The oldest history of the archipelago was compiled on the basis of the discourses of Hieda-Arei and other sources as oral traditions. It is said that the oldest history of the archipelago was recorded using imported written Chinese characters. As someone who has worked in the media, I have a special interest in the Kojiki. I understand that during the time of the Kojiki, the Japanese people were seriously engaged in the “creation of the Japanese language. The work of Mr. Nobunaga Hon’i, who unearthed the Kojiki as the original source of the Japanese language, which was of little interest in the Edo period, is truly a work that makes me deeply bow in admiration.
\n\u3000The photo below shows the exterior wall of the Hon’i family’s residence. As I looked at it in detail, I noticed a mysterious silvery-white surface appearing in the crevices of the “cedar cypress bark thatch” material. After a bit of touching, it was confirmed that it was a tin metal plate as its base of cedar cypress bark.
\n\u3000According to the records, it was moved and preserved here in the late Meiji period. In those years, there would have been no such standard as “noncombustibility of the outer skin of the house. It is a fact that the Edo Shogunate forced people to change from thatched roofs to tiled roofs in urbanized areas as “noncombustibility of roofs. However, this building may have been an experimental, cutting-edge exploration of construction methods to make the exterior walls noncombustible.
\n\u3000It is true that covering the exterior skin with metal plates may have had a certain effect on fire prevention.
\n\u3000However, it is not clear whether they really did that much at the end of the Meiji period. When we asked the museum staff about this, they told us that they had no information on this point. However, it is certain that the Hon’i family had a strong intention to make the building “nonflammable” as a measure for its permanent preservation, based on the experience of the Great Matsusaka Fire. If this is the case, then it is likely that the cedar cypress bark overlaid on the metal tin exterior walls was done out of consideration for “design” as well.
\n\u3000At this point, we have only been able to confirm the intentions of the Honyi family and the fact that a metal material like tin was used as the base of the exterior walls of the actual house.<\/p>\n

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