{"id":43388,"date":"2024-03-23T07:01:26","date_gmt":"2024-03-22T22:01:26","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=43388"},"modified":"2024-03-23T07:01:26","modified_gmt":"2024-03-22T22:01:26","slug":"%e3%80%90%e4%ba%ba%e3%81%ae%e5%bf%83%e3%80%81%e3%81%9d%e3%81%ae%e8%a1%a8%e7%8f%be%e3%81%a7%e3%81%82%e3%82%8b%e7%be%8e%e8%a1%93%e3%81%a8%e5%ae%97%e6%95%99%e3%81%ae%e9%96%a2%e3%82%8f%e3%82%8a%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=43388","title":{"rendered":"\u3010\u4eba\u306e\u5fc3\u3001\u305d\u306e\u8868\u73fe\u3067\u3042\u308b\u7f8e\u8853\u3068\u5b97\u6559\u306e\u95a2\u308f\u308a\u3011"},"content":{"rendered":"

\"\"<\/a>
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English version\u2b07<\/p>\n

The relationship between the human mind, its expression in art, and religion.
\nThe architectural space of temples has functioned as a Japanese “asylum” because of the prayer for “eventual salvation from this unholy land. Dialogue with such a mind. …<\/p>\n

As I have aged, I feel that I have come to have a more satisfying sense of “life” as a theme for my own life. I am sure I will be laughed at for saying, “Oh, come on, it’s too late now (laugh),” but I think it is a big psychological change for me to realize that the nexus of bringing various things in this world to a close will eventually come.
\n\u3000And, of course, there is no doubt that our predecessors have lived their lives with the same deep preoccupation.
\n\u3000Religion must have had its raison d’etre as an opportunity and space for “dialogue” between people that transcended time. We are finally coming to realize the obvious. How late it is (laughs).
\n\u3000I am strongly fascinated by the spiritual “externalization” of art and art produced by human beings. They contain the cries of the hearts of our predecessors.
\n\u3000When I was a boy, I was not interested in the Buddha, and I rejected religious paintings that seemed to serve the church in the Christian monotheistic social structure worshipped by foreigners, so to speak. In such a situation, he did respond to themes not directly related to religion, such as the Mona Lisa and Monet’s Waterlilies series.
\n\u3000On the other hand, I thought that in Japan, there was an unrestrained development of “manga” style expression filled with a sense of freedom from the very beginning, as in the pioneering “Birds and Beasts” caricatures. I believe that the unbounded spirituality of the Japanese is expressed in works such as Sotatsu Tawaraya’s “Fujin Raijin” (Wind God and Thunder God).
\n\u3000I have lived my life in such a way, but recently I have been reminded that such spirituality is deeply embedded in Buddhist statues and religious paintings (Buddhist paintings) as well. Perhaps it was because I was deeply healed by the expression on the face of the Great Buddha of Asuka, which is said to have been created by the great Buddhist monk Toributsuji, when I visited the “Stone relief statue of Yakushi Sanzon,” which is said to be modeled after King Nukata, through the introduction of an acquaintance. Or perhaps I had been deeply healed by the expression on the face of Asuka Daibutsu, which is said to have been created by the great Buddhist priest Shuri.
\n\u3000Perhaps my sensitivity to this aspect has grown as my way of looking at and living in the world has changed. As fellow human beings, the mental images of suffering and liberation that our predecessors felt may have naturally grown as interesting subjects.
\n\u3000I have not been able to find such an opportunity in religious paintings of the Christian world, but I am beginning to approach the world with some fear, hoping that I can eventually reach a common world view, not only in Japan but also in other Asian ancient Buddhist arts such as the “Ten Kings of Hell” Buddhist art of Korea shown in the photo. (Laughs).<\/p>\n","protected":false},"excerpt":{"rendered":"

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