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\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\u3000\u3084\u306f\u308a\u65e5\u672c\u6587\u5316\u306b\u306f\u8272\u6fc3\u304f\u3001\u5357\u65b9\u30a2\u30b8\u30a2\u5cf6\u5dbc\u8d77\u6e90\u306e\u7cbe\u795e\u6027\u304c\u3042\u308b\u306e\u3060\u3068\u601d\u3048\u305f\u306e\u3067\u3059\u306d\u3002\u4eca\u5f8c\u3001\u3053\u3046\u3044\u3046\u90e8\u5206\u3092\u3059\u3053\u3057\u3065\u3064\u6398\u308a\u4e0b\u3052\u3066\u3044\u3063\u3066\u898b\u305f\u3044\u3068\u6c17\u4ed8\u304b\u3055\u308c\u305f\u6b21\u7b2c\u3067\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

Japan’s “Wakashu Inn” and Papua New Guinea’s “Spirit Hut
\nThe New Left Movement of my youth was deeply rooted in the spirit of the Wakashujuku of old Japan. This project is an effort to carefully dig up such traces. Cultivation of the ability to make calm judgments. The cultivation of a sober judgment.<\/p>\n

There was a period at the end of my youth when I became a political boy. It was right around the time of the 70-year Security Treaty struggle, so I must have been cradled in the atmosphere of that era. As a result of my experiences and psychological struggles, I have chosen to free myself from the “Kenzaburo Oe” sense of value that I had been reading up to that point. I feel that I was saved by Ryotaro Shiba’s “view of history” as a guide.
\n\u3000It is not that I totally reject Mr. Oe, but I can say that I was deeply healed by Ryotaro Shiba’s historical exploration and his meticulous approach to digging up ethnic histories with a sense of “liberation”. Without fear of being misunderstood, it was a kind of psychological detachment from hatred toward people, and a choice to accept people in a peaceful manner.
\n\u3000He said that he had distanced himself from political movements and had been rescued by a very ordinary view of humanity.
\n\u3000So, I surrendered myself peacefully to the vast world of Mr. Shiba’s works and engaged in dialogue with historical figures.
\n\u3000In this context, I kept sensing several themes that demonstrated Mr. Shiba’s inquisitive mind about the elements of “architecture and human beings. One of the most impressive of these themes is the “wakashu yado” Japanese culture.
\n\u3000Wakashu-juku is an inn where unmarried young people of a village gather at night to work, discuss, and socialize, and where they sleep and stay together. Generally, men and women are separated, and Japanese boys in particular are taught the ethics of becoming an adult from a boy as a kind of “rite of passage” in this architectural space.
\n\u3000It is clear that Mr. Shiba was deeply concerned about this when he analyzed the character of Saigo Takamori. Saigo-Takamori was a typical young innkeeper in the Satsuma clan’s Gochu organization, and he became the head of the Gochu several times. Later, when Mr. Shiba walked in Kumano in his Kaido Yuku series, “Kumano\/Koza Kaido,” walking through deep valleys and listening to the sound of mountain streams, he began to ponder about the youth inns that must have once existed there. And you hypothesize that it may have been one of the influences of the customs of the southern islands on this Japanese archipelago, in other words, the theory of southern origins.
\n\u3000With such vague knowledge, I think I myself was deeply influenced by the base of Japanese culture called “wakashujuku,” overlapping with my own experience of the student movement. I guess you could say that it is a privilege of being young, but it gives the impression of a “rite of passage” that does not quite make one an adult.
\n\u3000This led me to think deeply about a photo exhibit in the Toyokan (Asian Gallery) of the Tokyo National Museum, which I happened to have visited. I did not notice it at the time of the visit, but recently I had time to reorganize my photos and rediscovered the “Haus Tambourin” (Spirit House) in this photo. This is exactly what I was looking for.
\n\u3000I was able to see that the Japanese culture has a strong spirituality of the southern Asian island origins. I am now aware that I would like to delve a little deeper into this aspect of Japanese culture in the future.<\/p>\n

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