{"id":42283,"date":"2023-11-12T05:44:10","date_gmt":"2023-11-11T20:44:10","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42283"},"modified":"2023-11-13T10:30:52","modified_gmt":"2023-11-13T01:30:52","slug":"%e3%80%90%e5%a5%89%e7%b4%8d%e3%80%8c%e6%8e%b2%e9%a1%8d%e3%80%8d%e7%94%bb%e3%81%ab%e5%b1%95%e9%96%8b%e3%81%99%e3%82%8b%e6%b0%91%e4%bf%97%e3%83%89%e3%83%a9%e3%83%9e-%e8%8b%b1%e8%b3%80%e7%a5%9e%e7%a4%be","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=42283","title":{"rendered":"\u3010\u5949\u7d0d\u300c\u63b2\u984d\u300d\u753b\u306b\u5c55\u958b\u3059\u308b\u6c11\u4fd7\u30c9\u30e9\u30de \u82f1\u8cc0\u795e\u793e-3\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Folk Drama Unfolds in Dedicated “Hanging” Paintings Eiga Shrine-3
\nThe upper part of the worship space with no walls is decorated with a full array of hanging paintings. A symbolic scene of a Japanese “folk” tale. Manga-like clarity. Manga-like clarity.<\/p>\n

I make an effort to visit shrines and temples in each region, as they teach me about the history of the area. I believe that in Japanese society, this reverence for “local deities” has been strongly handed down from generation to generation. It is a very different feeling from the Christian monotheistic society of Europe and the United States, where the people have a strong sense of respect for “all the gods of the earth.
\nEven if we do not consider the Eiga Shrine to have some connection to our own roots, it seems to have preserved and accumulated a very strong sense of this belief.
\nIn the major restoration of the shrine in 2025, the “hall of worship” was the most important part of the restoration work, and the newly restored space is spectacularly decorated with “votive paintings” from the past generations.
\nIt is amazing to see how much folklore has continued in the absence of museums and art galleries. Since I was able to leave my hotel in the middle of the night and visit the shrine early in the morning, I was able to take my time and record the display. I checked more than 60 plaques in all.
\nAs I mentioned the other day, the Miki family residence in Fukusaki-cho, Hyogo Prefecture, was the cradle of folklorist Kunio Yanagida as a local information center, and this Eiga Shrine is also highly related to the Miki family. The Eiga Shrine, too, is highly related to the local community.<\/p>\n

Many of the themes of the votive plaques are easy-to-understand ethnic historical romances. When Amaterasu was hiding behind Ama-no-Iwato, Amenouzume was dancing and many gods were excitedly cheering her up. A scene from a well-known myth. The scene conveys the fact that this place functioned as a kind of azir (a special folkloric area also called “free territory,” “refuge,” or “place of no ties”) for the people of the area. Imagining parents and children visiting this “public space” during festivals and other occasions and conversing with each other while looking at this painting, one can feel that this is a uniquely Japanese traditional culture rooted in the masses.<\/p>\n

These votive pictures are a folk tradition created by the local “Ujikoshu” who have supported this shrine for a long time. Some of the plaques are dated, but many of the older ones, which seem to have already fallen off, are not clearly identified. The dedication record above clearly states “November, 1879. Even this very well-preserved one was made in 1879, so 144 years have already passed. We hope that an investigation will be conducted to see how far back in time the oldest items can be traced.
\nAmong the 13 names of the shrine’s clergymen, four are identified as having the surname “Miki. We can also confirm that one person is named “Fukuda,” the real family name of Ryotaro Shiba. As a Hokkaido native who has largely spun out of the world of “traditional culture” like this, I am thrilled by the dizzying layering of time. I will introduce these “hoist plaques” and others tomorrow.<\/p>\n","protected":false},"excerpt":{"rendered":"

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