{"id":42217,"date":"2023-11-04T05:52:39","date_gmt":"2023-11-03T20:52:39","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42217"},"modified":"2023-11-08T21:02:36","modified_gmt":"2023-11-08T12:02:36","slug":"%e3%80%90%e9%ab%98%e3%80%8c%e6%a0%bc%e5%bc%8f%e3%80%8d%e9%ab%98%e3%80%8c%e3%83%9f%e3%82%a8%e3%80%8d%e4%bd%8f%e6%96%87%e5%8c%96-%e5%85%b5%e5%ba%ab%e7%a6%8f%e5%b4%8e%e4%b8%89%e6%9c%a8%e5%ae%b6%e4%bd%8f","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=42217","title":{"rendered":"\u3010\u9ad8\u300c\u683c\u5f0f\u300d\u9ad8\u300c\u30df\u30a8\u300d\u4f4f\u6587\u5316 \u5175\u5eab\u798f\u5d0e\u4e09\u6728\u5bb6\u4f4f\u5b85-7\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Highly “prestigious” and “mie” residential culture – The Miki Family Residence in Fukusaki, Hyogo – 7
\nToday, I’m going to be a bit conclusory (laughs). The title may be a bit provocative. I wonder if it is a counterpoint to “highly insulated and airtight”, which is a bit uncomfortable. …….<\/p>\n

Considering the essence of residential culture up to the Edo period, we eventually come to the conclusion that it emphasizes “mie and kashiki.
\nIn terms of architectural devices, the most prestigious space is the tatami room with an alcove. The walls are usually finished with painted walls, and are used to display paintings and calligraphy. The hanging scrolls are changed according to the season and the time of year to express the “level and style” of the family’s elegance.
\nThe selection of the hanging scrolls is a test of the family’s “family status,” so when there are visitors, the hanging scrolls are carefully examined and selected for performance.
\nNext to the house is a space for displaying family heirlooms, which is backed up by architectural devices such as “different shelves” and the like. And of course, architecturally, the “toberbashira” is an important element, soaring high as if expressing the true nature of the “house. In a sense, it was an expression of the personality of the owner of the house.
\nExternally, the roof tiles are a typical expression of the “house’s character. The family crest, for example, was stamped on the roof tiles, which were a dignified expression of the family’s identity.
\nThese architectural elements as a whole expressed the family’s prestige.
\nFor the Japanese, “iye” meant this kind of holistic expression.
\nAnd it is this ability to express oneself that has been challenged by architects. Peaceful society ruled by the samurai family.<\/p>\n

In addition, calligraphy and paintings were hung for this purpose, and a carefully crafted niche space spread out from the porch, showing off the “elegance” of the locality in a profoundly elegant manner. The house is structured with the utmost emphasis on elegance, but the modest and reserved atmosphere is, paradoxically, an appeal to the audience: “We have such a prestigious house, but we are not proud of it; we are trying to be soft and gentle.
\nIt seems to me that a lot of emphasis was placed on this aspect of the Japanese DNA.
\nOn the other hand, the tea ceremony was used as an opportunity to free oneself from such “formalities,” and provided a place where one could shed one’s formalities and place the highest priority on personal friendships. This is why the tea ceremony culture is considered uniquely Japanese.
\nIn contrast to this “zashiki” residential culture, many tea rooms are named “hian” or “hermitage. The tea ceremony room is a space where the smell of tea in the narrow and intimate atmosphere strongly stimulates human sensitivity to each other. The tea room is a place where human friendship is sought beyond the boundaries of the host and the guest. One of the reasons why the tea ceremony was able to rise to such a level of existence is because of the time-layer of time in which this type of formal and mielike residential culture prevailed in Japanese society. This type of formal and miel expression formed the core of the residential culture.
\nThis would have been completely ineffective in terms of housing construction technology for the development of Hokkaido Island, the key theme of which was, above all, “national defense. It is natural that the development of Japanese housing “performance” technology began in Hokkaido. However, from today’s perspective, we should be aware of the fact that this “prestige and mie” expression was the traditional sense of housing culture and values in Japanese society until the Edo period (1603-1868), and that there were certainly layers of originality and ingenuity and cultural development in this area.
\nIt is obvious that the evolution and development of housing performance is “highly insulated and airtight,” but we should be aware that past householders were also pursuing a different set of values, or in other words, “high ‘class’ and high ‘mie'”. What will be the direction of the elements that will further advance Japanese living space beyond the awareness of performance in the future?<\/p>\n","protected":false},"excerpt":{"rendered":"

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