{"id":42114,"date":"2023-10-23T03:34:39","date_gmt":"2023-10-22T18:34:39","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42114"},"modified":"2023-10-24T18:44:51","modified_gmt":"2023-10-24T09:44:51","slug":"%e3%80%90%e5%ae%b6%e3%81%a8%e3%81%b2%e3%81%a8%e3%83%bb%e4%ba%ba%e7%94%9f%e3%81%ae%e3%80%8c%e9%81%8b%e5%91%bd%e3%80%8d-%e6%9c%89%e5%b3%b6%e6%ad%a6%e9%83%8e%e6%97%a7%e9%82%b8-8%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=42114","title":{"rendered":"\u3010\u5bb6\u3068\u3072\u3068\u30fb\u4eba\u751f\u306e\u300c\u904b\u547d\u300d \u6709\u5cf6\u6b66\u90ce\u65e7\u90b8-8\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

The Fate of the House, the People, and Life: The Former Residence of Takeo Arishima-8
\nThe sheer joy of life, blessed with three children, took a dark turn. His beloved wife became ill and died too young. The house still tells us of Mr. Arishima’s thoughts and breath. The house still speaks of Mr. Arishima’s thoughts and breath.<\/p>\n

The lives of literary figures are a certain amount of personal information, but just as the genre of “private novels” has been established, there is an aspect of expressing the entirety of a literary figure’s life and communicating it to readers, and this information is made public on the premise of consent from the bereaved family. However, many Japanese writers, such as Ryunosuke Akutagawa and Osamu Dazai, committed suicide as a result of having agreed to such conditions. Arishima followed in their footsteps.
\nHowever, the disclosure of such information will expand the realm of reading in the sense that the general reader will be able to perceive the world of the work, including such aspects of the work. In addition, today, there are many unwritten photographs and records of materials left behind, so it is possible to explore the history of the work even more deeply.
\nThe photo above is a scene at the entrance of the Arishima residence on New Year’s Day in 1914, the year after the residence was completed and the family moved in. Pochi,” the dog that was given the common name of “Pochi,” which is not like the artist (laugh), is playing with Arishima. The dog, which must have communicated with Arishima as an animate being, is affectionate and relaxed.
\nThe episode of Saigo Takamori and his beloved dog is widely known among Japanese people, and it brings blood to the image of the man before his death. Perhaps Japanese people are particularly fond of such things. Please take a look at the photo of the exterior of the building, which is the best angle of the building. The snowfall in Sapporo on New Year’s Day in 1914 also conveys the atmosphere and reality of the city.<\/p>\n

And here is a shot of Arishima as a parent embracing his newborn child in his new home. He was deeply in love with Sapporo, had obtained a job as a university professor here, and had built a custom-built house that reflected his own “creativity,” so to speak, and was at the peak of happiness in his life.
\nThe timeline below is part of the story of Arishima, his family, and the fate of this detached house. The Arishima family celebrated New Year’s in this house for only one year. The house’s condition is recorded after the beloved wife became ill in the second year after the house was built.
\nAs I mentioned yesterday, there are some figures that give an idea of the “housing economy” at that time. In 1921, a large house with a floor space of nearly 80 tsubo (about 1,000 square meters) was priced at 5,000 yen. If we apply the monetary translation konnyaku (purchasing rate parity standard x 1,080) that we explored yesterday, the price would be 5,400,000 yen in modern parity. Since the land is leased and only the price of the building itself is used, I wonder if this is a certain measure. The property was built seven years ago, and the site conditions on the north side of Sapporo Station, which was considered “gloomy” according to the land sense of the time, are also taken into account. Land improvement projects, such as the Sosegawa River excavation, were still in their infancy.
\nAfter all, we can receive a variety of information from the footsteps of our predecessors who did the expressive work. As a person of the future generation, I can only be deeply grateful.<\/p>\n","protected":false},"excerpt":{"rendered":"

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