{"id":42023,"date":"2023-10-12T05:49:43","date_gmt":"2023-10-11T20:49:43","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=42023"},"modified":"2023-10-16T22:15:51","modified_gmt":"2023-10-16T13:15:51","slug":"%e3%80%90%e3%81%93%e3%81%ae%e6%9c%a8%e9%80%a0%e7%a9%ba%e9%96%93%e3%81%ab%e3%81%a1%e3%81%aa%e3%82%80%e6%96%87%e5%ad%a6%e4%bd%9c%e5%93%81-%e8%8a%a5%e5%b7%9d%e9%be%8d%e4%b9%8b%e4%bb%8b%e3%83%bb%e4%b9%9d","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=42023","title":{"rendered":"\u3010\u3053\u306e\u6728\u9020\u7a7a\u9593\u306b\u3061\u306a\u3080\u6587\u5b66\u4f5c\u54c1 \u82a5\u5ddd\u9f8d\u4e4b\u4ecb\u30fb\u4e5d\u5341\u4e5d\u91cc\u306e\u5eb5-7\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\u300c\u5927\u5b66\u3092\u5352\u696d\u3057\u5275\u4f5c\u6642\u9593\u306f\u5927\u5e45\u306b\u5897\u3048\u305f\u3068\u306f\u8a00\u3048\u3001\u8457\u8ff0\u306b\u6ca1\u982d\u3067\u304d\u308b\u6642\u9593\u306f\u3044\u304f\u3089\u3042\u3063\u3066\u3082\u8db3\u308a\u306a\u3044\u307b\u3069\u3060\u3063\u305f\u3002\u30fb\u30fb\u30fb\u4e00\u5bae\u6ede\u5728\u4e2d\uff081916\u5e74\uff09\u82a5\u5ddd\u306f\u540c\u5bbf\u306e\u53cb\u4eba\u3068\u6d77\u3067\u6cf3\u3050\u4e00\u65b9\u3001\u8a08\u753b\u7684\u306b\u8aad\u66f8\u3092\u3057\u3001\u7ffb\u8a33\u3092\u3057\u3001\u5c0f\u8aac\u3092\u66f8\u304d\u3001\u7d75\u3084\u4ff3\u53e5\u306b\u52e4\u3057\u3093\u3060\u300d\u3068\u8a18\u8ff0\u3055\u308c\u3066\u3044\u308b\u3002
\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Literary works associated with this wooden space: Ryunosuke Akutagawa, The Hermitage of Kujukuri – 7
\nThe economy of the “Japanese literary world” and the realities of the writer’s business in 1916. Soseki Natsume intended to nurture the standard-bearers of “Japanese culture” and Akutagawa responded to him. …<\/p>\n

In writing this blog, I have received some opinions that the truth is that Akutagawa was a rich bon vivant who, without a regular job, spent his time at a seaside ryokan “away from home” to the fullest extent of his amusement. Today’s blog is an investigation into this matter.
\n\u301cThe Ichinomiya-kan Ryokan is located at the mouth of the Ichinomiya River, and Ryunosuke Akutagawa stayed at the Ichinomiya-kan in 1914 and 1916. During his stay, Akutagawa sent a long letter of courtship to Tsukamoto, who later became his wife, from this villa, and his memories of Ichinomiya appear in such works as “A Smile,” “On the Edge of the Sea,” “Genkaku Yambo,” and “Mirage.
\nThe building was constructed in 1897. It is a one-story wooden structure with a thatched hipped roof. The main house and the two rooms of the second house are surrounded on three sides by a porch, and a washroom is located at one end of the porch. The house was built using traditional minka (private house) construction techniques of the region, and the quiet atmosphere of the surrounding pine forest makes for a beautiful sight. \u3000Akutagawa’s works during this period were as follows.
\n\uff1cTranslation
\nBalthazar, 1914 (translation, original by Anatole France)
\nFrom “Celtic Twilight,” 1914 (translation by William Butler Yeats)
\nHeart of Spring, 1914 (translation by William Butler Yeats)
\nClarimonde, 1914 (translation and original by Th\u00e9ophile Gautier)
\nHyottoko, 1915.
\nRashomon 1915
\nThe Nose, 1916
\nSweet potato porridge, 1916.
\nThe handkerchief, 1916
\nTobacco and the Devil, 1916
\nIn Iwanami Shinsho’s “Akutagawa Ryunosuke” (written by Yasuyoshi Sekiguchi), “Ryunosuke’s summer at Ichinomiya-kan and his deep teacher-student relationship with Soseki Natsume are also introduced in detail,” and the following statement is included in the book.
\nAfter graduating from the university, Akutagawa entered graduate school without a fixed salary and began to work hard on his creative writing. This reminds us of the economic situation of writers in this period. Eventually, he was able to secure a regular job, thanks to the consideration of his former teacher, Soseki Natsume, but the basic economic structure of the Japanese literary “industry” was also in its infancy.
\nIn one of his love letters, he wrote, “My business is the most unprofitable business in Japan today. Moreover, I myself have no money. So, from the point of view of my living standards, I will always be a nobody.
\nAlthough he graduated from university and had much more time for creative work, he still had more than enough time to devote to writing. During his stay in Ichinomiya (1916), Akutagawa systematically read, translated, wrote novels, painted, and wrote haiku while swimming in the sea with his housemates.<\/p>\n

In October 1915, Akutagawa published “Rashomon,” one of his best-known works, in Teikoku Bungaku under the name “Akutagawa Ryunosuke,” and in 1916, he published the fourth edition of Shin Shicho (New Shicho), and his “Nose” in the first issue was highly praised by Soseki. This corresponds to the period of his career.
\nI have been thinking about the connection between architecture and literary work on this blog, and although there is no explicit reference to it, apparently I can imagine that the work, “Imo porridge, 1916,” was drawn during this period of his stay. \u301cThe character who had a cherished desire to eat a full meal of sweet potato porridge suddenly has that desire satisfied by the power of others…….. \u301cThe story is about the happiness of dreaming and the tastelessness of being fulfilled by other means.
\nThere is no doubt that the “work” described in the love letter to his wife-to-be was writing. However, it does not seem that he could have earned a huge fortune from his writing career. There is no doubt that his teacher, Soseki Natsume, praised his talent highly, and he was attracted by the attention and burning desire to create.<\/p>\n","protected":false},"excerpt":{"rendered":"

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