{"id":41798,"date":"2023-09-15T05:49:53","date_gmt":"2023-09-14T20:49:53","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=41798"},"modified":"2023-09-15T18:24:51","modified_gmt":"2023-09-15T09:24:51","slug":"%e3%80%90%e6%98%8e%e6%b2%bb%e6%9c%9f%e6%97%a5%e6%9c%ac%e7%94%bb%e3%81%ae%e5%a4%a7%e5%ae%b6%e3%83%bb%e6%a9%8b%e6%9c%ac%e9%9b%85%e9%82%a6-%e6%97%a7%e5%b2%a9%e5%b4%8e%e9%82%b8%e6%8e%a2%e8%a8%aa-12","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=41798","title":{"rendered":"\u3010\u660e\u6cbb\u671f\u65e5\u672c\u753b\u306e\u5927\u5bb6\u30fb\u6a4b\u672c\u96c5\u90a6 \u65e7\u5ca9\u5d0e\u90b8\u63a2\u8a2a-12\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
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English version\u2b07<\/p>\n

Exploring the Former Iwasaki Residence of Masakuni Hashimoto, a Japanese Painting Master of the Meiji Era – 12
\nA tie-up between Japanese architecture and Japanese painting. The fittings master also joined in this symphony of Japanese spatial beauty with various sensitivities. Japanese sukiya. Japanese Suki.<\/p>\n

In the history of Japanese painting, as in the case of culture in general, the artwork is preserved in alcove wall paintings, fusuma-e (sliding doors), and board paintings that adorned the residences of powerful people and castles. It is the way of the human world that culture is inherited through the decoration of power. This is probably because works of art and architecture have always maintained a correlative relationship.
\nIn this former Iwasaki residence, there are paintings by Gakuni Hashimoto, who is considered a master of the Japanese painting world in the Meiji period.
\nMasakuni Hashimoto was an American oriental art historian and philosopher who came to Japan during the Meiji period to evaluate and introduce Japanese art, and is said to have been highly regarded by Ernest Francisco Fenollosa and Tenshin Okakura, who helped establish the concept of Japanese art in the Meiji period and beyond.
\nHe served at the Tokyo Fine Arts School, the predecessor of the Tokyo National University of Fine Arts and Music, and is said to have played a major role in the modernization of traditional painting. His students included Yokoyama Taikan, Kawai Gyokudo, Shimomura Kanzan, Hishida Shunso, and many other Japanese painters.
\nThe wall painting in the alcove of the hall is considered to be the latter end of his painting career in this mansion. Fuji and a part of the “waves” can barely be discerned.
\nPerhaps the base of the painting was not a good match with the painting, but considering the historical transition of the mansion, we can assume that this was an unavoidable factor. However, although Japanese-style paintings generally use paper as their canvas, there is no indication of the existence of such a canvas when looking at the current state of the building. It seems possible that the paintings were painted directly on the wall material or painted wall with rock paints. Since a fence was placed so that visitors could not get too close to the house, we could not confirm the details. In many introductions to the former Iwasaki Residence, there are many who say that they could not understand it very well.
\nOn the other hand, the fusuma painting above, although faded, is in a reasonably well-preserved condition. The artist’s brushwork, for example, can be seen. As in the case of the mural paintings in the Takamatsuzuka burial mound, “preservation” and management must be very important in this kind of historical painting work. This is an area that correlates with the longevity of architecture, so I am concerned about it.<\/p>\n

Next to the wall painting, a shoin (a drawing room) is lit by a soft light source, and the “rhombus crest” motif is sculpted into the kumiko. This kind of multilayered design down to the smallest detail will be projected deeply into the Japanese aesthetic of the Japanese space. The air of subtle interaction between the leading and supporting actors is interesting. Do Japanese people like this kind of quiet responsiveness?
\nThe atmosphere of the Japanese-style house in contrast to the Western-style house is a completely different kind of spatial beauty. I guess Japanese people have lived with this kind of dualistic sense since the start of the Meiji period.<\/p>\n","protected":false},"excerpt":{"rendered":"

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