{"id":41491,"date":"2023-08-13T06:40:50","date_gmt":"2023-08-12T21:40:50","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=41491"},"modified":"2023-08-15T18:10:15","modified_gmt":"2023-08-15T09:10:15","slug":"%e3%80%90%e5%a5%88%e8%89%af%e5%a4%a7%e4%bb%8f%e3%82%88%e3%82%8a%e5%8f%a4%e3%81%84%e6%9c%ac%e5%b0%8a%e9%a0%ad%e9%83%a8%e3%83%bb%e9%be%8d%e8%a7%92%e5%af%ba%e2%91%a1-%e6%9d%b1%e5%9b%bd%e4%b8%89%e7%a4%be","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=41491","title":{"rendered":"\u3010\u5948\u826f\u5927\u4ecf\u3088\u308a\u53e4\u3044\u672c\u5c0a\u982d\u90e8\u30fb\u9f8d\u89d2\u5bfa\u2461 \u6771\u56fd\u4e09\u793e\u63a2\u8a2a-9\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The head of the main image of Yakushi Nyorai, which is older than the Great Buddha of Nara, at Ryukakuji Temple (2)
\nThe image of the Yakushi Nyorai (the Medicine Buddha) is a very old image. How was it received in Kanto, where the Jomon spirit still lingers? …<\/p>\n

Since Ryukakuji Temple is a defunct temple, records and other information are difficult to trace. It was also difficult to identify the information on the images. However, in such a situation, it has been clarified in art history that the main statue, Yakushi Nyorai, dates back to the Hakuho period. The Hakuho period refers to the Asuka period of culture from the Taika Reform of 645 to the transfer of the capital to Heijo-kyo in 710. It was an intermediate period between the Asuka culture represented by the architecture and Buddhist statues of Horyu-ji Temple and the Tempyo culture represented by the Buddhist statues of Todai-ji Temple and the architecture of Toshodai-ji Temple.
\nIt is said to be older than the Daibutsu statue at Todaiji Temple in Nara, and was carved in the period immediately after the period in which Kurusaku Noritoshi was active.
\nUnfortunately, Ryukakusokuji Temple suffered from numerous fires during its history, and the existing seated statue of the principal image has a different production date for the head and the body, and it is believed that the body was restored during the Edo period. The photo above is a plaster cast of the head of the statue of Yakushi Nyorai from the exhibition at the Aizu Yaichi Memorial Museum of Waseda University. Below is an image of the front of the hall of worship, which is now built in the abandoned Ryukakkakuji Temple. There is a “storage room” in the back of the temple, and the main statue of Yakushi Nyorai is probably stored there. Since we stopped by on our way to Kashima Jingu Shrine, we could not visit the temple.
\n\uff1cI learned about the seated statue of Yakushi Nyorai, the principal image of Ryukakuji Temple, from an article written by Kanbutsu Nichijitsumecho. Please refer to the same page, which also includes a photo image from the magazine “Houn” (Vol. 3) from the 7th year of Showa (1932). > “Tokyo Imperial University
\nOn the same page, there is an article by Sada Sekino (1868-1935), a professor emeritus at Tokyo Imperial University and a member of the Society for the Preservation of Ancient Temples and Shrines, on the results of his appraisal of this Buddhist statue, “Ryuzokuji Bronzo-Yakushi Nyorai Zo and Old Tile Fragments” (History Education Vol. 7, No. 4, published in 1932).
\nThe style and technique clearly show the characteristics of the early Neiraku period, and it was made almost at the same time as the Sei-Kannon in the Toin of Yakushiji Temple, the Yumekai-Kannon in Horyuji Temple, the Koyakushi Nyorai in Shin-Yakushiji Temple, and the Shaka Nyorai in Jindaiji Temple. It is a rare masterpiece. The Daibutsu in Asukadera is a rare masterpiece.
\nI have a crush on the Great Buddha of Asukadera Temple. Asukadera Temple is a temple strongly influenced by the Soga clan, but there is evidence in the Kanto region at about the same time that conveys the simple religious beliefs of the period when Buddhism was introduced to the region.
\nThe expression on the face of the Yakushi Nyorai (the Medicine Buddha) is simple and expressive of the spirit of the early introduction of Buddhism. In particular, the long, slanted eyebrows seem to symbolize a sense of human “gentleness. Facial expressions must have played a huge role in how people who first came into contact with Buddhism “accepted” it.
\nAfter Todaiji Temple, Kokubunji temples were built throughout the country during the Nara period (710-794), but this Ryukakuji temple shows that the Soga clan had a strong influence as far back as the Kanto region.
\nIn the Kanto region, where the majority of people would have been those who had been living since the Jomon period, as opposed to the more advanced Kinai region, these Buddhist statues would have encountered many people.
\nThese images seem to “convey” a variety of things.<\/p>\n","protected":false},"excerpt":{"rendered":"

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