{"id":40361,"date":"2023-04-08T06:16:21","date_gmt":"2023-04-07T21:16:21","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40361"},"modified":"2023-04-10T11:37:08","modified_gmt":"2023-04-10T02:37:08","slug":"%e3%80%90%e6%ba%90%e5%b9%b3%e5%90%88%e6%88%a6%e5%9b%b3%e5%b1%8f%e9%a2%a8%e3%81%ab%e8%80%bd%e6%ba%ba%e3%81%99%e3%82%8b-%e9%8e%8c%e5%80%89%e3%81%ae%e6%ad%b4%e5%8f%b2-4%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=40361","title":{"rendered":"\u3010\u6e90\u5e73\u5408\u6226\u56f3\u5c4f\u98a8\u306b\u803d\u6eba\u3059\u308b \u938c\u5009\u306e\u6b74\u53f2-4\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Indulging in the Genpei War Folding Screen: History of Kamakura-4
\nThe lady who held up a fan to Nasu Yoichi must have been terrified, and the painting depicts Yoshitsune protected by a shield and jumping eight boats in a superhuman leap (laugh).<\/p>\n

Well, yesterday I dissected the architecture of the Kamakura History and Culture Exchange Center over the course of three articles. It is a very interesting building, but the current use of the architecture is for its “history museum” function. Almost all of the exhibits in the exchange center are permitted to be photographed and opened to the public. Or rather, they are actively encouraged to disseminate information. From today, I would like to indulge in the world of history based on the contents of those exhibits. The photo above is “Genpei Gassen Zu Byobu” placed at the central location of the exhibition, dated in the late Edo period.
\nWhile the Kinai region has long been the central region in Japanese history, the Kanto region, which has the largest plains in the archipelago, was somewhat late in developing a society based on the Yayoi culture and rice agriculture.
\nIn the early days of settlement, the main area was the Mono (Gunma-Tochigi) region. The name “Azuma” was sometimes read in poems composed during Yamatotakeru’s expedition. From the perspective of the central government, it was a remote area, and a derogatory term for the area, “Azuma-ebisu,” was sometimes used.
\nThe pioneering example of such discriminatory rebellion against the central government was the Taira-no-Masakado Rebellion of 904, which marked the beginning of the assertion of political sovereignty in the Kanto region. This was followed by the Oshu uprisings of 1051 and later, such as the Mae-no-Kunen Gassen. The rise of the samurai was probably due to the sharpening of armed conflict in the northeastern region of the eastern provinces.
\nIn contrast to the dynastic government, which had an elegant ruling structure, the realistic world of the East, with its land disputes, was increasingly oriented toward domination by military force. In establishing such military power, the Minamoto clan, from Minamoto no Yoriyoshi onward, chose Kamakura as their home base and became the leader of the local warrior class.
\nAfter a variety of circumstances, the Kamakura shogunate was established by Yoritomo’s generation as a result of the strengthening and development of relations with these Kanto warriors. In Kamakura, the “emergence of power” in Japanese history, which is comparable to the Jinmu expedition and the demonstration of Yamatotakeru’s control over the whole country, took place. Learning a lesson from the Taira-no-Masakado Rebellion, which ended in an unsuccessful attempt to establish their own power, Yoritomo and his retainers carefully established their power.
\nBased on this history, the Genpei War was a battle that ushered in a new era in the eastern provinces of Japan and Kamakura. Yoshitsune, who played a leading role in the battle, became a tragic hero because he did not have the same political acumen as his elder brother Yoritomo. This may be a condensation of the conflict between the “common sense public opinion” of the Kinai and Western provinces and the Kamakura military authority.<\/p>\n

This photo is an enlargement of a portion of the Genpei Gassen Byobu. Since it is a folding screen painting, the picture is divided into several parts, but I created it by cropping and correcting in Photoshop (see below). The two main battle tales in the Genpei wars: “Nasu Yoichi’s Fan” and the scene of Yoshitsune’s “Hachisou jump” scene at Dannoura.
\nWhen we process images of folding screen paintings like this, we can understand some of the details of the expression, which deepens the enjoyment of the work. Some of the lighting in the museum is inevitably reflected on the protective glass surface, but please ignore that (laugh) and enjoy the view.<\/p>\n","protected":false},"excerpt":{"rendered":"

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