{"id":40247,"date":"2023-03-30T06:13:42","date_gmt":"2023-03-29T21:13:42","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40247"},"modified":"2023-03-31T13:31:34","modified_gmt":"2023-03-31T04:31:34","slug":"%e3%80%90%e6%9c%a8%e9%80%a0%e8%80%90%e9%9c%87%e6%a7%8b%e9%80%a0%e3%80%8c%e5%9b%9b%e5%8f%89%e8%8f%b1%e6%a0%bc%e5%ad%90%e3%80%8d-%e5%9b%9b%e5%9b%bd%e3%83%bb%e6%a2%bc%e5%8e%9f%e3%81%a8%e9%9a%88%e7%a0%94","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=40247","title":{"rendered":"\u3010\u6728\u9020\u8010\u9707\u69cb\u9020\u300c\u56db\u53c9\u83f1\u683c\u5b50\u300d \u56db\u56fd\u30fb\u68bc\u539f\u3068\u9688\u7814\u543e-6\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Yusuhara, Shikoku and Kengo Kuma – 6
\nDid the architect, who had realized the limitations of RC construction, hear the cries of the trees in Yusuhara and strongly feel the beginnings of a wooden renaissance? Yusuhara and Kengo Kuma<\/p>\n

A reportage of architectural experiences in Japan on a blog. The articles are compiled without much prior knowledge, starting from the feeling of actually touching the building, a method that prioritizes the user’s viewpoint.
\nAs a housing magazine writer, it is difficult to say that large public buildings are my area of expertise, but I have a strong interest in this field, which is highly analogous to the field of architecture. And because of its openness, it does not require the same careful interview process as housing. I am grateful to be able to explore the area with a relaxed mind.
\nKengo Kuma, who had been disheartened by the criticism of the time for his postmodernist RC building, “M2” (a design lab for an automobile manufacturer along Tokyo’s Kanpachi beltway), felt the gospel of salvation from the wooden world in Yusuhara. As a depopulated town, Yusuhara, which is 91% forested, wanted to strongly promote the appeal of wood and the renaissance of wood construction. Both of these wishes must have resulted in the concept of “feeling the wood” in the architectural works.
\nThis ‘Yusuhara Library’ has a slightly mysterious experience of many trees descending from the roof, and although the description cannot yet be confirmed so much on ChatGTP on the web (laughs), what I have come to understand are the following points.
\nThis is a construction method called Yonsa Hishigoshi (\u56db\u53c9\u83f1\u683c\u5b50), which has high earthquake resistance by distributing the load to each of its individual pieces. Numerous wooden structures like trunks and branches. This is not mere decoration; each branch extending in all four directions distributes the weight, making the structure highly earthquake resistant.
\nI found an academic paper on Kengo Kuma’s architectural group in Yusuhara, and I was able to discover his research on timber framing. The article is titled “Academic Bulletin of Kochi National College of Technology, No. 65. The researchers’ names are Osamu Mitsuhashi and Masaru Kanayama. The following description is found in the book.
\nThe “Jigokumi-Part Detail Drawing” is a technique handed down by craftsmen for building wood that is not horizontal or vertical. As you can see from the name “jigokumiai,” it is a woodworking technique that, once assembled, can never be removed. In the interior space of the library, branches cover the ceiling as if they have branched off from a single post of wood, giving the effect of being in a forest.
\nI have experienced Kengo Kuma’s “Starbucks Coffee Dazaifu Tenmangu Omotesando” in Dazaifu, where the wooden structure covers the entire space of the store, and this blog series has helped me to see the path to these spatial experiences. I hear that Kengo Kuma’s office is currently very busy with work, which seems to be perfectly in line with the desire of local governments throughout Japan to utilize wood as a local resource.
\nWhat is the user’s perspective on the spatial experience of public architecture?<\/p>\n","protected":false},"excerpt":{"rendered":"

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