{"id":40190,"date":"2023-03-25T05:16:09","date_gmt":"2023-03-24T20:16:09","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40190"},"modified":"2023-03-27T13:42:56","modified_gmt":"2023-03-27T04:42:56","slug":"%e3%80%90%e5%8a%87%e5%a0%b4%e5%bb%ba%e7%af%89%e3%80%8c%e3%82%86%e3%81%99%e3%81%af%e3%82%89%e5%ba%a7%e3%80%8d%e6%9c%a8%e8%82%8c%e3%81%ae%e8%b1%8a%e3%81%8b%e3%81%95-%e5%9b%9b%e5%9b%bd%e3%83%bb%e6%a2%bc","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=40190","title":{"rendered":"\u3010\u5287\u5834\u5efa\u7bc9\u300c\u3086\u3059\u306f\u3089\u5ea7\u300d\u6728\u808c\u306e\u8c4a\u304b\u3055 \u56db\u56fd\u30fb\u68bc\u539f\u3068\u9688\u7814\u543e-2\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

The richness of Yusuharaza, a theater building in Yusuhara, Shikoku, and Kengo Kuma-2
\nIn response to the trend of population concentration, urbanization, and depopulation of rural areas, wooden architecture is sending a message through the persona of Kengo Kuma. Yusuhara, Shikoku<\/p>\n

\u301cWhat brought Kengo Kuma and Yusuhara together was the Yusuhara Theater (Yusuhara Community Center), a wooden playhouse. It was a valuable building in the style of the Japanese-Western fusion that was popular in the Taisho era (1912-1926), but about 40 years after its construction, it was being considered for demolition due to aging and other reasons. Masahiro Kotani, a first-class architect living in Kochi Prefecture who was involved in the preservation movement, asked Mr. Kuma, with whom he had been in contact, to take a look at the Yusuhara-za. Mr. Kuma visited Yusuhara in 1987.
\nOverwhelmed by the neat beauty of this honest wooden structure as it was and the technology that enabled him to achieve it, Kuma Kengo decided to help in the campaign to preserve the Yusuhara-za. His encounter with this building, which was the polar opposite of the decorative modern architecture he had been working on, was a major turning point in his life as an architect. This was the beginning of Kuma’s obsession with wood, a characteristic of his architecture. Such large wooden playhouse buildings can be found all over Japan. Although it is an open-air structure with no structure, it has been preserved at the Nippon Minka-en in Kawasaki and at Shikoku-mura in Kagawa Prefecture, Shikoku. I also visited the Korakukan, a playhouse in Kosaka-cho, Kazuno County, Akita Prefecture, which is also covered with a roof. It is a national important cultural property.
\nIn an era when entertainment was scarce, traveling theatrical troupes would have used performances at such a hut as a device for confirming the precious sense of unity in the community. Eventually, as the center of information and entertainment shifted to television, these architectural facilities lost their primary function.
\nHowever, as Kengo Kuma was moved by the building’s size, which seemed to encompass the entire village, and its powerful wooden structure, one can strongly sense the symbolic aspect of regional pride. The rich expression of the wood surface strongly conveys a sense of “real thing” that concrete and reinforced concrete cannot convey. Kengo Kuma, who felt the limitations of modern architecture, must have been shaken to the core when he encountered an architecture that honestly expressed its sense of beauty only through the passage of time.<\/p>\n

Conversely, as an architect, I have seen the movement for the preservation of buildings such as Yusuharaza gain momentum as if it were a cry from people’s hearts in the midst of a social structure that places the highest priority on population concentration and rationalization in modern urban areas.
\nI think it is fascinating that Yusuhara, which is located in the middle of the Shikoku mountainous region and the headwaters of the clear Shimanto River, has made this its biggest selling point in the modern world. I think it is a rather powerful choice as a regional strategy.
\nOn the flip side, there is now a major push for public buildings made of wood throughout Japan. The tide is turning away from the conventional pursuit of concrete construction, which has led to intensification and gigantic buildings. Yusuhara-za may be playing a major role in this trend.<\/p>\n","protected":false},"excerpt":{"rendered":"

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