{"id":40165,"date":"2023-03-24T05:59:15","date_gmt":"2023-03-23T20:59:15","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40165"},"modified":"2023-03-24T08:04:14","modified_gmt":"2023-03-23T23:04:14","slug":"%e3%80%90%e5%9b%9b%e5%9b%bd%e3%80%8c%e9%9b%b2%e3%81%ae%e4%b8%8a%e3%81%ae%e3%81%be%e3%81%a1%e3%80%8d%e6%a2%bc%e5%8e%9f%e3%81%a8%e9%9a%88%e7%a0%94%e5%90%be%e3%81%ae%e3%81%8b%e3%81%8b%e3%82%8f%e3%82%8a-1","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=40165","title":{"rendered":"\u3010\u56db\u56fd\u300c\u96f2\u306e\u4e0a\u306e\u307e\u3061\u300d\u68bc\u539f\u3068\u9688\u7814\u543e\u306e\u304b\u304b\u308f\u308a-1\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\u9688\u7814\u543e\u5efa\u7bc9\u306b\u3064\u3044\u3066\u306f\u3001\u3053\u308c\u307e\u3067\u3082\u3044\u308d\u3044\u308d\u906d\u9047\u3057\u8a18\u4e8b\u306b\u3082\u53d6\u308a\u4e0a\u3052\u3066\u304d\u3066\u3044\u307e\u3059\u3002\u308f\u305f\u3057\u3068\u3057\u3066\u306f\u5317\u6d77\u9053\u306e\u5341\u52dd\u306b\u5efa\u3066\u3089\u308c\u305f\u300c\u30e1\u30fc\u30e0\u300d\u304c\u3044\u3061\u3070\u3093\u5370\u8c61\u306b\u6b8b\u3063\u3066\u304a\u308a\u307e\u3059\u3002\u3053\u306e\u30d6\u30ed\u30b0\u306e2012\u5e74\uff16\u670815\u65e5\u306816\u65e5\u7248\u3067\u8a73\u5831\u3057\u3066\u3044\u307e\u3059\u3002http:\/\/kochihen.replan.ne.jp\/blog2\/?p=6910<\/a>\u3000http:\/\/kochihen.replan.ne.jp\/blog2\/?p=6900<\/a>\u3000\u3002\u305c\u3072\u3054\u3089\u3093\u304f\u3060\u3055\u3044\u3002
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\n\"\"<\/a>
\n\"\"<\/a>
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\n\u4e0a\u306e\u5199\u771f\uff13\u679a\u306f\u3001\u305d\u306e\u300c\u3086\u3059\u306f\u3089\u5ea7\u300d\u306e\u69d8\u5b50\u3002\u305d\u3046\u3044\u3063\u305f\u7d4c\u7def\u304b\u3089\u5c11\u3057\u96c6\u4e2d\u7684\u306b\u300c\u307e\u3061\u3068\u5efa\u7bc9\u5bb6\u300d\u3068\u306e\u95a2\u308f\u308a\u3068\u3057\u3066\u30d6\u30ed\u30b0\u30b7\u30ea\u30fc\u30ba\u3067\u6398\u308a\u4e0b\u3052\u3066\u307f\u305f\u3044\u3068\u601d\u3044\u307e\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

Kengo Kuma’s Relationship with Yusuhara, Shikoku’s “City Above the Clouds”-1
\nKengo Kuma’s buildings have been sublimated into the city’s identity. This is a record of an exploration of Yusuhara’s “Yusuhara-za,” which Kuma himself describes as his “starting point. Yusuhara<\/p>\n

This is the Shikoku series, starting with an encounter with the architecture of architect Kengo Kuma. On this trip to Shikoku, I visited the architecture of Tadao Ando in Awaji, the Chikurinji temple in Kochi, and the many Kengo Kuma buildings in Yusuhara, a mountainous region of Shikoku.
\nAmong them, six of Kuma’s buildings are concentrated in Yusuhara, and they have been sublimated into the identity of Yusuhara. I was also motivated to cover the situation.
\nI have encountered and written about Kengo Kuma’s architecture in a number of articles. For me, “Meme,” built in Tokachi, Hokkaido, left the strongest impression. I reported on it in detail in the June 15 and 16, 2012 editions of this blog.http:\/\/kochihen.replan.ne.jp\/blog2\/?p=6910\u3000http:\/\/kochihen.replan.ne.jp\/blog2\/?p=6900\u3000Please take a look.
\nInspired by the Ainu chise, he created architecture as landscape, contrasting it with “mem,” the Ainu word for a spring-fed pond, by means of a chemical building envelope.<\/p>\n

On the other hand, Kengo Kuma is known for his characteristic method of designing wood with a life-like expression. As the starting point of his work as an architect, Kuma himself talks about his involvement with the Yusuharaza community center stage building in Yusuhara, a mountainous area in Kochi, Shikoku. The following is an excerpt from “Light & Life,” a public relations magazine of Shikoku Electric Power Co. Mr. Yusuhara was strongly invited by a local architect who was working on a campaign for the preservation of this building.
\n\u301cWhen I visited Yusuhara for the first time, I had the strange sensation that I had exited a long tunnel and was suddenly in a different world. At the time, I was wondering, “What kind of buildings should I build in the future? Yusuhara-za” was the place that dispelled my doubts. I experienced firsthand the local people’s love for their buildings and the beauty of wooden architecture, and I was able to find the answer to what I needed to do. Then, as I frequently visited Yusuhara, the mayor of the town at the time asked me if I would like to design a public restroom. I really enjoyed working with the client and the craftsmen as we discussed the project, and that led to the “Hotel Above the Clouds” project. Whenever I had any doubts about my work, I used what I felt and the wisdom I gained here as the basis for my decisions. This is why I later came to call Yusuhara “a place like a yardstick. ~.
\nThe three photos above are of the “Yusuhara-za. I would like to delve a little more intensively into this background in a blog series as a relationship between the town and architects.<\/p>\n","protected":false},"excerpt":{"rendered":"

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