{"id":40033,"date":"2023-03-11T07:28:32","date_gmt":"2023-03-10T22:28:32","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=40033"},"modified":"2023-03-13T11:40:47","modified_gmt":"2023-03-13T02:40:47","slug":"%e3%80%90%e6%ad%b4%e5%8f%b2%e5%bb%ba%e7%af%89%e7%a9%ba%e9%96%93%e3%81%a7%e3%81%ae%e3%80%8c%e6%96%b0%e3%80%8d%e5%bb%ba%e7%af%89%e3%81%ae%e5%bf%83%e5%be%97-%e3%80%8c%e7%ab%b9%e6%9e%97%e5%af%ba%e7%b4%8d","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=40033","title":{"rendered":"\u3010\u6b74\u53f2\u5efa\u7bc9\u7a7a\u9593\u3067\u306e\u300c\u65b0\u300d\u5efa\u7bc9\u306e\u5fc3\u5f97 \u300c\u7af9\u6797\u5bfa\u7d0d\u9aa8\u5802\u300d-2\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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\n\u3061\u3087\u3046\u3069\u5b89\u85e4\u5fe0\u96c4\u300c\u6de1\u8def\u5922\u821e\u53f0\u300d\u306e\u7a7a\u9593\u4f53\u9a13\u3068\u3001\u307e\u305f\u963f\u6ce2\u5fcc\u90e8\u6c0f\u30fb\u4e09\u6728\u5bb6\u4f4f\u5b85\u3068\u3044\u3046\u5bfe\u7167\u3092\u898b\u3066\u304d\u305f\u3042\u3068\u3001\u3053\u306e\u5efa\u7bc9\u306b\u3081\u3050\u308a\u4f1a\u3063\u305f\u3053\u3068\u306f\u3001\u500b\u4eba\u7684\u306b\u975e\u5e38\u306b\u697d\u3057\u3044\u4f53\u9a13\u306b\u306a\u3063\u305f\u306e\u3067\u3059\u3002<\/p>\n

English version\u2b07<\/p>\n

The “New” Architectural Spirit in Historical Architectural Space “Chikurinji Ossuary”-2
\nThe contrast between Tadao Ando’s creation of a new space for the environment as a whole and an architectural space of human spirituality. Let’s take a look into the mind of the creator at that time. …<\/p>\n

I had the privilege of interviewing Mr. Yasutsugu Horibe for a housing project in a newly developed residential area in Kobe City, which was built by Daishin Build, a member of Shinjyukyo (Kobe Housing Expo “Vanguard House”). Chronologically, the project coincided with the time of this AIJ Award, but at the time, I was rather covering it as a good example of an optimal solution method for a rational 4 ken x 4 ken housing layout.
\nIn 2017, a conversation with Norihiko Kamata of Shinjyukyo was planned at a housing exhibition in Tokyo, and the purpose of the project was to cover the actual example in the Kansai region.
\nThe following is a reprint of the relevant section of Mr. Kamata’s article in this issue of Replan (published 3\/2019), “Q1.0 Housing Design Theory,” in which he mentions Mr. Horibe.
\nAbout three years ago, I began to think that it might be possible to improve the performance of insulation and airtightness while maintaining the attractiveness of my architecture. When I put such a design into practice, I found that the residents were happy with the results, and I realized how much more enjoyable it was to design.” He said, “The high thermal insulation method is not a constraint, but a way to increase the freedom of design, to design attractive houses, and to increase the level of satisfaction of the client.”
\nI strongly felt the presence of these kinds of designers in the Kanto region and southward. I was informed that Norihiko Kamata had the same deep understanding of the “environment” as the makers of the houses in Hokkaido. At the time, I had understood environment to mean “heat,” but this visit to the Chikurin-ji Ossuary has changed my understanding. I strongly felt “environmentalism” in the sense of “knowing how to create a new architecture” by a modern creator in the magnetic field of space created by Chikurin-ji, a group of traditional buildings that can be said to be the essence of Japanese architectural culture.<\/p>\n

As shown in the first photo, the five-story pagoda is an architectural asset of human spirituality, and the architects have created a spatial environment in which it is impossible for a modern creator to give priority to his or her own “authorship” when creating a new architecture. Rather, I sensed a creativity to “create new depth” by respecting and harmonizing the space created by predecessors. Although the purpose of the building is to serve as an ossuary, I could feel this attitude from the level of the viewer’s perspective of the half-underground, one-story building.
\nHis comments on this work strongly suggest such a design attitude.
\nAfter having just experienced the spatial experience of Tadao Ando’s “Awaji Yumebutai” and the contrast of the Awa Imobe and Miki family residences, coming across this architecture was a very enjoyable experience for me personally.<\/p>\n","protected":false},"excerpt":{"rendered":"

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