{"id":39949,"date":"2023-03-03T05:59:12","date_gmt":"2023-03-02T20:59:12","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39949"},"modified":"2023-03-03T18:58:05","modified_gmt":"2023-03-03T09:58:05","slug":"%e3%80%90%e9%9f%b3%e6%a5%bd%e7%9a%84%e6%99%af%e8%a6%b3%e3%83%bb%e5%8c%97%e6%b5%b7%e9%81%93%e3%81%ae%e8%b2%9d100%e4%b8%87%e6%9e%9a%e3%82%82%e7%84%a1%e8%a8%80%e5%8f%82%e5%8a%a0-%e6%b7%a1%e8%b7%af","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=39949","title":{"rendered":"\u3010\u97f3\u697d\u7684\u666f\u89b3\u30fb\u5317\u6d77\u9053\u306e\u8c9d100\u4e07\u679a\u3082\u7121\u8a00\u53c2\u52a0 \u6de1\u8def\u5922\u821e\u53f0-6\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Musical landscape, 1,000,000 shells from Hokkaido also silently participate in Awaji Yumebutai – 6
\nA million scallop shells from Okhotsk, far from their hometown, demonstrate their fundamental power in the restoration of nature in Awaji. A heart-warming exchange between the Kansai region and Hokkaido. …<\/p>\n

From the perspective of people in Hokkaido, Tadao Ando’s reputation is divided. At a time when Hokkaido was desperately trying to create highly insulated and airtight housing as a regional social movement, he was almost indifferent to thermal insulation and the like, and was pursuing the “aesthetic expression of the surface after it is released” from the formwork by leaving the concrete untouched. The information is like “pounding with a gun” for the sake of beauty. The sense of distance between the two, as if the insulating properties were not a priority.
\nWe also hear fragmentary rumors that the owners of Ando’s houses are shivering from the cold. I have actually seen a photo taken by thermal imaging showing warm air rising “straight and perpendicular” to the house. Almost an outdoor thermal environment. It seemed to me that this was a way of thinking about the thermal environment space in a different dimension.
\nOn the other hand, however, I also came across some facts that gave me a different impression from such information. For example, at Awaji Yumebutai, one million scallop shells that were discarded at a canning factory in Okhotsk, Hokkaido, are now reverberating with the afterglow of a second life, forming a fundamental landscape at the bottom of a 10,000 m2 water surface. It could be taken as an emissary from the nature of Hokkaido descending to Awaji. It is unclear why Mr. Ando’s design philosophy led him to focus on scallop shells as the greatest hidden hope for the restoration of Awaji Island’s topography, simply as a symbol of nature’s rebirth, or whether a larger meaning moved him. But as a Hokkaido native, he shows us this kind of “trick of the mind” that makes us feel a certain kind of excitement.
\nAt the same time that I feel a sense of discomfort, I can’t help but feel a certain passion as an architect that appeals to my inner self. It is truly a dichotomous and ambivalent work. The photo above shows scallops in Hokkaido, which seem to be rustling at the bottom of the water. It is as if to say, “Oh, they are living a new life far away from Okhotsk.<\/p>\n

This is a space named “Water Garden. The thought that the scallops of Okhotsk are softening the sound of the water as they think of their faraway homeland at the bottom of the water just adds to the emotion. I like that kind of strategy. The whispering of a million scallops seems like a fitting way to restore the destroyed natural environment.<\/p>\n

Not only at the bottom of the water, but everywhere you notice scallops covering the ground. It makes me feel very happy and grateful that Hokkaido is helping, even if only a little, to appeal to the mentality of people in the Kansai region and to be utilized in this way.<\/p>\n

In addition, a cross is cut into the bottom of such water, and the chapel space is located at the “bottom of the lake”. The light from the bottom of the lake is reflected on the wall screen as a religious form of a cross. This sense of form that evokes a sense of fluctuation makes us strongly aware of nature, even though concrete, a man-made material, is used.
\nThe Kansai region and Ando’s architectural works are both uncomfortable, but at the same time, there is a strong sense of affinity (laugh).<\/p>\n","protected":false},"excerpt":{"rendered":"

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