{"id":39893,"date":"2023-03-01T05:25:10","date_gmt":"2023-02-28T20:25:10","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39893"},"modified":"2023-03-02T20:02:12","modified_gmt":"2023-03-02T11:02:12","slug":"%e3%80%90%e5%ae%89%e8%97%a4%e5%bf%a0%e9%9b%84%e3%83%bb%e5%bb%ba%e7%af%89%e3%81%a8%e9%a2%a8%e6%99%af%e3%81%ae%e3%83%95%e3%83%a5%e3%83%bc%e3%82%b8%e3%83%a7%e3%83%b3-%e6%b7%a1%e8%b7%af%e5%a4%a2%e8%88%9e","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=39893","title":{"rendered":"\u3010\u5b89\u85e4\u5fe0\u96c4\u30fb\u5efa\u7bc9\u3068\u98a8\u666f\u306e\u30d5\u30e5\u30fc\u30b8\u30e7\u30f3 \u6de1\u8def\u5922\u821e\u53f0-4\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Tadao Ando, Fusion of Architecture and Scenery, Awaji Yumebutai – 3
\nI was surprised to learn that it was Ando’s architecture when I arrived and saw it (laugh). The rapid-fire barrage of vertical and horizontal concrete spaces that thoroughly exploit the gaps between them. The first time I saw it, I knew it was Ando’s architecture (laughs).<\/p>\n

In fact, the entire lodging itinerary for this trip to Awaji Yumebutai was selected and arranged by my wife. Before embarking on this trip, I had only expressed my wish to stay at the Miki Family Residence in Tokushima. Until we arrived at Kansai International Airport and crossed the Akashi Strait in a rented car, I was unaware that our destination for the first day was Awaji Yumebutai, an architectural environment designed by Tadao Ando (laugh). (Laughs.) Since I was in a hurry until the last minute, I did not have time to consult with my wife, and the most important thing was to make her happy. I was just the chaperone. As we got closer to the site, I learned more information and became interested in the island, which was an embarrassing development.
\nCome to think of it, my wife had led me to visit the Chichu Art Museum on Naoshima Island a few years ago, so I was enjoying the simple experience of the built environment without thinking much about it.
\nI left Sapporo early in the morning and drove a long distance, so I went to a hotel and slept early at night. My wife was so excited that she walked around the Yumebutai at night, saying, “What a waste of time! She was so excited that she said, “Oh my God, it’s so nice! I had an early start in the morning, so after a quick search of the area, I walked around after breakfast. I had no prior knowledge of the “Hyakudanen” (the first photo), which is a concrete plot with flowers from all over the world planted in a distributed manner. You can interact with the architectural space straight away by feeling it with your own eyes and body. It is difficult to define the concept of whether the space of this dream stage is architecture or not. The sense that the landscape is cut horizontally and vertically using concrete as a means of architecture in the 20th century is strongly felt.<\/p>\n

I had almost no prior knowledge or information. I was facing Ando’s architecture with a simple physical sensation, without the imprint of the urban guerrilla-like “to live is to endure” style (laugh).
\nOh, and the children’s song melody of “A Winter’s Night” played low in the passage between the hotel and the building, harmonizing perfectly with the space. It was a spatial experience that also mobilized music. Even now, the melody and the sense of scenery are imprinted in my memory as one. It was a complete tactical victory for the hotel. They got me (laughs).<\/p>\n","protected":false},"excerpt":{"rendered":"

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