{"id":39350,"date":"2023-01-17T06:18:00","date_gmt":"2023-01-16T21:18:00","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=39350"},"modified":"2023-01-17T09:45:33","modified_gmt":"2023-01-17T00:45:33","slug":"%e3%80%90%e4%b8%96%e7%95%8c%e3%81%8c%e9%a9%9a%e6%84%95%e3%81%97%e3%81%9f%e6%b5%ae%e4%b8%96%e7%b5%b5%e6%96%87%e6%98%8e-1-%e6%b1%9f%e6%88%b8%e6%9c%9f%e3%83%bb%e6%88%bf%e7%b7%8f%e7%94%ba%e5%ae%b6-10","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=39350","title":{"rendered":"\u3010\u4e16\u754c\u304c\u9a5a\u6115\u3057\u305f\u6d6e\u4e16\u7d75\u6587\u660e-1 \u6c5f\u6238\u671f\u30fb\u623f\u7dcf\u753a\u5bb6-10\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

Ukiyo-e Civilization that Astonished the World -1 Edo Period, Boso Townhouse-10
\nEuropeans were horrified by the culture shock of Ukiyo-e paintings being used as packaging cushioning material (laugh). Nippon, a society leading the popularization of art. …<\/p>\n

The most soul-stirring store in the village of Boso is a machiya store that is an exquisite example of Edo culture. I would like to introduce Katsushikado, a “book and tile edition” store. Our main area of business, publishing, cannot be described without referring to the great rise of Ukiyo-e culture in Edo, the great revolution in popular culture. As someone who has spent a major part of my life in publishing, I was thrilled to have the opportunity to visit this type of store, built as a machiya (traditional townhouse).
\nThe following is a brief history of publishing, especially woodblock printing, from the website of Takezasa-do, one of Kyoto’s forerunners in this field.
\n\u301cThe Edo period (1603-1868) was a time of peace and prosperity as Ieyasu united the warring states, and the center of culture shifted to the townspeople. In the beginning of the Edo period, commercial publishing took place in Kyoto, and “bookstores” that dealt in books were born. In no time, numerous bookstores lined the streets of the city, followed by the appearance of bookstores in Osaka, which fostered a publishing culture in the Kamigata region. During the Kan’ei period (1624-1645), bookstores also opened in Edo. Tsutaya Shigesaburo, who later became a major publisher of nishiki-e prints by artists such as Kitagawa Utamaro, a master of beautiful women paintings, and Toshusai Sharaku, a prodigy of actor pictures, also had a bookstore in Yoshiwara. \u301cThe first woodblock print shop in Yoshiwara was established by Tsutaya Shigsaburo.
\n\u301cEstablishment of Traditional Woodblock Printing Techniques In order to produce large quantities of prints in a limited amount of time and at a limited cost, the ukiyo-e woodblock printing method was simplified to eliminate waste and create the unique composition and color expression unique to ukiyo-e woodblock prints. The production process was differentiated, and a three-person division of labor system was established, with the “painter” drawing the preliminary sketches, the “engraver” engraving the plates, and the “printer” printing the colors, each working as a specialist. Katsushika Hokusai and Kitagawa Utamaro, both well-known artists, were either employed by major publishers or worked independently. Japanese woodblock multicolor printing, with its unique materials, colors, and expressions, was the world’s most advanced technique at the time. The technique later influenced many artists, including Van Gogh, and astonished the world. Trivia: Japan’s advanced woodblock printing technology became known to the world when woodblock prints that failed to print were shipped across the sea as buffer material for other exports such as ceramics and porcelain. ~.<\/p>\n

The casual fact that ukiyo-e prints were used as packing materials for paper scraps is surprising in its permeation of popular art in the Edo period society. In contrast to European art, which had been a form of religious art or an object of service to the aristocracy’s lifestyle, Japanese woodblock-printed art, which was used carelessly as paper scraps, was a civilized wonder, and as a Japanese, I am proud to say that it brought about a sense of wonder. In the not-so-affluent lives of city dwellers, polychromatic paintings were still displayed in each household and provided a topic of conversation for the family dinner table. The paintings were often about travel or gossip about famous Kabuki stars, depending on the theme of the painting (laugh), and they added a lot of color to the peaceful family life. Of course, the high literacy rate in Japan meant that people probably had to learn and gather information from printed books, but the ease of understanding provided by multicolor printing had a powerful impact on people’s hearts. I myself am of the first generation to be imbued with the visual culture of television, but I suspect that the people who first came into contact with the Ukiyo-e culture of the Edo period were of a similar generation that experienced a cultural revolution. I love this atmosphere.<\/p>\n","protected":false},"excerpt":{"rendered":"

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