{"id":38497,"date":"2022-10-23T09:08:32","date_gmt":"2022-10-23T00:08:32","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=38497"},"modified":"2022-10-24T19:38:37","modified_gmt":"2022-10-24T10:38:37","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e5%af%a9%e7%be%8e%e6%84%9f%e3%81%a8%e5%bb%ba%e7%af%89%e3%80%8c%e9%a2%a8%e5%9c%9f%e3%80%8d%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=38497","title":{"rendered":"\u3010\u65e5\u672c\u4eba\u306e\u5be9\u7f8e\u611f\u3068\u5efa\u7bc9\u300c\u98a8\u571f\u300d\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Japanese Aesthetic Sense and Architectural “Climate
\nThe unique place name of Yotei (Shiribeshi), which appeared in Japanese history during the expedition of Abenohirau. The Japanese reverence for independent volcanic landforms. Its far-reaching influence on architecture. …<\/p>\n

It’s been a week of traveling from Sapporo to Sendai to Tokyo starting today.
\nI have been on the move a lot.
\nI have been on the move a lot, but sometimes I have to follow in the footsteps of my father and his ancestors, and as a result, I have a strong impression that I am more of a mobile exchange type of person.
\nI have the impression that I am more of a mobile person than a peasant person.
\nI sometimes wonder if blood is no longer blood (laughs).<\/p>\n

When you move around, you experience different landscapes in each region.
\nThe biggest landscape experience for Japanese people is the “mountain worship” of independent volcanoes such as Mt.
\nFuji, the biggest part of Japanese people’s landscape experience is the aesthetic sense rooted in “mountain worship” toward independent volcanoes.
\nThe photo above shows Mt. Yotei, the symbol of the Niseko area in Hokkaido.
\nIt has a unique position among the surrounding areas and is a symbol of the region.
\nThe name “Yotei” was written in Chinese characters as the name of a place when Abenohirau, a military commander and local powerful family, invaded Hokkaido during the reign of the Emperor Tenchi-period.
\nThe Chinese characters used to write “backward yotei” and to read “shiribeshi” were the first time in Japanese history that the word “shiribeshi” appeared on the historical stage.
\nThis was the first time in Japanese history that a place name was written in Chinese characters and read as “Shiribeshi”.
\nThe Yamato regime’s authentic historical records also show a unique sense of Mt.
\nIt is said that the word “back” was euphemized as “shiri,” the human body, but if this was the case, why was the word “beshi” used for Mt.
\nIf this is the case, it is not clear why the word “beshi” is used for “yotei.
\nI am not sure if there was an Ainu place name as the origin of the word….
\nBut the Japanese have an imprinted memory of the mountainous terrain that symbolizes the western Ezo region.
\nThe beauty of this unique independent volcano is one of the attractions that attract many Westerners and Asians to the region today.
\nI believe that the beauty of this unique independent volcano must also be a contributing factor.
\nFuji, this is probably the only mountain in Japan north of Mt.<\/p>\n

On the other hand, Japanese architecture has been pursuing the aesthetics of roofs as a response to the rainy climate.
\nI believe that the aesthetics of roofs have been pursued.
\nThe photo below is a rural stage at a “Boso no Mura” village I once saw.
\nOn this stage, people sit in the plaza, and performing arts are performed during festivals and other events.
\nThe stage culture that conveyed the atmosphere of fashion from the capital was diffused.
\nHowever, more than this, the stage, as a “space for showing,” was pursued to expand horizontally.
\nIn this stage architecture, the left and right spaces are “skipped,” perhaps six ken wide.
\nThe horizontal impression is emphasized by omitting the pillars.
\nThe thick beams are visible as structural reinforcement.
\nAs a subconscious synchronicity, one can make an analogy with the independent volcanic topography.
\nFrom there, the roof shape was determined as a result of architectural physics and rainproofing considerations.
\nThe angle of inclination was determined as an appropriate “fit.
\nIt seems that the shape of the free-standing volcano was selected from the subconscious at that time.
\nOr, rather, a very straightforward choice based on physics is also in sync with nature.<\/p>\n

After all, the sense of “normal” selected in the climate has a very high probability
\nI have come to the conclusion that there is a very high probability that the sense of “normal” selected in the climate has been entrusted to it.<\/p>\n","protected":false},"excerpt":{"rendered":"

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