{"id":37687,"date":"2022-08-19T05:40:44","date_gmt":"2022-08-18T20:40:44","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37687"},"modified":"2022-08-22T18:34:28","modified_gmt":"2022-08-22T09:34:28","slug":"%e3%80%90%e3%82%82%e3%81%ae%e3%81%a5%e3%81%8f%e3%82%8a%e3%81%ae%e3%80%8c%e7%94%a8%e3%80%8d%e3%82%ad%e3%83%aa%e3%82%a2%e3%82%b2%e3%83%8b%e3%82%b1%e3%82%a8-%e3%80%8c%e8%b5%a4%e5%9f%8e%e5%9e%8b%e3%80%8d","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37687","title":{"rendered":"\u3010\u3082\u306e\u3065\u304f\u308a\u306e\u300c\u7528\u300d\u30ad\u30ea\u30a2\u30b2\u30cb\u30b1\u30a8 \u300c\u8d64\u57ce\u578b\u300d\u990a\u8695\u6c11\u5bb6-2\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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\n\uff1c\uff12\u756a\u76ee\u306e\u5199\u771f\u306f\u5bae\u5185\u5e81\u304b\u3089\u516c\u958b\u306e\u5929\u7687\u3054\u4e00\u5bb6\u306e\u300c\u990a\u8695\u300d\u4f5c\u696d\uff1e<\/p>\n

English version\u2b07<\/p>\n

[The “use” of manufacturing Kiriagenikee “Akagi type” sericultural folk houses – 2
\nA view of the house as a folk custom. The “use” of the local economy and production activities of daily life is reflected in the design and the proportions are sharpened. …<\/p>\n

The “Mingei” movement is a movement to abstract the concept of “beauty of use” from the folklore of Japanese architecture and daily utensils.
\nand abstracted the concept of “beauty of use” from them
\nThe Mingei movement has imprinted the concept of “beauty of use” as a universal, unique value in the archipelago society on the Japanese people.
\nAlthough I myself have never been consciously interested in this movement
\nI have not been consciously interested in this movement myself, but I have been exploring the Honshu region for news gathering and other purposes.
\nI have been exploring the Honshu region for news gathering and other purposes, and have naturally become familiar with the old private house as a root of the movement.
\nThrough this experience, I have come to see them as a guidepost for good housing.
\nAs a result, as I traveled around Japan visiting old private houses in various parts of the country
\nAs I explored the unique houses in each area, which are considered to be the object of preservation
\nI gradually realized that the objects I was visiting gradually overlapped with the “Mingei” point of view.
\nConsidering this, the preservation of old private homes itself may be one of the social achievements of the Mingei movement.
\nA few years ago, I also visited the Japan Folk Art Museum in Komaba, Tokyo, to learn more.
\nHowever, the current situation is that the recognition of mingei has been cut off at the Tsugaru Strait, and Hokkaido has been neglected.
\nHowever, it has been several years since Ainu folklore was recognized as Hokkaido’s “folk art.
\nWell, what do you think about this point?\u3000It is what it is.
\nFrom the standpoint that highly insulated and airtight houses are the modern “folk art,” there are some doubts.<\/p>\n

The Sekine House, an old private house relocated to Omuro Park in Gunma Prefecture, is said to be an old private house that architectural scholar
\nWajiro Kon (1888-1973), an architect with deep insight into folklore, admired the “beauty of use” of this old private house.
\nHe said, “This house has a thatched roof with a square cut off in the center of the front part of the girder.
\nHe said, “This research has led me to discover a new type of minka. I think it should be called the Akagi type.
\nThis is said to be the origin of the name of the house type classification.
\nThe local people commonly referred to it as follows.
\nKiriage-nikee, kiriotoshi-nikee, kiriage-segai, anahisashi.”
\nNikee, as you can imagine, is a dialectal rendering of “second floor.
\nThis name is much more resonant, but as a scholar, I guess it is the Akagi type.
\nIn any case, the “sericultural space” on the second floor plays a leading role.
\nThe atmosphere of the site of raw silk, a representative product of the region, is strongly felt.
\nIn the Meiji period (1868-1912), sericultural industry flourished and exported large quantities of high-quality raw silk.
\nSericultural industry and silk yarn were emphasized as “foreign currency earning industry” and laid the foundation of Japan’s modernization.
\nWajiro Kon also wrote, “I am interested in the influence of sericulture and people’s activities on the way of living and the form of buildings, and how they are related to each other.
\nHe was also interested in how sericulture and people’s activities affected the way they lived and the shape of buildings.
\n\uff1c(From the materials of the tour of the former Sekine Residence, an Important Cultural Property designated by Maebashi City in October 1998.
\nI completely agree with Mr. Kon Wajiro’s words.
\nThe proportions of the building were created according to the shape that the use demanded.
\nThe proportions have been sharpened in an unobtrusive manner. I have a very deep impression of this.
\nIn this open space on the second floor, silkworms are eating mulberry leaves without thinking.
\nthe local industry took root in a big way. But I feel a sense of pride in this place.
\n.<\/p>\n","protected":false},"excerpt":{"rendered":"

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