{"id":37562,"date":"2022-08-07T06:08:13","date_gmt":"2022-08-06T21:08:13","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37562"},"modified":"2022-08-08T19:33:05","modified_gmt":"2022-08-08T10:33:05","slug":"%e3%80%90%e6%b8%85%e6%99%82%e4%bb%a3%e3%81%ae%e7%b5%b5%e7%94%bb%e3%80%8c%e6%85%b6%e8%b1%8a%e5%9b%b3%e5%b7%bb%e3%80%8d1740%e5%b9%b4%e4%bb%a3%e3%81%ae%e5%8c%97%e4%ba%ac%e5%b8%82%e8%a1%97%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37562","title":{"rendered":"\u3010\u6e05\u6642\u4ee3\u306e\u7d75\u753b\u300c\u6176\u8c4a\u56f3\u5dfb\u300d1740\u5e74\u4ee3\u306e\u5317\u4eac\u5e02\u8857\u3011"},"content":{"rendered":"

\"\"<\/a>
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\n\u4e2d\u56fd\u7248\u30fb\u6d1b\u4e2d\u6d1b\u5916\u56f3\u304b\u3089\u3001\u6642\u4ee3\u306e\u7a7a\u6c17\u611f\u3082\u8aad\u3093\u3067\u307f\u305f\u3044\u3002<\/p>\n

English version\u2b07<\/p>\n

Qing Dynasty painting “Qingfeng Scroll,” City of Beijing in the 1740s.
\nA Qing Dynasty version of the painting “Scenes in and around the City of Beijing”. The architecture and districts, as well as the general “customs” of the people who lived in the era, overflow onto the screen. A trip through time and space. The work is a short trip through time and space.<\/p>\n

The Chinese military is now blockading Taiwan, firing live ammunition into the surrounding area and continuing to intimidate the Taiwanese people who greeted Pelosi.
\nThe Chinese military is now blockading Taiwan, firing live ammunition around the island, and continuing to intimidate the Taiwanese people who welcomed Pelosi.
\nIt is an insane “national” posture that stoutly adds argument to those who are weaker than oneself.
\nIt is an insane “national” posture like Gian of the cartoon.
\nIt can be said that the danger of the Chinese nation of the communist dictatorship was exposed to the whole world.<\/p>\n

In such a situation, the Tokyo National Museum is holding a special digital exhibition
\nThe special digital exhibition “The World of NPM” is currently being held at the Tokyo National Museum.
\nCompared to a normal exhibition, however, the size of the exhibition space is only about 1\/4 of that of a regular exhibition.
\nOne wonders how it came to be held on such a small scale.
\nThe exhibition of VR images of the Palace Museum and the Forbidden City was also held using Japanese letterpress printing technology, so I wonder what kind of artistic diplomacy was involved.
\nIt would be interesting to know how the artistic diplomacy was conducted.
\nSo far, no information has emerged in this area, but we will keep a close eye on it in the future.
\nThe Tokyo National Museum has decided that this digital VR exhibition alone is not good enough.
\nThe Tokyo National Museum, however, thought it would be a bad idea to hold a concurrent exhibition titled “Calligraphy, Painting, and Crafts of the Qing Dynasty Court.
\nThe museum also exhibited actual works of art from the Qing court that are in the Tokyo National Museum’s collection and under its management.
\nThere are many opportunities to see Japanese and Western paintings in Japan.
\nJapanese and Western paintings are often seen in Japan, and the collection in Japan is very diverse and large.
\nOn the other hand, there are few opportunities to come into contact with Chinese paintings in Japan.
\nPerhaps it was because the exhibition itself was very lonely.
\nI was allowed to take plenty of photographs, as I had full permission to do so.
\nAmong them, the “Qing Feng Scroll” painted in the Qing Dynasty of China was wonderful.
\nThe theme of the painting was the bustling city of Beijing during the New Year in 1760.
\nThe people were prosperous because of the emperor Qianlong’s rule, as in a traditional dictatorship.
\nThe work is openly intended to be a disgusting “manipulation” of the people’s wealth.
\nAs an art appreciator, I do not want to listen to the pretensions of the rulers (laugh).
\nThe “Qingfeng Scroll” is more than 5 meters long, and depicts the bustle of the gorgeous city of Beijing in great detail.
\nThe preamble is a poem by Liang Shi-zheng, a calligrapher and senior official of the Qing Dynasty, written by the Ch’ien-lung Emperor himself.
\n(See the third photo.) Here is a poem that celebrates the full moon.
\n(See the third photo.) Here we can see phrases celebrating the full moon and the words “the imperial capital.\u2028Based on the above, this long scroll is dated to the
\nThe theme of this long scroll is the Japanese “Lantern Festival” in Luochu.<\/p>\n

Thematically, it is probably similar to the “Rakuchu Rakugai-zu” in Japan.
\nIn Japan, it is depicted as a sliding door painting, but in China, it is a long scroll representation.
\nIn Rakuchu-Rakugai-zu, bridges over the Kamo River and famous places of interest are depicted.
\nThe Raku-chu-Rakugai-zu depicts architecture, human figures, and customs. Although we do not know the specifics of the places of interest
\nbut it seems that the intent of this “Keiho” scroll is the same as this one.
\nThe gate, the fence around the building in the style of a shikai-in (a traditional Japanese-style house), and the exterior appearance of the building are interesting.
\nThe roads are also represented as a stage with very wide avenues.
\nAlthough horses of various sizes and heights are depicted as means of transportation, the smaller ones do not appear to be horses at all.
\nThe smaller one is not a horse, but seems to be a different animal species. The smaller one is not a horse at all, but seems to be a different animal species.
\nI would like to read the atmosphere of the period from the Chinese version of Rakuchu-Rakugaizu.<\/p>\n","protected":false},"excerpt":{"rendered":"

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