{"id":37524,"date":"2022-08-02T05:31:17","date_gmt":"2022-08-01T20:31:17","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37524"},"modified":"2022-08-03T09:53:12","modified_gmt":"2022-08-03T00:53:12","slug":"%e3%80%90%e8%87%aa%e5%88%86%e3%81%8c%e5%ae%87%e5%ae%99%e4%b8%ad%e5%bf%83%e3%83%bb%e4%b8%ad%e8%8f%af%e6%80%9d%e6%83%b3%e3%81%ab%e3%80%8c%e8%be%9f%e6%98%93%e3%81%99%e3%82%8b%e3%80%8d%e8%ab%b8%e5%9b%bd","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37524","title":{"rendered":"\u3010\u81ea\u5206\u304c\u5b87\u5b99\u4e2d\u5fc3\u30fb\u4e2d\u83ef\u601d\u60f3\u306b\u300c\u8f9f\u6613\u3059\u308b\u300d\u8af8\u56fd\u6c11\u3011"},"content":{"rendered":"<p><a href=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0488.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37525\" src=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0488.jpg\" alt=\"\" width=\"525\" height=\"377\" srcset=\"https:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0488.jpg 525w, https:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0488-300x215.jpg 300w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a><br \/>\n<a href=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0489.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37526\" src=\"http:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0489.jpg\" alt=\"\" width=\"525\" height=\"272\" srcset=\"https:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0489.jpg 525w, https:\/\/kochihen.replan.ne.jp\/blog2\/wp-content\/uploads\/2022\/08\/0489-300x155.jpg 300w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a><br \/>\n\u3044\u307e\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u3067\u958b\u304b\u308c\u3066\u3044\u308b\u300c\u6545\u5bae\u306e\u4e16\u754c\u300d\u5c55\u3002<br 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\/>\n\u3059\u3067\u306b\u65e5\u672c\u4eba\u306b\u5bfe\u3057\u3066\u53cb\u597d\u3092\u793a\u3059\u4f59\u88d5\u3082\u5931\u3063\u3066\u3044\u308b\u3088\u3046\u306b\u611f\u3058\u3089\u308c\u308b\u3002<br \/>\n\u4eca\u56de\u5c55\u793a\u306b\u3064\u3044\u3066\u306f\u4e0d\u6b63\u5e38\u306a\u6c7a\u5b9a\u7d4c\u7def\u3060\u3063\u305f\u3068\u3082\u5074\u805e\u3059\u308b\u3002<br \/>\n\u53f0\u6e7e\u6545\u5bae\u306b\u306f\u30ea\u30b9\u30da\u30af\u30c8\u3082\u611f\u3058\u3055\u305b\u3089\u308c\u305f\u3051\u308c\u3069\u3001<br \/>\n\u65e5\u672c\u4eba\u306e\u591a\u304f\u306f\u4eca\u56de\u306e\u5317\u4eac\u6545\u5bae\u5c55\u793a\u306b\u5bfe\u3057\u3066\u3001\u307b\u3068\u3093\u3069\u898b\u306b\u884c\u304b\u306a\u3044\u3068\u3044\u3046<br \/>\n\u660e\u78ba\u306a\u610f\u601d\u8868\u793a\u3092\u793a\u3057\u3066\u3044\u308b\u3068\u601d\u3046\u3002<br \/>\n\u308f\u305f\u3057\u306f\u3053\u3053\u307e\u3067\u9591\u6563\u3068\u3057\u305f\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u5c55\u793a\u306b\u306f\u3058\u3081\u3066\u51fa\u4f1a\u3063\u305f\u30fb\u30fb\u30fb\u3002<\/p>\n<p>English version\u2b07<\/p>\n<p>[People who are &#8220;fed up&#8221; with their own cosmocentric and Chinese ideology.<br \/>\nI felt the power of culture and art in the calligraphy of the National Palace Museum of Taiwan and the Chinese Emperor Yan Zhenqing, but unfortunately I could not sympathize with the CG of the Forbidden City architecture from the Beijing government. &#8230;<\/p>\n<p>The &#8220;World of NPM&#8221; exhibition is currently being held at the Tokyo National Museum.<br \/>\nThis year is the 50th anniversary of the normalization of diplomatic relations between Japan and China.<br \/>\nThe exhibition is being held as a &#8220;proof of friendship&#8221; in the field of culture and art.<br \/>\nIn February 2019, the Tokyo National Museum held a special exhibition, &#8220;Eon Shin-kyo: The Master Brush beyond Wang Xizhi&#8221;<br \/>\nwas held at the museum. It exhibited the &#8220;Festival Niece Manuscript&#8221; and other works on loan from the National Palace Museum in Taipei, and<br \/>\nThe exhibition was so popular that visitors lined up for more than an hour even on weekdays.<br \/>\nI went to the Tokyo National Museum as a matter of habit, and found that almost all of the visitors were from mainland China.<br \/>\nI was so impressed by the long line of visitors, almost all of whom were from mainland China, that I decided to go to the Tokyo National Museum to see the exhibition.<br \/>\nI was not that interested in the calligraphy of the great Chinese master, so I was surprised at the long line and left the museum.<br \/>\nI was surprised by the long line and left the museum.<br \/>\nI was surprised by the line and left the museum, because I was not that interested in the book.<br \/>\nI thought that the style of writing in which he wrote about his feelings of grief and indignation was very moving to the people of China.<br \/>\nThe Chinese people are said to be so moved by the brush strokes that they are eager to see it at least once before they die.<br \/>\nIt is true that I could strongly feel such psychological fluctuation in his brush strokes, and it was as if he had sunk deep into the Chinese mind.<br \/>\nI was able to infer that there must be something precipitated deep in the mind of the Chinese people.<br \/>\nAnd since the National Palace Museum in Taiwan preserves these works as national treasures, or rather as the pride of the Republic of China (Taiwan)<br \/>\nTherefore, the Chinese people on the mainland have an extremely high barrier to visit the museum.<br \/>\nThe fact that it was exhibited in Japan, a third-party country, attracted many Mainlanders to the exhibition.<br \/>\nThe people&#8217;s hearts and minds transcended national borders and were sympathetic.<br \/>\nOf course, Japan does not have exactly the same kind of cultural and artistic works.<br \/>\nHowever, I was able to feel a sense of respect for their sentiments.<\/p>\n<p>On the other hand, this exhibition was held at the Forbidden City and the National Palace Museum in Beijing.<br \/>\nMost of the national treasures are in the Forbidden City in Beijing and the National Palace Museum in Taiwan, so there is a lack of such exhibits.<br \/>\nI had heard from some sources that there were not enough exhibits of such treasures in the Forbidden City.<br \/>\nI had been wondering what on earth would be exhibited.<br \/>\nI was curious about what would be exhibited in the Forbidden City and the National Palace Museum.<br \/>\nThe architecture of the Forbidden City and the National Palace Museum are the best exhibits after all.<br \/>\nThis must be the reason why they offered it as an exhibit at the National Museum of Japan.<br \/>\nThe so-called &#8220;Chinese idea&#8221; is that the Chinese emperor sits at the center of the world like the North Star, the center of the universe.<br \/>\nThe so-called &#8220;Chinese idea&#8221; is to make the people of the world bow down by declaring that the Chinese emperor is the center of the world, like the North Star, the center of the universe.<br \/>\nIt is an idea that has little regard for how other peoples feel about it.<br \/>\nthe psychology of other peoples.<br \/>\nHistorically, what kind of relationship should Japan maintain with such a powerful entity?<br \/>\nIt is clear that this has been a major undercurrent of history.<\/p>\n<p>And as the recent Xi Jinping regime has taken dictatorship to the extreme, it is clear that Japan can no longer afford to show friendship to the Japanese.<br \/>\nI feel that the Xi Jinping regime has already lost the luxury of showing friendship to the Japanese people.<br \/>\nI have heard that the decision to hold the exhibition at the NPM was made in an inappropriate manner.<br \/>\nAlthough I felt some respect for the National Palace Museum in Taiwan<br \/>\nI think that many Japanese people have clearly expressed their intention not to visit the Beijing NPM exhibition.<br \/>\nI think that many Japanese have clearly expressed their intention not to visit the Beijing NPM exhibition.<br \/>\nI have never seen such a deserted exhibition at the Tokyo National Museum&#8230;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u3044\u307e\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u3067\u958b\u304b\u308c\u3066\u3044\u308b\u300c\u6545\u5bae\u306e\u4e16\u754c\u300d\u5c55\u3002 \u3053\u3068\u3057\u306f\u65e5\u4e2d\u56fd\u4ea4\u6b63\u5e38\u531650\u5468\u5e74\u3060\u305d\u3046\u3067\u3001\u305d\u308c\u3092\u7948\u5ff5\u3059\u308b\u30a4\u30d9\u30f3\u30c8\u3068\u3057\u3066 \u6587\u5316\u82b8\u8853\u5206\u91ce\u3067\u306e\u300c\u53cb\u597d\u306e\u8a3c\u300d\u3068\u3057\u3066\u884c\u308f\u308c\u3066\u3044\u308b\u306e\u3060\u308d\u3046\u3002 2019\u5e742\u6708\u306b\u306f\u6771\u4eac\u56fd\u7acb\u535a\u7269\u9928\u3067\u7279\u5225\u5c55 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"\u3010\u81ea\u5206\u304c\u5b87\u5b99\u4e2d\u5fc3\u30fb\u4e2d\u83ef\u601d\u60f3\u306b\u300c\u8f9f\u6613\u3059\u308b\u300d\u8af8\u56fd\u6c11\u3011\r\n\u53f0\u6e7e\u6545\u5bae\u30fb\u9854\u771f\u537f\u306e\u66f8\u306b\u306f\u6587\u5316\u82b8\u8853\u306e\u30d1\u30ef\u30fc\u3092\u611f\u3058\u305f\u304c\u3001\u5317\u4eac\u653f\u5e9c\u304b\u3089\u306e\u7d2b\u7981\u57ce\u5efa\u7bc9CG\u306b\u306f\u6b8b\u5ff5\u306a\u304c\u3089\u5171\u611f\u3057\u3088\u3046\u304c\u306a\u304b\u3063\u305f\u3002\u30fb\u30fb\u30fb","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,19],"tags":[22],"class_list":["post-37524","post","type-post","status-publish","format-standard","hentry","category-the-publisher","category-19","tag-replan"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9MKWA-9Le","_links":{"self":[{"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/37524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37524"}],"version-history":[{"count":2,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/37524\/revisions"}],"predecessor-version":[{"id":37540,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=\/wp\/v2\/posts\/37524\/revisions\/37540"}],"wp:attachment":[{"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kochihen.replan.ne.jp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}