{"id":37458,"date":"2022-07-25T05:37:19","date_gmt":"2022-07-24T20:37:19","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37458"},"modified":"2022-07-27T19:20:17","modified_gmt":"2022-07-27T10:20:17","slug":"%e3%80%90%e4%ba%ba%e3%81%ae%e7%94%9f%e6%ad%bb%e3%81%8c%e9%87%8d%e3%81%ad%e3%82%8b%e9%99%b0%e5%bd%b1%e6%84%9f-%e5%a4%a7%e5%92%8c%e6%ad%b4%e5%8f%b2%e8%a8%bc%e8%a8%80-29%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37458","title":{"rendered":"\u3010\u4eba\u306e\u751f\u6b7b\u304c\u91cd\u306d\u308b\u9670\u5f71\u611f \u5927\u548c\u6b74\u53f2\u8a3c\u8a00-29\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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English version\u2b07<\/p>\n

A sense of shadows layered by the life and death of people Yamato Historical Testimony-29
\nAn old private house space composed only of natural light and natural materials. The overlapping of the lives and deaths of family members probably forms the mother of the mental landscape of the people. …<\/p>\n

This is the final installment of the series of old houses in the open-air exhibition at the Nara Prefectural Museum of Folklore.
\nI have visited many modern houses.
\nAs I get older, I am more and more attracted to the quiet “dialogue” in old private houses with the people I visit.
\nI don’t really know what that means to me, but I am fascinated by the atmosphere of the rooms, such as the one in the photo above.
\nFor example, I feel a strong sense of “shadow” in the atmosphere of the interior as shown in the photo above.
\nThe “opening” of a Japanese house is different from that of a Western window, which is a “door between doors.
\nIn the West, the opening is relatively voluntary as a “passageway for the wind.
\nIn Japan, openings are only allowed at intervals in the pillar structure.
\nInsulation and airtightness have been pursued only with painted wall finishes.
\nAs a result, lighting conditions have not been emphasized much, and a sense that the interior is dark has developed.
\nThe few openings that allowed light into the house were further shaded by the interior walls and fixtures.<\/p>\n

Perhaps this sense of shading is deeply ingrained in the Japanese people.
\nWhen something sad happens
\nWhen something sad happened, there existed a space where one could “cry softly” indoors.
\nAn open space is not enough to deal with this kind of emotional situation.
\nA dimly-lit darkness is the most appropriate.
\nI think the saddest thing was the death of a family member.
\nIn an old private house, such deaths are layered and imprinted on the space.
\nThe natural texture of the pillars and beams, the gradation created by the subtle unevenness of the painted walls.
\nThe fixtures and fittings also let the expression of the wood drift naturally into the room.
\nIn a word, the dead are absorbed into the shadows of the house.
\nThere is a sense that afterimages of the family’s life linger in the house.
\nAt a moment’s notice, a deep psychological stirring occurs, and a wistful tear rolls down the cheek.
\nThere is a sense that this kind of atmosphere is naturally transmitted to visitors.
\nEvery Japanese person shares this kind of experience in interior spaces.
\nAnd even on the exterior, traces of human life and death can be seen.
\nThe finishing materials naturally create expressions, and shadows are externalized.
\nThis kind of appearance may be naturally perceived by the interviewer.<\/p>\n

The design of the kitchen heating and cooking equipment, also known as “okudo-san,” in this group of open-air exhibition houses was wonderfully uniform.
\nThe design of the kitchens, also known as “okudo-san,” was quite uniform in this group of open-air exhibition houses.
\nThe houses were generally built in the Edo period (1603-1867).
\nI wondered if this kind of standardization had progressed in the Nara Basin area during this period.
\nI wanted to do some research, but I could not find any clues.
\nUnlike modern system kitchens, each house has a slightly different look.
\nAs well as being a cooking device, it was also made of clay, so it would have radiated heat in a relaxed manner.
\nIt is a basic device that sustains the lives of the family with food and warmth.
\nThe lingering visual experience still remains as an afterimage.<\/p>\n","protected":false},"excerpt":{"rendered":"

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