{"id":37285,"date":"2022-07-07T04:58:01","date_gmt":"2022-07-06T19:58:01","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37285"},"modified":"2022-07-08T09:57:41","modified_gmt":"2022-07-08T00:57:41","slug":"%e3%80%901800%e5%b9%b4%e5%89%8d%e3%83%bb%e6%97%a5%e6%9c%ac%e7%a4%be%e4%bc%9a%e3%81%ae%e3%80%8c%e3%83%9e%e3%83%84%e3%83%aa%e3%80%8d-%e5%a4%a7%e5%92%8c%e6%ad%b4%e5%8f%b2%e8%a8%bc%e8%a8%80-15%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37285","title":{"rendered":"\u30101800\u5e74\u524d\u30fb\u65e5\u672c\u793e\u4f1a\u306e\u300c\u30de\u30c4\u30ea\u300d \u5927\u548c\u6b74\u53f2\u8a3c\u8a00-15\u3011"},"content":{"rendered":"

\"\"<\/a>
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English version\u2b07<\/p>\n

Masks in Japanese Society 1,800 Years Ago: Yamato Historical Testimony-15
\nA symbol of agriculture, an ingenious mask was created by converting an oak stag beetle. Possessed by these masks, the Hatsugen “theater” rushed across the stage space at the foot of Miwa Mountain. Theatrical performance…<\/p>\n

Artifacts excavated from the Mato Mukai site at the eastern foot of the Nara Basin in northeastern Nara Prefecture.
\nSome of the excavated artifacts suggest the situation of “MATSUMATAI” as the basis of Japanese kingship.
\nAmong them, this wooden mask attracted my strong interest.
\nSimilar masks have been excavated at ruins in Hokkaido.
\nIt seems to have universality as a form of primitive “culture”.
\nHere, even the manufacturing process of the masks has been elucidated.<\/p>\n

The following is a summary excerpt from the explanation of the exhibition at the Sakurai Municipal Center for Archaeological and Cultural Properties.
\n\u301cOn the northwest side of the area around the residence area of the Momamukai site (considered to be a royal building), there is a road called “Tsuji Kawamichi.
\nThe remains of an old river channel called “Tsuji River Road” was found on the northwest side of the area around the residence area of the ~Momamukai site (considered to be a royal building). \uff1cA river channel is the part of a river where the water flows down.
\nUsually, it refers to the area enclosed by a levee or riverbank and the riverbed.
\nOn the south bank of the river, a large number of ritual piles (holes in which ritual implements were buried) were found concentrated.
\nAll of these piles were dug deep down to the water surface, and the holes were filled with earthenware and other diverse artifacts.
\nIn addition to earthenware, a variety of wood products and seeds were dumped into the pits in large quantities.
\nThe fact that many of the wooden artifacts were burnt and charred suggests the possibility of a ritual using water and fire.
\nThe wooden objects are thought to have been used in rituals that used water and fire.
\nAmong them was the oldest wooden mask in Japan. The Mukai site has been the site of many rituals and ceremonies.
\nNumerous wooden artifacts have been excavated at the Miamukai site.
\nIn addition to practical items such as building components and farming tools, the site also contains items of ritual significance.
\nAmong them, earthenware, basket-like products, vermilion-lacquered shield fragments, and a sickle handle were excavated from a clay pile dated to the first half of the 3rd century.
\nThe wooden mask was excavated from a clay pile dated to the first half of the 3rd century.
\nThis wooden mask is 26 cm long and 21.5 cm wide, just large enough to cover a human face.
\nIt is made of red oak, and was formerly made by converting a broad hoe (see drawing).
\n\uff08The mouth is made from a hole in the handle of a mulberry tree.
\nThe eyes were drilled with new holes, and the nose, which was left high and hollow, has an expression of a nasal cavity.
\nThe nose, which has been left high and uncut, also shows the nasal cavity. The eyebrows were carved in lines, and the area around the eyebrows was slightly covered with red pigment.
\nslight red pigment was adhered to the area around them.
\nThere were no holes for strings, and it can be assumed that the object was used by holding it in the hand.
\nThe fact that it is a symbolic tool used in rituals, and that it is clearly a conversion of a farming implement, suggests that the ritual itself is deeply related to agriculture.
\nIt is possible that the ritual itself was deeply related to agriculture. \u301cThe fact that the ritual itself may have been deeply related to agriculture.<\/p>\n

There is something deeply moving about this (laughs)….
\nThe fact that people wore masks and performed rituals is a sign of the “masked drama” that would come to be known in later times.
\nIn later generations, a cultural form called “masked drama” was born.
\nMasked theater is said to have come from China.
\nI wonder if such rituals were universal throughout East Asia.
\nThe masked dancers wear masks and dance as if they are possessed by something.
\nThe way they wore masks and danced as if they were possessed by something would probably have been deeply agreed upon and understood by the general public who witnessed the ritual.
\nThe scene of the possession drama would have been like this: “Oh, isn’t that the hoe we used to use until the other day?
\n(laugh)” It is easy to imagine a scene of a possession play.
\nIt was probably a laugh-out-loud kind of scene.
\nI can imagine the origin of “theater culture.
\nI can’t stop imagining myself dancing around the “stage” space freely and energetically with a divine possession.<\/p>\n","protected":false},"excerpt":{"rendered":"

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