{"id":37169,"date":"2022-06-23T07:59:53","date_gmt":"2022-06-22T22:59:53","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37169"},"modified":"2022-06-23T22:19:10","modified_gmt":"2022-06-23T13:19:10","slug":"%e3%80%90%e9%a3%9b%e9%b3%a5%e5%af%ba%e3%81%a8%e3%80%8c%e6%b1%a0%e5%b7%a5%e6%88%bf%e3%80%8d%ef%bc%86%e8%81%96%e5%be%b3%e5%a4%aa%e5%ad%90-%e9%a3%9b%e9%b3%a5%e6%ad%b4%e5%8f%b2%e8%a8%bc%e8%a8%80-4","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37169","title":{"rendered":"\u3010\u98db\u9ce5\u5bfa\u3068\u300c\u6c60\u5de5\u623f\u300d\uff06\u8056\u5fb3\u592a\u5b50 \u98db\u9ce5\u6b74\u53f2\u8a3c\u8a00-4\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Asukadera Temple, “Ike Kobo” & Prince Shotoku Asuka Historical Testimony-4
\nAsuka Daibutsu and the vivid process of its creation, which the boy Prince Shotoku gazed at with a sparkle. The introduction of Buddhism and the atmosphere of nation building. …<\/p>\n

This year is the 1,400th anniversary of the birth of Prince Shotoku.
\nThe announcement with a rather cute illustration is on the website.
\nThe Asukadera Temple also shows the relationship between the prince, who was a regent, and his minister, the Soga clan.
\nThe photo above shows Asuka-no-ike Kobo, which is only a few minutes’ walk from Asukadera Temple.
\nIt is really only a few minutes’ walk, or 200-300 meters in distance, so
\nIn today’s sense, it is like a Buddhist statue production factory is adjacent to the temple.
\nTherefore, Kurusaku Tomotoshi, who was responsible for the production of the Asuka Great Buddha, must have frequently traveled back and forth between the workshop and the temple.
\nRather than a scene of the production of Buddhist statues, a sublime and secretive matter in which the center of power is deeply involved, this is a scene of an idyllic manufacturing process.
\nThe workshop of this period was called “Buddhist statue workshop”.
\nI am assuming that the “Pond Studio” was the Buddhist statue studio of this period.
\nIt is my assumption that the “Pond Studio” was the Buddhist statue workshop of this period.
\nIt is more probable than thinking that there were other facilities other than this one where the most advanced technology of this period was concentrated.
\nCome to think of it, when it came time to put the Asuka Daibutsu inside the completed temple, there was a problem with the dimensions of the building and the Buddha statue itself.
\nWhen it came time to put the Asuka Giant Buddha into the completed temple, a discrepancy was found between the dimensions of the building and the main body of the Buddha statue.
\nThe story goes on to say that the Asuka Daibutsu was installed in the temple after it was completed.
\nThe reality of the great leap forward for the Japanese power structure in the introduction of Buddhism is
\nThe distance between the Buddhist statue makers and the temples is a long distance between the Buddhist temple and the people who made them.<\/p>\n

The distance between the Buddhist statue makers and the temples was about the same.
\nCarpenters from the Korean Peninsula were invited to Asukadera Temple as the most advanced woodworkers and were fully engaged in the construction of Asukadera Temple.
\nand were fully engaged in the construction of Asukadera Temple.
\nThe vividness of the workmanship of this period comes to the fore.
\nThe Japanese carpenters were also busy working as the subordinate staff of the master carpenters of the peninsula.
\nJapanese carpenters were also busy working for the master carpenters of the peninsula.
\nIt is highly likely that the Japanese and the Peninsula spoke the same language.
\nPrince Shotoku was born on February 7, 574.
\nThe Chronicle of Japan states that Asukadera Temple was built in 587.
\nThis means that he encountered the construction of Asuka-dera Temple at the impressionable age of 13-4.
\nWhat was the most advanced and all-out project of the time that stimulated his imagination?
\nThe age of the paintings is also just the same. The age of the picture is also just the same.
\nAsuka Itabatagu Palace is only a ten-minute walk from here.
\nIt seems as if the active metalworking at the Pond Studio itself created the nation of Japan.
\nSuch a feeling comes to my mind strongly.
\nWe cannot help but draw an analogy between the organization of the modern state and
\nWe have a strong habit of making analogies with the past state by looking at the structure of the modern state.
\nI feel as if the nation was really created in a “cottage industry” style.<\/p>\n

While I was thinking about this, architect Hiroo Marutani visited my bid yesterday and spent a full four hours with me from 6 pm.
\nWe had a small group discussion from 6:00 pm for about four hours.
\nMr. Marutani is a member of the mainstream of Tokyo National University of Fine Arts and Music’s architecture department.
\nThe discussion naturally led to this kind of research and study on the production of Buddhist statues that are national treasures.
\nHe told me that the Tokyo National University of Fine Arts and Music also conducts on-site research on artworks from the country’s earliest days.
\nThe unique topic of “how they were made” was also discussed and painfully discussed (laughter).
\nWe were excited by the reality. See you tomorrow and later.<\/p>\n","protected":false},"excerpt":{"rendered":"

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