{"id":37064,"date":"2022-06-10T06:09:21","date_gmt":"2022-06-09T21:09:21","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37064"},"modified":"2022-06-10T17:56:59","modified_gmt":"2022-06-10T08:56:59","slug":"%e3%80%90%e6%9c%a8%e9%80%a0%e6%8a%80%e8%a1%93%e3%81%ae%e7%b6%99%e6%89%bf%e5%8a%aa%e5%8a%9b-%e5%b0%8f%e6%a8%bd%e3%81%ae%e3%80%8c%e8%83%bd%e8%88%9e%e5%8f%b0%e3%80%8d-4%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37064","title":{"rendered":"\u3010\u6728\u9020\u6280\u8853\u306e\u7d99\u627f\u52aa\u529b \u5c0f\u6a3d\u306e\u300c\u80fd\u821e\u53f0\u300d-4\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Efforts to Inherit Wooden Construction Techniques: The “Noh Stage” in Otaru – 4
\nIn order to revitalize the Noh stage, we are analyzing its structure and making it inheritable. The technology has been accepted, but society has undergone a major structural change. What about cultural inheritance? Well, what about cultural inheritance?<\/p>\n

I visited the Okazaki Family Noh Stage, a comprehensive art architecture remaining in Hokkaido.
\nIt was built in 1925, so it is almost 100 years old.
\nIn 1985, 60 years after its construction, it was designated as an “Otaru City Historical Building.
\nIn 1999, the building was designated as a “Historical Building of Otaru City” by the
\nIn 1999, a survey was conducted by the architectural department of the Hokkaido Vocational Ability Development College over a period of two years.
\nThe second photo is a view of the back part of the shed at that time.
\nTetsuma Fujii, who was already a carpenter craftsman at the time, was very active.
\nMr. Komaki told us that he was the only one who participated in all of the surveying activities that took place until the end.
\nHe also disclosed that he was the only one who participated in all of the surveying activities that took place.
\nHe had learned to master wooden construction techniques while actually working as a carpenter.
\nNaturally, this kind of traditional architecture is built with a priority on long-term preservation.
\nThe building is full of gaps and crevices.
\nWith today’s highly insulated and airtight technology, sealing and opening for drying have evolved to be solved at the same time.
\nand open for drying at the same time.
\ntraditional techniques are based on this method of construction. Therefore, the interior of the back of the house is
\nwild birds, pigeons, etc., enter the interior and make a good nest when it rains.
\nThis leads to the accumulation of a large amount of feces (!). The structure of the hut is not yet understood.
\nIn order to clarify the structure, it is necessary to remove the feces.
\nThis is the result of a great deal of hard work and effort.<\/p>\n

The wooden structure of the roof is revealed, and as shown in the photo on the right, the vertical columns are surrounded by handcuffs and splintered wood.
\nAs shown in the photo on the right, the wooden structure of the roof was revealed, and the way the handcuffs were radially attached to the vertical columns was also measured.
\nConfirming the activities of our predecessors through this kind of diligent measurement work is a great way to establish a foundation for the transmission of technology.
\nThis kind of work is the foundation for the transmission of technology.
\nThe first photo shows a model of the results of this work.
\nThe third photo is an explanatory model of a disassembled and reassembled Noh stage.
\nThis explanation was given following Dr. Komaki’s lecture this time.
\nI was able to learn about some of the efforts made by modern wood construction engineers to analyze and hand down their techniques.
\nIn particular, the purpose of the floor surface is different from that of an ordinary house, so the acoustic efficiency of the floor was considered.
\nThe wooden planks are made to look like the surface leather of a drum.
\nIn order to further improve the acoustic efficiency of a full-fledged Noh stage, a large urn is half embedded under the floor.
\nthe floor to further enhance the acoustic efficiency of the Noh stage.
\nIn Noh and Kyogen plays, the drumming effect of the actors’ feet and the sound of the accompanying instruments such as flutes and drums
\nThe space is designed so that the drumming effect of the actor’s feet and the sound of the flutes and drums echoes out to the surrounding audience.
\nThis kind of architectural tailoring technique is being elucidated.<\/p>\n

In this way, efforts are being made on the architectural side to pass on the traditions of Noh theater.
\nHowever, in order to utilize these techniques and to establish the best of Japanese culture, such as Noh and Kyogen, in Hokkaido, it is essential that the evolution and development of the northern lifestyle culture be promoted.
\nThe evolution and development of northern lifestyle culture is required at the same time.
\nIn the midst of today’s society’s ultimate trend toward individualism, the cradle of Japanese society and culture, the traditional mura community, must coexist.
\nThe coexistence and co-prosperity of the traditional mura community, the cradle of Japanese society and culture, has become a trend toward minimization.
\nThis is also the same as the problem of declining population, which is said to be a global trend.
\nIt is necessary for Japanese society to reawaken to the flexibility of the mura community.
\nI am deeply reminded of this…<\/p>\n","protected":false},"excerpt":{"rendered":"

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