{"id":37047,"date":"2022-06-08T05:38:19","date_gmt":"2022-06-07T20:38:19","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=37047"},"modified":"2022-06-08T20:13:06","modified_gmt":"2022-06-08T11:13:06","slug":"%e3%80%90%e6%97%a5%e6%9c%ac%e6%96%87%e5%8c%96%e5%8f%b2%e3%81%8c%e5%87%9d%e7%b8%ae%e3%81%99%e3%82%8b%e5%8c%97%e6%b5%b7%e9%81%93-%e5%b0%8f%e6%a8%bd%e3%81%ae%e3%80%8c%e8%83%bd%e8%88%9e%e5%8f%b0%e3%80%8d","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=37047","title":{"rendered":"\u3010\u65e5\u672c\u6587\u5316\u53f2\u304c\u51dd\u7e2e\u3059\u308b\u5317\u6d77\u9053 \u5c0f\u6a3d\u306e\u300c\u80fd\u821e\u53f0\u300d-2\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

Noh Stage in Otaru, Hokkaido, where Japanese cultural history is concentrated.
\nThe Kano school’s head priest wrote calligraphy on the mirror plate of the Noh stage. It can be seen as an imprint of Japanese culture on the newly developed land of the north. The Noh stage is a comprehensive Japanese art form. Noh Stage<\/p>\n

Kagami-ita,” or mirror plate, is an impressive backdrop for the Noh stage.
\nThe family of a financially successful Otaru family, who had purchased the “kagami-ita” cedar from their hometown in Sado, Japan, for this architectural device, which can be considered the “essence” of Japanese architectural culture.
\nThe family of a financially successful man from Otaru had to “requisition” their hometown of “Jindai cedars” from Sado Island.
\nAlthough “kanboku” may seem an odd term for a material, it is a very important one.
\nHowever, considering the enormity of the labor involved, I dare to call it so.
\nThe second photo shows the Noh stage when it was completed as a building.
\nThe second photo is said to show Mr. Okazaki, the head of the family, performing Noh when the Noh stage was completed as an architectural structure.
\nIf you look closely, you can see that the pine tree on the first picture is not covered.<\/p>\n

The pine tree was painted by the head of the “Kano school” of the time, who was invited to Otaru and spent two months painting it.
\nIt took two months to complete the painting.
\n\u301cConstruction work began in July 1925, and the stage was opened on January 26, 1926.
\nIn November 1927, Mochinobu Kano, the 17th head of the Kano school, stayed for two months to paint the mirror.
\nIn November 1927, the painting of the mirror panel was completed, which Kano Mochinobu, the 17th generation of the Kano school, painted during his two-month stay in Japan. ~ The second photo was taken in early 1926.
\nThe second photo is a commemorative photo taken at the “stage opening” in early 1926.
\nThe third and fourth pictures show the painting process in November 1927.
\nOh, yes.
\nI had thought that the word “gaiy\u014d” was used only for the act of “writing.
\nI learned for the first time that drawing pictures like this is also called “gaiyo” (painting).
\nIn the drama “Kamakura-dono no 13inin”, the scene where Emperor Goshirakawa painted on the occasion of the reconstruction of the Great Buddha Hall in Nara was broadcasted.
\nIt means an act of writing or painting by a person with authority.
\nIn Japanese history, the “Kano school” is sometimes mentioned as the head family of Japanese painting.
\nHowever, we do not know much about the surrounding circumstances with a sense of reality.
\nIt is true that, like the town of Sakai in the medieval society, Otaru had a situation like this as a recent historical fact in the last 100 years or so.
\nSo, there was this kind of situation in Otaru as a recent historical fact.
\nThe significance of asking the “Soke of the Kano School” to write the script comes through.<\/p>\n

The Kano school received orders for decorative paintings for Azuchi Castle, which was built by Oda Nobunaga.
\nIn the era of Nobunaga, who was unusually ambitious in his “descent from heaven” mindset, the Kano school was the legitimate owner of the Japanese painting culture.
\nThe Kano school, which was recognized as the legitimate leader of Japanese painting culture, colored history in this way.
\nThis atmosphere of Japanese history was also emanating in Hokkaido in the 20th century.
\nThe traditions of Japanese society and the cultural nature that forms the undercurrent of Japanese society are
\nThe traditions of Japanese society and the culture that formed the foundation of Japanese society were made visible only in Hokkaido, a newly developed region.
\nIt seems to be a vivid site where Japanese culture was imprinted on the land of Hokkaido.
\nIn the early days of pioneering, the “Hokkaido Kaitakushi” was the central government ministry.
\nAnd when the pioneering work was completed, the railroad, a symbol of the latest civilization, was built between Otaru and Sapporo before the Kansai region.
\nThe Emperor Meiji took a train for the first time and came to Sapporo.
\nThe efforts of the people to “Japanize” the newly developed territory
\nThe Japanese people’s efforts to “Japanize” the newly settled territory left traces in the cultural realm.<\/p>\n","protected":false},"excerpt":{"rendered":"

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