{"id":36295,"date":"2022-03-21T05:47:34","date_gmt":"2022-03-20T20:47:34","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=36295"},"modified":"2022-03-24T18:30:12","modified_gmt":"2022-03-24T09:30:12","slug":"%e3%80%90%e9%9b%81%e8%a1%8c%e3%81%99%e3%82%8b%e4%b8%ad%e9%96%93%e9%a0%98%e5%9f%9f%e3%80%8c%e6%8e%ac%e6%9c%88%e4%ba%ad%e3%80%8d%e2%91%a3-%e5%9b%9b%e5%9b%bd%e4%bd%8f%e7%a9%ba%e9%96%93%e6%8e%a2%e8%a8%aa","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=36295","title":{"rendered":"\u3010\u96c1\u884c\u3059\u308b\u4e2d\u9593\u9818\u57df\u300c\u63ac\u6708\u4ead\u300d\u2463 \u56db\u56fd\u4f4f\u7a7a\u9593\u63a2\u8a2a-29\u3011"},"content":{"rendered":"

\"\"<\/a>
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English version\u2b07<\/p>\n

[Intermediate region “Kikugetsutei” \u2463 Shikoku living space exploration-29]
\nIn Japanese high-class architecture, the gantry arrangement pursues the beauty of the intermediate region. How can this culture imprinted on DNA be restored with high insulation?\u30fb \u30fb \u30fb<\/p>\n

The gantry type floor plan is one of the shapes of buildings, and each space is built by slightly shifting it back and forth.
\nIt is called by this name because it resembles the shape of a flock of geese flying in the sky.
\nCompared to the basic floor plan of a simple rectangle, any room can be illuminated on three sides, allowing for sunlight and ventilation.
\nThe view etc. will improve. There is a change in appearance and individuality, and the shadows also bring a sense of grade.<\/p>\n

In Hokkaido’s residential-sized architecture, the simple box shape is dominant.
\nIt’s really rationalistic and purposeful in terms of heat insulation and airtightness.
\nIn warm and humid areas, this kind of floor plan can be seen in luxury homes.
\nI think that the gantry style is the basis of traditional architecture in Kyoto.
\nThere is an undercurrent recognition that the living space is one set with the garden.
\nIt can be said that the emphasis on the relationship with it is one aspect of Japanese architectural culture.
\nThe relationship with the surrounding environment is emphasized as a line of sight, and in the courtyard, etc.
\nPunctuation space will also be emphasized.
\nI think it is a style that is not so important in Western living culture.
\nWith such a gantry-type floor plan, the area of \u200b\u200bthe moving space is larger than that of the living room.
\nThe space at the edge is divided into long eaves, and an intermediate area that visually cuts out the garden unfolds.
\nLike a merry-go-round by changing the viewing angle of it by 90 degrees
\nI think it will provide visual fun.
\nBecause of that, it becomes a space that is in direct contact with the outside air.
\nA floor plan that adapts to the warm climate and the external thermal environment of hot and humid areas.
\nIt can be said that Uchi and Soto flexibly compose a “living space”.
\nIn Hokkaido, the external environment of nature is rich,
\nThere is very little motivation for space in what is called a miniature garden.
\nThe feelings of Uchi and Soto are greatly different from those in the south of Kanto.<\/p>\n

At Kikugetsutei, the beauty of the surrounding and intermediate areas is still being pursued.
\nIn the first place, the purpose of the building is to love the scenery of the daimyo garden “Ritsurin Garden”.
\nA living culture that “cuts out” the beauty of the garden surrounding architecture is developing.
\nBeing a native of Japanese living culture. At the base of our living culture
\nIt will let you know that this kind of value will remain strong.
\nHowever, this kind of visual-oriented architectural culture is for the rich even in warm climates.
\nAfter the postwar society, I think that democratic emphasis was placed on compact functionality with an emphasis on hako.
\nPerhaps he was pursuing a living space that emphasized “introspection.”
\nBy the way, I can’t feel the attachment to the characteristic interior and furniture at Kikugetsutei.
\nIs there a conflict between interest in intermediate areas and gardens and interest in interiors?
\nLooking at the direction of the architect’s quest in Hokkaido now,
\nEven on the premise of high heat insulation and high airtightness, he wants to restore the relationship with the intermediate region.
\nI think that such a purpose can be seen.
\nIs it possible for northern houses to reconstruct the visual fun created by such a gantry-type floor plan?
\nI think it’s a little interesting theme.<\/p>\n","protected":false},"excerpt":{"rendered":"

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