{"id":35097,"date":"2021-11-19T05:42:13","date_gmt":"2021-11-18T20:42:13","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=35097"},"modified":"2021-11-22T18:24:54","modified_gmt":"2021-11-22T09:24:54","slug":"%e3%80%901400%e5%b9%b4%e9%a0%83%e5%89%b5%e4%bd%9c%e3%81%ae%e4%bc%9d%e6%b3%95%e5%a0%82%e6%9c%ac%e5%b0%8a%ef%bc%93%e4%bd%93-%e7%b4%80%e5%b7%9e%e6%a0%b9%e6%9d%a5%e5%af%ba-6%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=35097","title":{"rendered":"\u30101400\u5e74\u9803\u5275\u4f5c\u306e\u4f1d\u6cd5\u5802\u672c\u5c0a\uff13\u4f53 \u7d00\u5dde\u6839\u6765\u5bfa-6\u3011"},"content":{"rendered":"

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\n\u89b3\u89a7\u3059\u308b\u8846\u751f\u304b\u3089\u3059\u308b\u3068\u611f\u60c5\u79fb\u5165\u3057\u306b\u304f\u304f\u5370\u8c61\u304c\u8584\u304b\u3063\u305f\u3002
\n\u3053\u306e\u4ecf\u50cf\u306f\u5b97\u6559\u7684\u610f\u5473\u5408\u3044\u304c\u3069\u3046\u3053\u3046\u3001\u307f\u305f\u3044\u306a\u8b1b\u91c8\u306f\u5168\u7136\u97ff\u3044\u3066\u3053\u306a\u3044\u3002<\/p>\n

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\n\u5e73\u548c\u7684\u7d71\u4e00\u611f\u3088\u308a\u3082\u6559\u5316\u3078\u306e\u5f37\u3044\u610f\u5fd7\u529b\u3092\u8868\u73fe\u3057\u305f\u3001\u307f\u305f\u3044\u306a\u3002<\/p>\n

English version\u2b07<\/p>\n

[Three main idols of the Buddhist temple created around 1400 Kishu Negoroji-6]
\nWhen exploring Buddhist architecture, the existence of the principal image occupies a central position.
\nIt talks about the basic purpose of architecture while interacting with it.
\nExpressions and art that can be felt as sentient beings while keeping the basic religious meaning.
\nFrom the religious point of view, I think it is the most important message for “wide cloth”.
\nArchitecturally, the core intention is how this Buddha image looks and how it is enshrined.
\nTori Busshi at Asuka-dera, the earliest Japanese temple to start in 587, is not an expert.
\nBuilding-related, because of the existence of a group of metalworking specialists involved in saddle manufacturing
\nThere are even monks and artists like Enku in the Edo period,
\nPerhaps it has gradually been established as a professional field.
\nAn independent economic body called a temple was established in Japanese society, and the duties were divided within it.
\nThe division of duties between religious people such as scholars and gy\u014dnin is remarkable in this Negoroji era.
\nA farmer is a farmland as an economic organization that has received donations.
\nFor example, Koyasan owned 170,000 stones of donated territories all over the country.
\nPerhaps he was an organizer who managed and operated the economic structure of such temples.
\nThe monks are the best, but the Buddhist priest seems to be a similar existence.
\nThere is a disclosure of a religious concept \/ concept from the top monks of the scholars
\nThe Buddhist priest would have created with a lot of imagination according to the contents of the disclosure.
\nOf course, the basis of such an “image” was written in the Buddhist scriptures that serve as the authority.
\nTori Busshi and Enku-san strongly felt the “style”.
\nThe aspect of one work of art is strongly conscious.
\nI don’t think sentient beings can react much to the content of Buddhist conceptual expression.
\nInstead, the artist’s individuality and humanity as expressions are far more “transmitted”.
\nAt the Buddha statue exhibition at Tendai at the Tokyo National Museum the other day, the former part was spotlighted.
\nFrom the sentient beings who watched it, it was difficult to embrace emotions and the impression was weak.
\nThis Buddha image doesn’t sound like a religious story at all.<\/p>\n

The principal image of this Negoro-ji core facility, Denpo-do, was created around 1387 to 1405.
\nIt has been 800 years since Asuka-dera and Tori Busshi in 587.
\nWooden Dainichi Nyorai sitting statue, Vajrasattva sitting statue, Usnisavijaya sitting statue-As the head and shoulders of the Daidenhodo
\nDainichi Nyorai in the center, to the left (to the right), to the right (to the left)
\nEnshrine the Usnisavijaya. The image heights are 350 cm, 343 cm, and 335 cm, respectively.
\nThe building was rebuilt in the latter half of the Edo period, but this Sanson statue survived Hideyoshi’s burning.
\nIt turned out that it was produced from 1387 to 1405 from the ink book in the statue of Dainichi Nyorai and the statue of Vajrasattva.
\nIt is evaluated as an honorable mention in the Muromachi period during the decline of Buddhist sculpture.
\nDainichi Nyorai-The Buddhist priest of Shingon Esoteric Buddhism, the home of all Buddhist Bodhisattvas, and the total virtues of all virtues.
\nVajrasattva-Ichison who has the role of connecting Dainichi Nyorai and the bodhicitta of sentient beings.
\nUsnisavijaya-Symbolizes the highest merit of the Buddha without any harm. It is the name of the honorable victory because it is the most victorious of the Buddha’s summit.
\nSuch a combination of three sacred statues is rare, and the Usnisavijaya is a rare relic as a statue.
\nThis combination of the three gods is in the Daidenhoin, which was built on Mt. Koya by Kakuban, the founder of Negoro Temple.
\nIt is known that it already existed, and it is called a combination based on its own doctrinal interpretation.
\nThe writer’s name is said to be unscrupulous because it is in the middle of the Muromachi period.
\nHowever, Vairocana’s facial expression gives a pretty impression.
\nIt’s a huge Buddha statue, but it doesn’t seem strange to be menacing. Is that the concept?
\nIsn’t the expression of the halo quite peculiar?
\nIt seems to express a strong will to indoctrination rather than a sense of peaceful unity.<\/p>\n","protected":false},"excerpt":{"rendered":"

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