{"id":34921,"date":"2021-11-02T05:36:02","date_gmt":"2021-11-01T20:36:02","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34921"},"modified":"2021-11-04T18:26:43","modified_gmt":"2021-11-04T09:26:43","slug":"%e3%80%90%e9%96%a2%e7%99%bd%e7%a7%80%e6%ac%a1%e5%88%87%e8%85%b9%e3%81%ae%e8%88%9e%e5%8f%b0-%e9%ab%98%e9%87%8e%e5%b1%b1%e3%83%bb%e9%87%91%e5%89%9b%e5%b3%af%e5%af%ba-8%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=34921","title":{"rendered":"\u3010\u95a2\u767d\u79c0\u6b21\u5207\u8179\u306e\u821e\u53f0 \u9ad8\u91ce\u5c71\u30fb\u91d1\u525b\u5cef\u5bfa-8\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Kampaku Hidetsugu Seppuku Stage Koyasan \/ Kongobuji Temple-8]
\nKoyasan is seen from the central stage of the political struggle in Kyoto and Osaka.
\nI sometimes wonder what kind of utility value and position it was.
\nAs I will mention later in this series, there is a mausoleum of Kukai in Okunoin.
\nOn the side of the road leading to it, there are tombs of people who have made a name for themselves in history.
\nNames such as Oda Nobunaga and “Why?” Are appearing more and more.
\nEven if you are not such a person who remains in history
\nPeople who make money build their own grave markers with a kind of appearance.
\nApparently, the mausoleum of Kukai is the closest to Nirvana in the world.
\nIt is reminiscent of the spatial perception that Koyasan occupies in this world.
\nIt was selected as the place of sin and punishment for Hidetsugu Kampaku during the Toyotomi administration.
\nSince the emperor is also a region deeply related to his faith, it is a kind of extraterritoriality.
\nWas Koyasan considered suitable for giving death to the highest-ranked person?<\/p>\n

A person named Kampaku and Toyotomi Hidetsugu was at the mercy of a strange fate.
\nAchieved an extraordinary rise in status through the production of a miraculous talented person named Nobunaga.
\nHideyoshi, who has become a world-renowned man due to his talent and political illusion
\nAfter the death of his highly capable younger brother Hidenaga, he lost control.
\nIt was Hideyoshi, who was a genius and full of leaps, who supported Hideyoshi and adjusted the alignment with common sense.
\nThe existence of this younger brother must have been great.
\nAfter losing his younger brother, his dictatorship’s powerless trajectory is exposed.
\nFor Hidetsugu, his nephew who was used as a tool human resource,
\nHe was taken up in his life as a very ordinary person, regardless of himself
\nThe festival was held in Kampaku, which also died at the dictator’s uncle’s discretion.
\nHideyoshi was probably the one who knew the most about such absurdity.
\nKoyasan would have been suitable as a stage for such complicated and delicate political events.
\nOn the photo is Hidetsugu Sekishiro’s own space, “Yanagi no Ma”.
\nFrom the event of power, which constantly creates a sloppy absurdity
\nThe existence of Koyasan and Kongobuji Temple may have been useful in a sense.
\nOriginally the highest authority, but the death from a dictator beyond that
\nThe religious space has historically functioned as a very delicate stage.<\/p>\n

Is the background device such as fusuma painting selected because it feels suitable for this self-blade?
\nIt conveys the indescribable relationship between power and religion.
\nBy the way, in modern times, as a result of voting in the lower house election, the current public opinion has been confirmed.
\nThere are various emotions and human patterns.
\nIs it a proof of “evolution” that it is not unreasonable like during the Hideyoshi administration?<\/p>\n","protected":false},"excerpt":{"rendered":"

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