{"id":34878,"date":"2021-10-29T05:58:07","date_gmt":"2021-10-28T20:58:07","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34878"},"modified":"2021-11-01T18:27:38","modified_gmt":"2021-11-01T09:27:38","slug":"%e3%80%90%e6%9b%bc%e8%8d%bc%e7%be%85%e3%81%a8%e5%bb%ba%e7%af%89%e3%80%8c%e7%b5%84%e7%89%a9%e3%80%8d-%e9%ab%98%e9%87%8e%e5%b1%b1%e3%83%bb%e9%87%91%e5%89%9b%e5%b3%af%e5%af%ba-5%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=34878","title":{"rendered":"\u3010\u66fc\u837c\u7f85\u3068\u5efa\u7bc9\u300c\u7d44\u7269\u300d \u9ad8\u91ce\u5c71\u30fb\u91d1\u525b\u5cef\u5bfa-5\u3011"},"content":{"rendered":"

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English version\u2b07<\/p>\n

[Mandala and religious architecture “combination” Koyasan, Kongobuji Temple-5]
\nThe top photo and the third photo are Kongobuji Temple and Bell Tower.
\nWhat surprised many Japanese when Buddhism came to Japan was the decorativeness of the architecture.
\nShinto lacks the mentality of grasping people’s hearts through architectural design.
\nNo, when you look at the temple of Izumo Taisha, you mean that you have different intentions.
\nWhen asked if Izumo “represents” the state of many shrines
\nI don’t think it’s special, but …
\nRather, Ise has a strong tendency to be a sanctuary barrier with a simple structure and solid bare wood.
\nIzumo may be showing the state of “another system” of gods.
\nI don’t feel like that.
\nThe universality of world religions as opposed to the “religion” of Shinto in the area
\nIn the Buddhist temples brought into this archipelago society, the role of “kumimono” is large.
\nThis kind of structure is used to spread the roof that protects the building from the rain.
\nPerhaps it originated from a role such as structural support that supports it.
\nHowever, it gradually enhances “decorativeness”
\nIt may have been established as an architectural language, a tool for expressing a certain religious situation.
\nIf only the functionality that supports the roof structure is satisfied, it may be simpler.
\nThe reason why it evolved decoratively without going in the direction of such simplification
\nI suspect that there was a sculptural motif.
\nThe motif can be imagined as a mandala-like expression intention.<\/p>\n

The photo in the middle is a mandala map posted inside Kongobuji Temple.
\nIt doesn’t make any sense to mediocre sentient beings,
\nFrom the viewer’s point of view, such a figure is regarded as a “blueprint of the world”.
\nA vast and untouched “world that can be seen when you reach the border of Nirvana.”
\nIf we apply such basic Buddhist motifs architecturally
\nIt seems that the braid, which is the structural support material for the roof, has a decorative expressive power.
\nFor Japanese construction engineers at the earliest stages of Asuka-dera, Horyu-ji, and Shitenno-ji
\nThat’s what “Let’s see” under the guidance of engineers from the continent.
\nIt must have been assembled by making the members.
\nThe same kind of creative activity did not exist in Japanese archipelago society.
\nYesterday, at the Earth 21 regular meeting (Zoom), by the creator of Hokkaido
\nThere was a report on the craftsmanship of religious architecture.
\nPersonally, I’ve been serializing blog articles like this, so
\nI was strongly attracted to the analysis from a construction standpoint.
\nFrom the perspective of the creator, for a certain architectural purpose and intention
\nPractically think about how to create it rationally and physically.
\nWhile considering the procedure and structure, at the same time, the design expression is consistently “integrated”.
\nConsidering the analysis of such a process, the symbolism is much stronger in the dougong.
\nI tried to face today’s blog theme while thinking about this,
\nWhat kind of impression do you have?
\nI can think of a dougong like this …<\/p>\n","protected":false},"excerpt":{"rendered":"

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