{"id":34648,"date":"2021-10-02T05:56:04","date_gmt":"2021-10-01T20:56:04","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=34648"},"modified":"2021-10-05T22:11:28","modified_gmt":"2021-10-05T13:11:28","slug":"%e3%80%90%e6%9d%b1%e5%a4%a7%e5%af%ba%e4%b8%ad%e9%96%80%e3%81%a8%e5%8d%97%e5%a4%a7%e9%96%80-%e6%9d%b1%e5%a4%a7%e5%af%ba%e5%86%8d%e8%a6%8b-6%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=34648","title":{"rendered":"\u3010\u6771\u5927\u5bfa\u4e2d\u9580\u3068\u5357\u5927\u9580 \u6771\u5927\u5bfa\u518d\u898b-6\u3011"},"content":{"rendered":"

\"\"<\/a>
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English version\u2b07<\/p>\n

[Middle Gate of Todaiji Temple and Nandaimon Gate of Todaiji Temple Revisited -6]
\n[Middle Gate of Todaiji Temple and Nandaimon Gate of Todaiji Temple Revisited -6]
\nMy area of \u200b\u200bexpertise is housing theory, but when I explore the ideal state of wooden architecture
\nInevitably, he is also interested in the architectural expressions of other religious architecture and prestige architecture.
\nThe essence of wooden architecture is more distinctive and has been preserved for a long time.
\nHistorical buildings make you feel “true” in the mind.
\nTrue in this case is the style of Shinkokusa.
\nI think that the housing is basically the expression of “grass” and is faithful to the real “living”.
\nOn the other hand, the person who makes it is the most correct formal consciousness of that era.
\nI think that somewhere in my heart I am conscious of what I really want to make.
\nThe people who live in the same era are also conscious of the truth in the phase of the times.
\nSince it will be a living thing, you can really see the depth of the spiritual part.
\nAlong with the extremely simple construction of eight million shrines, there are also world religions and Buddhist temples.
\nThe true part of the Japanese spirituality is projected.<\/p>\n

The most different architecture that expresses such spirituality is that it is different from a house.
\nI think it’s treated as a “gate”.
\nIn modern houses, there are few cases where you can even build a gate,
\nTorii gates in shrines and various gates in temple architecture express the “barrier” consciousness.
\nIn modern times, the gates are rarely looked after in houses,
\nIn Japanese society, which has a culture of “taking off shoes”, I think that the “entrance” is the same as these.
\nIt seems that they have imprinted the recognition of “cleanliness” on the Japanese people.
\nConversely, the meaning of the entrance to the shrines and temples may be entrusted to the gates and torii gates.
\nI have a habit of thinking and seeing like that.
\nThe photo above is the middle gate of Todaiji Temple.
\nThe center is Namdaemun. The third is the corridor leading to the central gate.
\nIs the paint peeling more noticeable in the Namdaemun area?
\nIt seems that the old-fashioned texture is appealing.
\nDoes the power of the statue of Nio in it amplify that image?
\nI really feel the intention not to let the pollution of the world enter as a barrier.
\nOn the other hand, the white wall of the central gate is properly held, and
\nGives a more graceful impression.
\nAfter a certain degree of cleanliness is basically guaranteed, I feel a full-fledged flow to the inside.
\nThe corridor that runs from the central gate is basically colored with white walls and “tan” -colored structural materials.
\nThe continuity constitutes the space.
\nSpeaking of houses, from the entrance that dams up pollution from the outside world
\nA role like a “sliding door fitting” that calms the mind even more when entering the main room.
\nThe scale of the pillars is huge, but the number of pillars that can be seen in the front is six.
\nThere are 4 openings. The space between the three welcomes people.
\nIf you look closely, it seems that the style is exactly the same as the decorativeness of the braid.
\nThe proportions convey almost the same sense of balance.
\nTwo melons up to the position of the left and right lights.
\nIs this kind of stylistic expression the same as the Japanese people’s perception of space during the Tenpyo period?<\/p>\n

This kind of spatial consciousness gives the house a stylized psychology like maintaining cleanliness.
\nIt must have been imprinted as the heart of the Japanese.
\nYou will be fascinated by the neat appearance proportions.<\/p>\n","protected":false},"excerpt":{"rendered":"

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