{"id":32738,"date":"2021-04-21T05:16:18","date_gmt":"2021-04-20T20:16:18","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=32738"},"modified":"2021-04-21T05:16:18","modified_gmt":"2021-04-20T20:16:18","slug":"%e3%80%90%e5%ba%8a%e3%81%ae%e9%96%93%e3%81%a8%e6%8a%bc%e6%9d%bf%e3%80%91","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=32738","title":{"rendered":"\u3010\u5e8a\u306e\u9593\u3068\u62bc\u677f\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\"\"<\/a>
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English version\u2b07<\/p>\n

[Tokonoma and Oshiita]
\nThere are various theories about the origin between floors,
\nThe following understanding is common.
\n~ The origin of “Tokonoma” dates back to the Muromachi period. When holding a song or tea ceremony
\nI hung a hanging scroll on the wall and placed the artwork on a board called “Oshiita” for viewing.
\nIt was from the Momoyama period to the early Edo period that it became like today.
\n“Tokonoma” is called “Otoshigake” floor pillar (Tokobashira) floor stile (Tokogamachi).
\nIt is surrounded by a square of wood. But
\nWhen we interview an old folk house, we often see the “Oshiita” as its roots.
\n~ Turns to mean a thick board and refers to the same place as the floor. Considered to be the origin of modern floors
\nIt is installed at a position where the depth is shallower than the floor and the stile is high. Popular in the 13th-14th centuries
\nIt is said that it was made to appreciate the Song dynasty painting of the shaft. ~something like.<\/p>\n

The above picture is a Chinese sumi-e, but you can enjoy this kind of pattern in a Japanese space.
\nHave you cultivated such Asian sensitivities?
\nThe rug called tatami is unique to Japan, and in that sense
\nThese paintings on the axis may have enjoyed the “exotic atmosphere” at the beginning.
\nI became familiar with Chinese art in the “calm” space of tatami mats.
\nIt may be the first source of Japanese enjoying art at the people’s level.
\nAt the beginning, this push plate is a Japanese hobby space.
\nIt can be said that it has been raised.
\nThe real “push plate” space device was the first time I saw it recently,
\nWhy are Japanese people like this kind of space?
\nWhy did it evolve from there to “Tokonoma”?
\nI think it is very interesting because the question has been raised.<\/p>\n

In Asia, painting and calligraphy are said to have been art appreciation.
\nEspecially in Japan and China, the hanging scroll culture called “axle” became popular.
\nIn the case of China, poetry and painting are expressed as one,
\nOn the other hand, in Japan, the style of calligraphy is calligraphy and painting is only painting.
\nBoth are said to have flourished in the last millennium.
\nAs a space to receive the hanging scroll of paintings drawn on such paper
\nThe push plate may have been born historically.
\nWith that in mind, it may be said that it is a wooden “several spirit” cultivating device.
\nTo put it the other way around, such equipment is architecturally prepared.
\nIt can be said that works of art were in circulation.
\nIt is a one-piece work of art before mass production of printing became widespread.
\nA large number of works of art were accumulated in each house with a push plate.
\nWas it natural to have dozens of hanging scrolls in a decent house?
\nIt is said that the literacy rate is high, and the penetration rate of such art is also
\nIs it one of the best in the world?<\/p>\n

Because my house is made of blocks
\nAlso, most of them are living rooms between boards,
\nThere was only one bedroom between the tatami mats, so there was no alcove.
\nMaybe it was a serious loss of Japanese things.
\nI feel like I want to be a little behind.\u30fb \u30fb \u30fb <\/p>\n","protected":false},"excerpt":{"rendered":"

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