{"id":31593,"date":"2021-01-23T05:19:08","date_gmt":"2021-01-22T20:19:08","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=31593"},"modified":"2021-01-23T05:34:08","modified_gmt":"2021-01-22T20:34:08","slug":"%e3%80%90%e4%b9%9d%e5%8d%81%e4%b9%9d%e9%87%8c%e7%b6%b2%e5%85%83%e5%ae%b6%e3%80%8c%e9%a3%9b%e9%be%8d%e3%80%8d%e8%bb%b8%e7%b5%84%ef%bc%8f%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6","status":"publish","type":"post","link":"https:\/\/kochihen.replan.ne.jp\/?p=31593","title":{"rendered":"\u3010\u4e5d\u5341\u4e5d\u91cc\u7db2\u5143\u5bb6\u300c\u98db\u9f8d\u300d\u8ef8\u7d44\uff0f\u65e5\u672c\u4eba\u306e\u3044\u3044\u5bb6\u2472-2\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\u3084\u306f\u308a\u300c\u6728\u3092\u7d44\u307f\u5408\u308f\u305b\u3066\u5f37\u5ea6\u3092\u9ad8\u3081\u308b\u300d\u6280\u8853\u306e\u5965\u884c\u304d\u3092\u611f\u3058\u308b\u3002
\n\u8ef8\u7d44\u3068\u3044\u3046\u30b3\u30c8\u30d0\u306b\u306f\u3001\u305d\u3046\u3044\u3063\u305f\u6728\u9020\u6587\u5316\u304c\u9999\u308a\u7acb\u3063\u3066\u3044\u308b\u3002<\/p>\n

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\n\u3053\u306e\u5efa\u7269\u3092\u4f5c\u308a\u4e0a\u3052\u3066\u3044\u3063\u305f\u306e\u3067\u306f\u306a\u3044\u3060\u308d\u3046\u304b\u3002
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\n\u305d\u308c\u3053\u305d\u8ef8\u7d44\u306e\u6280\u8853\u306e\u7c8b\u3092\u6975\u3081\u308b\u610f\u6c17\u8fbc\u307f\u3067\u6311\u6226\u3057\u305f\u306e\u3060\u308d\u3046\u3002
\n\"\"<\/a>
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\n\u3068\u3001\u601d\u3046\u306e\u306f\u308f\u305f\u3057\u3060\u3051\u3060\u308d\u3046\u304b\uff1f<\/p>\n

English version\u2b07<\/p>\n

[Kujukuri Amimoto family “Hiryu” framework \/ Japanese good house \u2472-2]
\nTraditional wooden culture is scented in the word “framework”. You can show off the manufacturing spirit of the early Edo period.\u30fb \u30fb \u30fb<\/p>\n

Japanese wooden house construction is said to be a conventional construction method,
\nIt is also called “framework”.
\nIt expresses how columns and beams support the structure, and they are constructed regardless of hardware.
\nThe real voice of traditional architecture, “I’m just going to assemble,” comes from Kodama.
\nRecently, kretek hardware has been developed as a structural member.
\nIt is an indispensable time for the construction of wooden houses along with precuts,
\nTsunekazu Nishioka, a palace carpenter at Horyuji Temple, says that the five-storied pagoda should be reinforced with hardware.
\nTo the “structural designer” who is an authority on the academic society derived from Western architecture
\nBeing prepared to be beheaded, I resisted thoroughly and finally without hardware reinforcement
\nIt is reminiscent of the fact that the five-storied pagoda was rebuilt.
\nSannai Maruyama, Izumo Taisha Shrine, etc. are the traditional Japanese wooden techniques.
\nThe pride that we have been making in this archipelago remains strong.
\nThe miraculous fact that wooden buildings over a thousand years actually exist.
\nAfter all, I feel the depth of the technology of “combining wood to increase strength”.
\nSuch a wooden culture is scented in the word “framework”.<\/p>\n

When Kotoba called such a wooden frame looks at such a picture,
\nI think it will appeal with power.
\nIt transcends physical and mathematical grounds such as stress calculation
\nA powerful mama with a strong root bend and a free-spirited tree vitality.
\nThis building has survived over 350 years with such a framework.
\nI am overwhelmed by such overwhelming nature power.
\nAlmost straight materials are used for other pillars and horizontal members.
\nIt \u2019s not like showing such a timber structure in the central zone of this house called \u201cKami\u201d
\nI can imagine that it was a big job with the soul of a carpenter.
\nIn the 17th century, the carpenter’s builder used the structural materials of the building he undertook.
\nIt seems that he was walking in the mountains and looking for something.
\nMaybe I found an impressive bent tree,
\nInspired by that bend, and with that as the central theme
\nI think he built this building.
\n“How to assemble” several winding materials,
\nThat is probably the challenge with the enthusiasm to master the essence of the framework technology.<\/p>\n

Building age: Mid-Edo period
\nMain building, girder row 13.0m, beam row 10.3m
\nHowever, in terms of area, this “Kami” alone is about 12 tsubo.
\nIt is said that in the latter half of the 17th century, it was rare for private houses to have a ceiling.
\nIt’s spacious and has a nice height, and it seems that a legendary creature, a dragon, is dancing in a truly extravagant space.
\nAs you can imagine, the carpenter’s builder must have been such an idea as a motif.
\nDragons are often drawn as ceiling paintings in temple architecture.
\nOr was this house Amimoto’s house, likened to the rippling water surface?
\nThe feeling of being able to show off the manufacturing spirit of the early Edo period.<\/p>\n

The dynamic life of the owner and the challenging spirit of the carpenter.
\nCompared to Imadoki’s homes, it is isolated in its creativity.
\nAm I the only one who thinks?<\/p>\n","protected":false},"excerpt":{"rendered":"

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