{"id":47043,"date":"2025-08-30T05:16:52","date_gmt":"2025-08-29T20:16:52","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=47043"},"modified":"2025-08-30T05:16:52","modified_gmt":"2025-08-29T20:16:52","slug":"%e3%80%90%e7%9f%ad%e6%96%87%e6%96%87%e5%8c%96%e3%81%ae%e5%9f%ba%e7%a4%8e%e3%80%8c%e3%81%b2%e3%82%89%e3%81%8b%e3%81%aa%e3%80%8d%e3%81%ae%e5%89%b5%e5%a7%8b%ef%bc%8f%e4%ba%94%e4%b8%83%e8%aa%bf%e6%97%a5","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=47043","title":{"rendered":"\u3010\u77ed\u6587\u6587\u5316\u306e\u57fa\u790e\u300c\u3072\u3089\u304b\u306a\u300d\u306e\u5275\u59cb\uff0f\u4e94\u4e03\u8abf\u65e5\u672c\u8a9e\u306e\u65c5-10\u3011"},"content":{"rendered":"

\"\"<\/a>
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\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07\u3000<\/p>\n

The Foundations of Short-Form Culture: The Creation of Hiragana \/ Journey Through Japanese 5-7 Syllable Poetry – 10
\nFrom the introduction of ideographic kanji to the development of Many\u014dgana and hiragana for integration with Yamato Kotoba, maintaining and advancing phonetic representation. Further evolution toward a 5-7 syllable culture emphasizing phonetics. …<\/p>\n

\u3000As a postwar generation raised in modern society\u2014one shaped by the Meiji Japanese language revolution that imposed prose-based cultural dominance across society\u2014and having continuously learned and used Japanese, I find myself struck by many things through this temporal gap and accompanying journey through Matsuo Bash\u014d’s \u201cThe Narrow Road to the Deep North.\u201d
\n\u3000Above all, the most significant realization is that the expression of the Japanese \u201cmental image\u201d of nature’s beauty\u2014and the process of refining it\u2014has long been carried out through a culture of brevity throughout Japanese history. In the unique conditions of an island nation with extremely distinct seasonal changes, the spiritual culture of nature’s beauty is fundamentally easy to \u201cunderstand\u201d and share. One comes to understand that within the expression of nature through flowers, birds, wind, and moonlight lies a profound communication between people sharing the same archipelago society. While Hokkaido residents live a uniquely new form of this \u2018flowers, birds, wind, and moonlight\u2019 culture, the most delayed within the archipelago society, their fundamental spirituality is deeply synchronized.
\nIn such communication, the basic principle remains an exchange where \u201cif you strike, it resonates.\u201d
\n\u3000The 5-7 syllable structure is truly the most appropriate tool for this. After conceiving a verse, Basho would chew it over internally, comparing it against this shared Japanese knowledge of nature’s beauty, sharpening his focus on symbolism and conciseness. You can sense him refining it through layer upon layer of revision, thinking things like, \u201cHere, let’s use \u2018\u306f\u2019 instead of \u2018\u3092\u2019.\u201d The agonizing deliberation evident between several surviving \u201cdrafts\u201d and the final forms is profoundly fascinating. And this selection process remains clear and understandable even to a fool like me, living so far in the future. Hmm… I deeply agree.
\nAnd in this kind of mental imagery expression, I realize the most crucial factor is that Japanese is fundamentally structured around two-syllable and three-syllable units. Long ago, within the tool that was Yamato Kotoba, there occurred the enormous revolution of introducing Chinese characters. Transitioning from a dispersed society of Yaoyorozu (eight million deities) to a unified society, Japan introduced the Ritsury\u014d system from the Chinese mainland. Furthermore, as a cultural norm, it underwent the great revolution of introducing Buddhism upon the foundation of Shinto.
\nUpon introducing \u201ckanji,\u201d \u2018Many\u014dgana\u2019 was immediately developed as an essential translation and introduction tool. Over time, spanning from the Asuka to the early Heian periods, it evolved and developed into \u201chiragana.\u201d<\/p>\n

This development of hiragana fully demonstrated the archipelago society’s spirituality: \u201cflexibly accepting and decisively simplifying.\u201d
\n\u3000Indeed, this spirit is culturally condensed within Japanese poetry’s 5-7 syllable structure. Basho’s agonizing \u201ckugin\u201d reveals the core spirit of the Japanese people.
\nI feel deeply moved by such reverent sentiment…<\/p>\n

\u25cfNotice
\nMy book \u201cWriters and Living Spaces\u201d published as an e-book by Gentosha
\nAvailable on Amazon.\u3000
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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