{"id":47037,"date":"2025-08-29T05:17:56","date_gmt":"2025-08-28T20:17:56","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=47037"},"modified":"2025-08-29T05:17:56","modified_gmt":"2025-08-28T20:17:56","slug":"%e3%80%90%e8%8a%ad%e8%95%89%e8%b6%b3%e8%b7%a1%e3%82%92%e9%9b%86%e4%b8%ad%e4%bd%93%e6%84%9f%e3%81%99%e3%82%8b%e6%b1%9f%e6%88%b8%e4%b8%8b%e7%94%ba%ef%bc%8f%e4%ba%94%e4%b8%83%e8%aa%bf%e6%97%a5%e6%9c%ac","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=47037","title":{"rendered":"\u3010\u82ad\u8549\u8db3\u8de1\u3092\u96c6\u4e2d\u4f53\u611f\u3059\u308b\u6c5f\u6238\u4e0b\u753a\uff0f\u4e94\u4e03\u8abf\u65e5\u672c\u8a9e\u306e\u65c5-9\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07\u3000<\/p>\n

\u3010Immersing in Basho’s Footsteps: A Journey Through Edo’s Downtown \/ The Rhythm of Japanese Haiku-Style Verse-9\u3011
\nThe profound national affection for the culture of brevity, sedimented and manifested in the commoners’ city around the Sumida River. As an expression of the heart, what of the prose culture since the Meiji era? …<\/p>\n

\u3000Fukagawa, on the east bank of the Sumida River in Edo, is the town where Basho lived. It is a neighborhood where traces of the actions of Matsuo Basho, a man of the past, can be found in various places. That traces of this man, who lived from 1644 to 1694, remain so vividly some 330 years later clearly demonstrates how deeply his haiku works have been cherished by the Japanese people. The illustration below shows a wooden bridge spanning the Sumida River, located quite close to where Basho’s hermitage once stood. It was named the \u201cNew\u201d Bridge, a name that itself evokes the spirit of the times.
\nIn this blog series, I’m aimlessly wandering in search of Matsuo Basho’s footsteps as a symbol of the \u201cliterary form\u201d unique to Japanese\u2014the fusion of sound and meaning in the 5-7 syllable rhythm. The fact that traces of him can be found in various places throughout Edo Fukagawa conveys how deeply the Japanese people have continued to cherish this accessible literary form.<\/p>\n

\u3000Nearly 330 years have passed, yet when I walk these paths, the lingering resonance of Basho’s masterpiece\u2014composed in a hermitage by the waters here\u2014\u201cAn old pond \/ A frog jumps in \/ The sound of water\u201d\u2014rises vividly in my mind, deeply soothing me. As I trace the path of The Narrow Road to the Deep North and accompany it, the \u201ccareful deliberation and struggle\u201d with words required to arrive at a single verse seems, little by little, to reveal a glimpse of its true nature even to a fool like me.
\nWe Japanese later experienced a literary revolution in the form of the emergence of so-called \u201cliterary giants\u201d after the Meiji era. Yet, it seems that even if all these literary giants banded together, they still couldn’t match the lingering resonance of this short-form literature. Fundamentally, I suspect a vast difference exists between the means of \u201cpublication\u201d chosen for literature’s establishment and the very economic structure underpinning the world of these five-seven syllable short poems. And what troubles me is the sense of inner collapse\u2014suicide pacts, self-destruction\u2014that permeates the inner lives of subsequent Japanese literary figures. …
\nWhile I continue my own arbitrary exploration of the \u201clife theme\u201d of writers and their living spaces, it still seems that prose literature has yet to come close to matching the richness cultivated by the 5-7 rhythm. I feel a pang of sympathy for Natsume S\u014dseki, who, caught between the world his close friend Masaoka Shiki aspired to and his own pursuit of a \u201cJapanese language revolution\u201d through world-standard prose and scientific rationality while leading the University of Tokyo’s Faculty of Letters, endured deep \u201cstomach pains.\u201d As someone from the distant future within the Japanese cultural sphere, I feel I glimpse a fragment of that anguish. The underlying sense of distortion beneath the humor that turned me into a cat.<\/p>\n

\u25cfNotice
\nMy book \u201cWriters and Living Spaces\u201d published as an e-book by Gentosha
\nAvailable on Amazon.<\/p>\n

\u3000
\n\u3000
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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