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\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07\u3000<\/p>\n

\u3010Basho, Longing for Saigyo, at Hiraizumi \/ Journey Through Japanese 5-7-5 Rhythm – 7\u3011
\nAfter spending a day wandering through Hiraizumi, worn down by the May rains, Basho must have repeatedly let the poetry and prose of Saigyo, the great literary forerunner, echo in his mind. …<\/p>\n

\u3000Japanese writing and literature, following the epochal introduction of the \u201ckanji\u201d culture from the Chinese mainland, likely developed primarily through the integration of what must have been the indigenous spoken language, \u201cYamato-kotoba.\u201d The compilation of the Kojiki and Nihon Shoki represented a monumental cultural undertaking pursued as a \u201cnational project.\u201d
\nWithin this process, the creation of hiragana and katakana marked the beginning of Japan’s unique culture of assimilation, exerting a lasting impact across all societal phenomena for generations to come. This ability to \u201cflexibly accept and adapt for unique, practical use\u201d could be described as quintessentially Japanese.
\n\u3000After the Meiji period, this trait was applied to Western civilization, enabling rapid modernization and contemporary development. However, within the Japanese language itself, the use of katakana intensified relative to the Chinese cultural sphere prevalent until the Edo period. This marked a significant shift in direction: away from the Japanese culture of poetic resonance and the 5-7 syllable rhythm, towards scientific clarity and an emphasis on prose. It can be said that Japanese literature took off from its roots in the poetic resonance-focused \u201cliterature.\u201d
\n\u3000Basho lived in the early Edo period. It’s clear he was strongly drawn to Saigyo, a master of lyrical resonance from the late Heian to early Kamakura periods. One can imagine that his journey along the Narrow Road to the Deep North was likely driven by a desire to physically experience the 5-7 syllable expressions Saigyo had composed about Hiraizumi.
\n\u3000Today, arriving at the Kurokawa River,
\nMy heart is deeply moved,
\nAnd my spirit grows clear.
\nWithout a sound,
\nThe cherry blossoms of Tabashineyama\u2014
\nBeyond Yoshino,
\nSuch beauty must exist.
\n(Saigyo, Sh\u014dka-sh\u016b)
\nThe era when Saigyo (1118\u20131190) visited this place was the height of the Oshu Fujiwara clan’s power. Saigyo visited Hiraizumi twice. The first time, in his late twenties, his purpose was to visit the Michinoku song-beds (places associated with waka poetry) that the poet N\u014din H\u014dshi had visited over a hundred years earlier. At this time, the Fujiwara clan of Oshu was at its zenith. His second visit was in 1186, at age 69, to solicit funds for rebuilding T\u014ddai-ji Temple, which had been destroyed and burned during the Heike clan’s downfall. Saigy\u014d achieved his goal, but subsequent wars following the Fujiwara clan’s demise halted the funds. The following year, Saigy\u014d passed away at age 73.
\n\u3000Approximately 400 years later, Basho’s travel record: Departed Ichinoseki on May 13, 1689. Weather clear. Arrived at Hiraizumi around 11:00. Saw Takadate, Kinugawa, Kinokawa Pass, Chusonji Temple, Kodo Hall, Izumi Castle, Sakura River, Sakurayama, and Hidehira’s Residence. Returned to lodging in Ichinoseki around 4:00 PM. Bathed at night.
\nSummer grasses\u2014traces of warriors’ dreams
\nLeaving behind the lingering rain of May at K\u014dd\u014d Hall (Bash\u014d, The Narrow Road to the Deep North)
\nBy the Edo period, Hiraizumi’s Ch\u016bson-ji Temple was said to have declined from its former glory, with only the Konjikid\u014d Hall, Fukk\u014dd\u014d Hall, and the Main Hall remaining as structures. Bash\u014d traveled back and forth in a single day between Hiraizumi and Ichinoseki, which likely served as lodging.
\n\u3000Saigy\u014d and Basho. Two giants of traditional Japanese poetry and prose culture before the Meiji period.
\nWhat silent dialogue did Basho seek to engage with Saigy\u014d’s spirit?<\/p>\n

\u25cfNotice
\nMy book \u201cWriters and Living Spaces\u201d published as an e-book by Gentosha.
\nAvailable on Amazon.<\/p>\n","protected":false},"excerpt":{"rendered":"

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