{"id":46915,"date":"2025-08-08T05:07:58","date_gmt":"2025-08-07T20:07:58","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=46915"},"modified":"2025-08-08T05:09:58","modified_gmt":"2025-08-07T20:09:58","slug":"%e3%80%90%e6%9c%aa%e7%9f%a5%e3%81%ae%e4%b8%96%e7%95%8c%e3%82%92%e4%bc%9d%e3%81%88%e3%82%8b%e3%83%93%e3%82%b8%e3%83%a5%e3%82%a2%e3%83%ab%e8%a1%a8%e7%8f%be%e8%80%85%ef%bc%8f%e6%9d%be%e6%b5%a6%e6%ad%a6","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=46915","title":{"rendered":"\u3010\u672a\u77e5\u306e\u4e16\u754c\u3092\u4f1d\u3048\u308b\u30d3\u30b8\u30e5\u30a2\u30eb\u8868\u73fe\u8005\uff0f\u677e\u6d66\u6b66\u56db\u90ce-11\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\n\u3000
\n\u25cf\u304a\u77e5\u3089\u305b
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\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

[Visual artist who conveys the unknown world \/ Takeshi Matsuura-11]
\nA new media artist who conveys extremely interesting themes to many people with extraordinary clarity. His social presence is remarkable. …<\/p>\n

\u3000Matsuura Takeshiro learned painting from his uncle, Matsuura Seiden, who was also a painter. Records about this person are hard to find, but he was probably his father’s younger brother and came from a prominent family, so he probably lived a life of freedom. In Takeshiro’s publishing activities, his ability to communicate visually stands out as a trait that enhanced his ability to convey information, but this may be evidence that such DNA runs in the family.
\n\u3000In one work, Takashiro is said to have drawn only the expressions of the characters, while his uncle drew the background.
\nTakashiro produced more than 350 works in his lifetime and published nearly 100 of them. His works cover a wide range of topics, including travelogues of Shikoku, Kyushu, Aomori, Akita, and Sado, as well as records of his travels in various places in his later years, not limited to Ezo. His publications were so popular that they were referred to as \u201cTakashiro-mono\u201d in Edo and Kyoto at the time. This year, the Edo-period publishing world is being featured in an NHK historical drama, but it is clear that he was a popular writer who sold well in a society with one of the world’s highest literacy rates. The magnitude of his social influence far exceeded that of modern-day writers, demonstrating a level of social impact that was truly remarkable. If we were to use a metaphor from today’s society, his presence was perhaps comparable to that of NHK as a broadcasting station.
\nAs someone who has worked in the field of residential photography and visual communication, I am deeply moved by this. His work sparked intense interest in the world of the Ainu people in the north, which likely contributed to the development of the affectionate gaze toward Hokkaido that continues in Japanese society today. The sense of awe is even greater.
\n\u3000Additionally, Takashi published not only works about Hokkaido but also many about domestic travel. Some of these works combine travelogues with visuals in a user-friendly, board-game-like format. The interactions between the publisher and the author regarding the project are also charmingly conveyed, making it an intriguing read. <\/p>\n

\u25cfAnnouncement
\nMy book \u201cWriters and Living Spaces\u201d has been published as an e-book by Gentosha.
\nAvailable for purchase on Amazon.<\/p>\n","protected":false},"excerpt":{"rendered":"

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