{"id":46889,"date":"2025-08-05T07:24:11","date_gmt":"2025-08-04T22:24:11","guid":{"rendered":"https:\/\/kochihen.replan.ne.jp\/?p=46889"},"modified":"2025-08-05T07:28:37","modified_gmt":"2025-08-04T22:28:37","slug":"%e3%80%90%e6%8f%ae%e6%af%ab%e3%81%ae%e6%96%87%e5%8c%96%e3%83%bb%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e6%9b%b8%e3%81%ae%e4%b8%96%e7%95%8c%ef%bc%8f%e6%9d%be%e6%b5%a6%e6%ad%a6%e5%9b%9b%e9%83%8e-8%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=46889","title":{"rendered":"\u3010\u63ee\u6beb\u306e\u6587\u5316\u30fb\u65e5\u672c\u4eba\u306e\u66f8\u306e\u4e16\u754c\uff0f\u677e\u6d66\u6b66\u56db\u90ce-8\u3011"},"content":{"rendered":"

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\n\"\"<\/a>
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\n\"\"<\/a>
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\n\u3000
\n\u25cf\u304a\u77e5\u3089\u305b
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\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

[The Culture of Calligraphy: The World of Japanese Calligraphy \/ Takashiro Matsuura-8]
\nGuided by the pioneers of documentary photography, I became fascinated by the world of calligraphy in Ueno. At the end of my life, I encountered a new \u201csuki\u201d (a Japanese aesthetic sensibility). …<\/p>\n

\u3000Yesterday evening, I returned to Sapporo. The constant humidity and temperatures of 34-35 degrees Celsius took a toll on my physical strength. Outside of Tokyo, I was protected by the air conditioning in my rental car, but in Tokyo, where I was constantly exposed to the outside air, it was quite difficult.
\n Amidst all this, I continued my series on Takashiro Matsuura. I happened to come across a photograph of Kyosuke Kindaichi visiting Takashiro Matsuura’s birthplace, which led me to a photograph of his calligraphy. Yesterday, I reflected on the architectural space culture of receiving distinguished guests and the tokonoma, and today I will discuss the related topic of \u201cJapanese calligraphy culture.\u201d
\nIn modern society, computers have become almost ubiquitous, and the culture of \u201ccalligraphy\u201d as an expression of humanity has completely faded away. This is happening simultaneously with the disappearance of the tokonoma from residential homes. As modern people, I feel it is necessary to develop a clear awareness of this issue and respond appropriately.
\n\u3000The photo shows Professor Kaneda’s calligraphy and the participants intently observing it. This act and scene likely established as a cultural norm for \u201cguest of honor\u201d encounters in Japanese society.
\nSuch culture is now fading away.<\/p>\n

\u3000With that in mind, I happened to find a calligraphy exhibition being held at my favorite Ueno Royal Museum. I felt a strange sense of \u201cfate\u201d and was drawn to it. The photo is from Hiroshi Hirayama’s exhibition piece, \u201cFour Japanese Children’s Songs,\u201d titled \u201cSpring Has Come.\u201d The name of the event was \u201cYukishin-kai Selected Works Exhibition\u201d (photography permitted). Having lived my entire life completely disconnected from the culture of calligraphy, I couldn’t help but think this might be Matsura Takashiro’s \u201cguidance\u201d (laughs).<\/p>\n

\u3000At the entrance, there was a sphinx-like question asking us to write our names with a brush (lol). Hmm, it was my first time holding a brush since elementary school and facing a blank sheet of paper. Plus, I could feel the strict gaze of the calligraphy enthusiasts running the venue (cold sweat). I made up my mind and signed my name with all my heart. It felt like I was touching on a small part of Mr. Kindaichi’s mindset. And in that short time, I could feel everyone’s gaze focused on me and their attention on the tip of my brush. It was both humbling and embarrassing… but I refused to back down and wrote it anyway, despite my lack of education and manners.
\nAfter finishing, I felt the warm gaze of everyone around me. I realized they must have been \u201cseeing\u201d into my inner thoughts. Interesting.
\nFrom there, I immersed myself in admiring everyone’s wonderful works. While the expansion of \u201csuki\u201d (aesthetic sensibility) left me a bit overwhelmed, the joy slowly began to well up within me. On my way out, I had a friendly conversation with the staff and asked questions like, \u201cDo people in China understand the aesthetic appeal of Japanese hiragana and katakana?\u201d It felt like a world with too much depth. <\/p>\n

\u25cfAnnouncement
\nMy book \u201cWriters and Living Spaces\u201d has been published as an e-book by Gentosha.
\nAvailable on Amazon.<\/p>\n","protected":false},"excerpt":{"rendered":"

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