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\"\"<\/a>
\n\"\"<\/a>
\n\"\"<\/a>
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\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

[Hinomizushi Shrine, \u201cHishizumi Shrine\u201d and the torii of Sutra Island]
\nThe \u201ctourism development\u201d attitude of a narrative story of sunrise (Ise Jingu Shrine) and sunset (Hinomizushi Shrine). A popular Japanese entertainment culture? …<\/p>\n

\u3000I have become completely obsessed with this Himigozaki Shrine (laughs).
\n\u3000During the Edo period, it was believed that worshipping at the Ise Shrine where the sun rises and this shrine deep in Izumo would bring good luck. The Edo period was a time when a unique \u201cpopular culture\u201d was flourishing, and I feel that this legend is a breath of fresh air from that era. It was a time when society gradually became more and more \u201cpopular culture\u201d oriented. The atmosphere of the era, as expressed in the NHK historical drama \u201cBelabo – Tsutaju Eika No Yume Banashi\u201d (The Bessho – Tsutaju’s Flourishing Dream Banashi), is a sign of a time when economic development was booming and the people were taking the lead as creators of new culture. Kabuki and other forms of entertainment took the rise and fall of the samurai class as their subject matter and delved deeply into areas of popular interest. Various genres were developed. Meanwhile, in the field of pictorial culture, the background for the boom in travel as a form of entertainment culture, such as the hit series \u201cTokaido Chu Hizakurige\u201d and the popularity of the \u201cFugaku Hyakkei\u201d (One Hundred Famous Views of Mount Fugaku) series, was also very active.
\n\u3000The photo shows the hishizumi on the shrine’s website, the current main shrine, and the torii gate at Sutra Island, where the shrine was originally located.
\n\u3000However, since the social structure was dominated by the samurai class, I wonder if there was a social consensus that a religious site called \u201cMeguri\u201d would be a good \u201cdrop-off point\u201d for such a visit. In this context, I wonder if this visit to the Hishizumi Palace was chosen as the destination of the \u201cOise pilgrimage,\u201d which became a popular tourist attraction in Japanese society, because of its strong \u201cnarrative\u201d value. Incidentally, the character \u6c89\u65e5 is apparently not in the mitsuyo kanji alphabet, and is displayed in a different font. Sunset is probably the correct Kanji notation.
\n\u3000This kind of tourist culture was discovered as an \u201coptimal solution\u201d to the storytelling nature of popular culture. At the same time, this kind of thing stimulates historical \u201csukiyomi\u201d like myself.
\n\u3000Recently, tourists from China and other Asian countries have been flocking even to the Hokkaido Shrine. I think that shrine worship is a unique Japanese culture, which may prove the power of Japanese popular culture.<\/p>\n

\u25cfNotice
\nMy book \u201cThe Writer and the Residential Space\u201d is published by Gentosha as an e-book.
\nPlease visit Amazon for more information.<\/p>\n","protected":false},"excerpt":{"rendered":"

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