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\"\"<\/a>
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\u25cf\u304a\u77e5\u3089\u305b
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\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

Japanese Garden Aesthetic Pursuit: Impressions of the Adachi Museum of Art]
\nJapanese garden beauty that interacts with Japanese-style vegetation. The snow-covered environment of the north that nullifies such efforts and covers everything. How can we create \u201cKacho Fu Fugetsu\u201d (flowers, birds, winds, and the moon) that is uniquely Hokkaido? …<\/p>\n

\u3000In recent years, NHK has been reporting that the Adachi Museum of Art in Shimane Prefecture has been awarded the top prize in the annual awards program of a Western \u201cgarden magazine\u201d for many years in a row.
\n\u3000Japanese gardens are indeed an interesting cultural phenomenon, and it is understandable that they are an exquisite example of Japanese culture. In Kyoto, for example, traditional cultural facilities are pursuing the beauty of Japanese-style gardens, either as a backdrop or as a mainstay. In the relationship between houses and gardens, the beauty of gardens that take advantage of the original vegetation in the archipelago’s climate has been pursued for a long time. I think this layering is a wonderful thing.
\n\u3000On the other hand, as Hokkaido residents, we continue to live in an area where the natural conditions of tree species are somewhat different from those of Japanese vegetation, and where the snowfall in winter is so great that the annual snowfall in Sapporo exceeds 6 meters, that garden culture as it is cannot be established. We have no choice but to take the \u201cessence\u201d of the snowfall and seek the beauty of \u201cnorthern-style\u201d gardens. In such a reality, I think it is natural to be attracted to the Western style, which has more in common with the climatic conditions.
\n\u3000In reality, we cannot hope to create a Japanese-style garden in an environment where snow accumulates for more than four months during the winter.
\n\u3000Nevertheless, it is a fact that we Hokkaido people are a part of the Japanese cultural sphere. We have a latent desire to become familiar with this world of Japanese garden beauty as much as possible.
\n\u3000It was with this in mind that I immersed myself in the garden beauty of the Adachi Museum of Art.
\n\u3000The psychological reception was wonderful, but there was still a sense of distance. However, there is still a sense of distance.
\n\u3000I really admire the efforts of the gardeners to maintain the beauty of the garden. I also take my hat off to the gardeners for their efforts to maintain the Japanese-style beauty of the garden while also taking into consideration the natural environment of the hinterland from which the garden borrows its scenery. I was reminded that it is practical to explore the \u201cextended beauty of flowers, birds, winds, and the moon\u201d that is typical of Hokkaido, using tools different from those used in traditional Japanese environments and materials.<\/p>\n

Notice
\nMy book \u201cWriters and Residential Space\u201d is published by Gentosha as an e-book.
\nPlease visit Amazon for more information.<\/p>\n","protected":false},"excerpt":{"rendered":"

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