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\"\"<\/a>
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\n\"\"<\/a>
\n\"\"<\/a>
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\u25cf\u304a\u77e5\u3089\u305b
\n\u62d9\u66f8\u300c\u4f5c\u5bb6\u3068\u4f4f\u7a7a\u9593\u300d\u5e7b\u51ac\u820e\u304b\u3089\u96fb\u5b50\u66f8\u7c4d\u3067\u767a\u520a
\n\u304a\u6c42\u3081\u306fAmazon\u3067\u3002
\nhttps:\/\/amzn.asia\/d\/eUiv9yO<\/a>
\n\"\"<\/a><\/p>\n

English version\u2b07<\/p>\n

[Bloodlines of the Kitamae trading \u201cKaisen wholesaler\u201d – Going to see Shigeru Mizuki – 4]
\nWhen I grasp the social background and time line, I feel \u201cSleeve rubbing together is another life’s fate\u201d. The intersection of each bloodline. The Sea of Japan, quiet waves. The Sea of Japan, quiet waves.<\/p>\n

\u3000Shigeru Mizuki was born in 1922. His birthplace was Osaka due to his father’s work, but soon after his birth, he moved to Sakaiminato, where his parents lived. Looking at the photos in the pamphlet of the museum, I am deeply comforted by the fact that they are almost chronologically the same as those of my parents. Although there is a time lag of about ten to several years between my parents and Mizuki Shigeru, and Mizuki Shigeru is slightly younger than my parents, I can say that they were almost the same age. Although they lived in remote locations in Hokkaido and Tottori, I can feel that they were cradled in the same “atmosphere of the times. This also overlaps with the feelings I have for my parents, and it soothes me.
\n\u3000I believe that certain people are attracted to \u201chistory,\u201d and that at the core of their emotional response is a sense of empathy with this kind of atmosphere. From the persuasive power of the bloodline to the warmth of the temperature of the environment of the times. In my grandparents’ generation, people of their generation used the \u201cSea of Japan Trade\u201d shipping services to leave Tomo or Onomichi on the Seto Inland Sea side and migrate as far away as Otaru in Hokkaido. Although our paths crossed in the course of Japanese folklore history, there is an echo of the phrase, \u201cSleeve rubbing against sleeve is another life’s karma,\u201d that echoes through the air.<\/p>\n

\u3000The photos here show a scene of a fishing port in Sakaiminato, where fish are landed and silkworms and silkworm cocoons are shipped. It makes me marvel at the fact that many people’s lives began in these scenes of the times. And the evening view of Lake Shinji, as shown in the previous article, brings to the mind’s eye the idea that people lived their daily lives in the cycle of nature.
\n\u3000The presence of \u201cshipping wholesalers\u201d as the main players in the Kitamae-bune trade must have been a driving force in the local economy. They had direct connections with producers of all kinds of local products and sold them to traders all over the country. They were the very core of the economy. Shigeru Mizuki was active in this environment from the rise of manga culture to the present day, but his bloodline has survived and thrived in this social context.<\/p>\n

\u25cfNotice
\nMy book \u201cThe Artist and the Living Space\u201d is published by Gentosha as an e-book.
\nPlease visit Amazon for more information.
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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