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English version\u2b07<\/p>\n

[Visit the Yukio Mishima Literature Museum on the shores of Lake Yamanaka.
\nThe sense of placing a statue in the garden, which is also of Mediterranean world sensitivity. Apparently, I felt a strong persuasive force as a boundary to the literary world of the writer Mishima. …<\/p>\n

\u3000I am publishing an e-publication early this April called \u2018Writers and Housing Spaces\u2019. The NEXT area of my life involved in housing. I will gradually be making announcements and would be grateful for your support.
\n\u3000After the artist’s time is over, the residential space in which he or she lived is sometimes preserved like a \u2018monument of remembrance\u2019. Yesterday I mentioned the feelings of friendship with friends at the end of life, but as a whole being that includes the realm of life and death of each individual human being, the existence of a writer is a kind of spiritual companionship with us all.
\n\u3000One of the most influential writers in my lifetime is Yukio Mishima.
\n\u3000His final suicide has remained a kind of \u2018untouchability\u2019 in the modern world.
\n\u3000His living space is still preserved in Tokyo, but is not open to the public. However, a collection of photographs of the house published by the photographer Kishin Shinoyama still remains, and I have purchased a copy after the fact.
\n\u3000I also knew that there was another museum of literature named after him on the shores of Lake Yamanaka.
\n\u3000In terms of my own political stance at the time, I was rather close to the New Left Movement, which was the complete opposite of the New Left Movement, so although I was fully shocked by the incident, I was emotionally distant from it. However, as I have grown older, I have passed through the filter of Yanagida Kunio’s \u2018folklore\u2019 and have gradually come to think about the underlying melody of Mishima’s sentiments.
\n\u3000This time, I had the opportunity to travel to Tokyo for a business trip, which gave me a little more time to spare, and I had the chance to extend my visit to the shores of Lake Yamanaka.
\n\u3000It was easy to imagine that it would be difficult for local authorities throughout Japan to build a museum of the sensitive figure of Mishima, but Lake Yamanakako had a connection with Mishima, so it seemed to be a bold step to take. Of course, as a general literature museum, we thought it would be impossible to have a realistic sense of \u2018living space\u2019. However, when I visited the site and saw a replica of the \u2018garden statue\u2019 that I had seen in Kishin Shinoyama’s photo collection, I felt a strong sense of realism.
\n\u3000To be honest, I had a strong sense of discomfort when I saw Mishima’s \u2018statues in the garden\u2019 in his photo books, but when I saw them placed as in this photo, I felt as if they were \u2018doors\u2019 to Mishima’s personal world of imagination, partly because of the natural atmosphere in the background. A spatial opportunity to confront the human being Yukio Mishima. I have written about the differences in the way I perceive the garden as a Hokkaido resident compared to people from Honshu, but I discovered that there is also this kind of relationship between the garden\/statue and its \u2018inhabitants\u2019.
\n\u3000The fact that Yukio Mishima lived in daily dialogue with these statues made me feel a certain probability. The world of Yukio Mishima, a writer who should have won the Nobel Prize for Literature. After passing through various processes, the feeling of wanting to dialogue with this person had been aroused. Is it the power of space?
\n\u3000
\n\u3000<\/p>\n","protected":false},"excerpt":{"rendered":"

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